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Top: Solid Cedar
Back: Solid Sapele
Sides: Sapele
Neck: Mahogany
Fingerboard: Ebony
Scale: 644mm
Nut Width: 42mm
Preamp: CT4-DX (DMP)

D'Angelico's flagship archtop—now available in the Premier Series. Crafted from John D’Angelico’s original design, the Premier EXL-1's balanced, organic tone captures the unmistakable sound of a New York jazz box. Couple that with signature D'Angelico features in the Stairstep tailpiece and iconic headstock, the EXL-1 embodies elegance. Its single floating mini-humbucker highlights its naturally punchy mids and warm acoustic edge. Designed for jazzers at every turn, the Premier EXL-1 is the finest archtop in its class.

Introducing the MESA/Boogie Fillmore 25. Joining the award-winning Fillmore 50, the new Fillmore 25 shows up to claim the bantam-weight class with a compact 6V6 format. Authentic traditional tones abound in this new Fillmore’s popular power range, from clipped cleans, to a purring grind, all joined by the preamp’s higher gain realm delivering blistering tube overdrive like only a MESA can. The 25 also features tube-driven spring reverb that provides some of our lushest, richest reverb to date. Experience the 50's circuit, soul and clip-ability coupled seamlessly with the realm beyond where traditional amp evolution tapped-out in the twilight of the 60s with the new Fillmore 25. Finally, you can have the original Boogie-sized footprint, preamp flexibility to cover any style, and Traditional, old-school dress in the perfect power range! …Tone for days that brings back The Years!

  The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
  At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
  Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

By itself or as a companion to a 1x12 or another 1x15 cabinet, our most popular single speaker format is the 1x15 Ultra-Lite. A little larger footprint (than the 1x12) accommodates the needed internal volume to match the 15” Full Range driver and create this, warm, huge sounding compact cabinet that shines for everything form old-school Blues and R&B to scooped modern Slap and tight, picked Rock styles. Our sweet High Frequency Driver ensures the detail remains intact and imparts an adjustable Hi-Fi character to the sound. By itself, or as a foundation for further coloring with 10s or 12s, the 1x15 anchors the Subway Cabinet Line with its flexibility, warm and accurate performance across the full range, and ease of transport.

Previously owned and in mint condition, this Custom 24 has been upgraded with a 10-Top, Mash Green finish (normally reserved only for Artist Package guitars), Artist Grade flamed maple neck, and Artist Grade flamed maple fingerboard and headstock veneer. Also features a Pattern Thin neck profile.

The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.

"Un objeto de gran belleza"  That's a beautiful Spanish phrase isn't it? It means, "An object of great beauty". I can't think of anything that describes this guitar more eloquently and accurately. Where do I begin? This stunning instrument is a work of art that also happens to be an incredible guitar. It has a wonderful tone thanks in part to the Aged Tone Adirondack Top. Of course, the Brazilian Rosewood back and sides doesn't hurt either. This is a presentation model, like the beautiful presentation grade guitars and banjos made by the great instrument makers in the early 1900's. Instruments that were designed to represent the penultimate of the maker's art. The Bourgeois L-DBO-Presentation is that and more. This is as good as it gets, my friends.

  Featuring an amazingly lightweight and resonant body made from Empress wood.
  The foundation of the L-2500 is a pair of G&L Magnetic Field Design humbuckers backed by the flexible Tri-Tone control system, providing the sort of versatility that'll let you find your tone no matter what kind of bass line you're laying down. The Tri-Tone system features a trio of mini toggles for pickup selection, series/parallel signal routing and active/passive operation, as well as a trio of knobs for volume, treble and bass. With all that under the hood, Leo gave the L-2000 the kind of chops that’ll fit in any situation, from classic R&B to power-packed rock to poppin’ funk. With the addition of a meaty low 'B', the L-2500 brings a crushing bottom end that's tight and well defined. What’s more, the L-2500 features an innovative Leo Fender-designed Saddle-Lock bridge to transfer string energy right into the body end-grain for an incredibly resonant instrument. On the other end is a comfortable, C-shaped neck checking in with a modern 12" radius and 21 Plek-processed medium-jumbo nickel frets ready to deliver silky playability.

This ASAT Deluxe has been upgraded with a Black Limba top, DFS Trem/Vibrato, and Light Tint Satin neck finish.

The G&L ASAT Deluxe takes the iconic ASAT into humbucker territory while retaining the feel and playability that have made the ASAT a perennial favorite among players. Essentially a fusion of Fullerton and Kalamazoo, the Deluxe features Seymour Duncan humbuckers housed in a Premium Black Limba Top over Swamp Ash body. An innovative G&L Saddle-Lock bridge transfers string energy right into the body end-grain to make the most of the resonant body wood combination. The familiar ASAT feel continues with a hard-rock maple neck sporting an easy-playing satin finish, comfortable 9 1/2" radius and Jescar 57110 medium-jumbo nickel-silver frets for silky playability.

The Boogie 1x12 WideBody delivers the best of the open-back world by rear-mounting the speaker and extending the width of the cab to provide more interior low-end resonance while still emphasizing the signature sparkle and chime of an open-back design. Clean, low and medium-gain styles benefit greatly from the open-back format. Those styles benefit even further with the added bass response and overall fullness provided by the WideBody design. Full bass representation, solid midrange and the elusive high end "openness", sparkle and transparency are what the 1x12 WideBody does best!

-Number 35 of 40
-Nightshade finish
-One-piece mahogany set-neck
-Pattern Regular neck carve
-Madagascar rosewood fingerboard
-Dragon tail fingerboard inlay
-24 frets
-Madagascar headstock veneer
-Green Ripple Private Stock eagle headstock inlay
-Phase III Locking tuners
-Madagascar tuner buttons
-Solid african ribbon mahogany body
-Private Stock grade curly maple top w/ retro carve
-85/15 Treble & Bass humbuckers
-Volume, Push/Pull Tone, & 3-way toggle
-PRS tremolo bridge
-Deluxe PRS case