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With the EC-1000T/CTM Vintage Gold Satin, you get the overall vibe of an outstanding vintage instrument that’s been rocking hard for years and years, but with the most contemporary components and smooth playability imaginable. The “T” is for traditional, referring to its full-thickness single-cutaway mahogany body shape (no waist cut). The “CTM” stands for its custom multi-ply binding, situated on both the front and back or the body as well as neck and headstock. The finish color of this guitar has been carefully formulated to match the natural yellowing of a decades-old guitar, and looks like it came straight out of the hard rocking 1970s combined with its gold hardware, including a TonePros locking TOM bridge and tailpiece, and LTD locking tuners.

This Eastman SB55 TV-LTD features Eastman's Truetone Vintage Gloss finish in Ponoma Blonde, and a Lollar P90 bridge pickup. Eastman makes an astounding electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a great guitar with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass, some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

  This OM1 SB has been upgraded with Ivoroid Binding, Adriondack Braces, and beautiful Western Shaded Top.
  "OM" stands for "Orchestra Model," but 80 years after this body shape was first designed it has become the most popular 14-fret model with fingerstyle guitar soloists who choose to play on steel strings. Yet flatpickers also find it appealing, and when the graceful cutaway is added these OMs are often used by lead players who routinely explore all 20 frets much as they would on an electric guitar. The compact shape makes the Collings OM equally easy to handle onstage or when sitting on the couch, and the relatively shallow body (barely over 4 inches deep) results in balanced tone and an immediate response.

  The PRS NF 53 is a powerful guitar that combines classic tones with modern design. Inspired by one of Paul Reed Smith’s vintage guitars from 1953, the PRS NF 53 combines a swamp ash body and 22-fret, 25.5” scale length bolt-on maple neck with maple fretboard with a special set of PRS Narrowfield pickups. PRS Narrowfield DD (Deep Dish) pickups are made with taller bobbins to fit more winds and extra metal pieces in between the magnets for a more focused, powerful tone.
  Paired with a volume and tone control and 3-way blade pickup switch, the NF 53 allows players to easily dial in their sound. The steel plate-style bridge, bone nut, and PRS Phase III tuners with unplated brass shafts all work together to provide precise and reliable tuning stability while promoting sustain and powerful tone.
  Whether you are a seasoned player or just starting out, the PRS NF 53 is an addictive guitar you won’t want to put down.

  Featuring a Cobalt Smokeburst finish, and Pattern Thin neck carve.
  The Custom 24 is the quintessential PRS guitar, the iconic instrument that started it all back in 1985. The Custom 24-08 keeps many of the foundational specs as the original Custom – maple top, mahogany back and neck, 24 frets, 25" scale length, the PRS patented Gen III tremolo – but adds a new level of versatility with its TCI pickups and intuitive switching system. Featuring two mini-toggle coil-tap switches, the Custom 24-08 has eight different pickup settings that provide an array of humbucking and single coil tones, including a dual single coil option. For classic PRS playability, reliability, and tone with ultimate flexibility, check out the Custom 24-08.

  Featuring a beautiful 10-top in Gray Black finish, and Pattern Thin neck carve.
  The Custom 24 is the quintessential PRS guitar, the iconic instrument that started it all back in 1985. The Custom 24-08 keeps many of the foundational specs as the original Custom – maple top, mahogany back and neck, 24 frets, 25" scale length, the PRS patented Gen III tremolo – but adds a new level of versatility with its TCI pickups and intuitive switching system. Featuring two mini-toggle coil-tap switches, the Custom 24-08 has eight different pickup settings that provide an array of humbucking and single coil tones, including a dual single coil option. For classic PRS playability, reliability, and tone with ultimate flexibility, check out the Custom 24-08.

- White Pearl Metallic
- 2-piece Alder body
- Canadian Maple neck
- Indian Rosewood fretboard w/ Tyler rolled edges
- 10"-14" Radius
- STD Thin C
- 42mm Bone Nut
- White Mother of Pearl inlay
- Luminlay side dots
- Jescar FW51100 frets
- JTG 5500 SN neck pickup
- JTG 5500 SM middle pickup
- JTG Super H bridge pickup
- Dome Knobs
- 2 Post custom JTG bridge
- Custom JTG Locking Tuners
- Strings D’Addario 10-46
- 5-way CTS 500k Vol 250k Tone
- JTG custom midboost with bypass
- Hardshell case

  The PRS Special Semi-Hollow offers players a versatile hum/”single”/hum configuration with two PRS McCarty III humbuckers and a PRS Narrowfield middle pickup.
  McCarty III pickups were spec’d by Paul Reed Smith and the PRS New Products Engineering team. From our own hands-on research into coveted vintage pickup models to advancements in signal analyzation and “tuning” technology, these pickups incorporate every detail of pickup knowledge PRS has gained in recent years of R&D. PRS McCarty III pickups are vintage-inspired humbuckers that bring a vocal clarity to their full, warm tone. PRS Narrowfield pickup in the middle position delivers the bite of a single coil, so it cuts through the mix with plenty of clarity and punch – but without the hum.

  This Thompson D-MA features a tinted (Toner) top, rope-top trim, rope rosette, wood dots and logo, and snakewood tuner buttons.
  Preston Thompson Dreadnought models are all crafted to produce the tone and volume that the dreadnought guitar was originally designed to achieve. These are powerful instruments that, when needed, stand up to the volume of a mandolin, fiddle and banjo. They have the bass response that provides an almost full orchestral backing to vocals. Their mid-range response and bright trebles take flatpicking and lead playing to new levels of achievement.
  These are traditional instruments and all models are based on the famous 1937 Herringbone Dreadnought, owned by the late, great Charles Sawtelle of the award winning bluegrass band, Hot Rize. All feature Red spruce (Adirondack) tops chosen for tap tone and stiffness, advanced X brace placement, hand graduated top thickness, pre-war hand carved scalloped braces, nitro-cellulose lacquer finishes and time tested design features such as dovetail neck joints.

The Jumbo, or CJ, is Colling's version of the classic slope-shouldered dreadnought, a shape that has enjoyed renewed popularity in recent years. While the CJ is similar in width and depth to the traditional dreadnought, it has a distinctly different tone. CJ’s voice is deep and full-bodied, maximizing cut and power with a shimmery top end and quick response.