Search results for 'Suhr guitars'

With its gorgeous visual texture and shimmer, Big Leaf maple has always served up striking looks alongside its uniquely player-reflective sound. The 614ce Special Edition elevates that aesthetic appeal to new heights with five color choices that are sure to capture the attention of audiences on any stage. Like its standard-model sibling in the 600 Series, this Grand Auditorium boasts back and sides of solid figured Big Leaf maple paired with a torrefied Sitka spruce top, yielding a played-in sound with an extra dash of power and sustain coaxed out by the V-Class bracing architecture inside. Offering a warmer character than most maple guitars thanks to voicing touches developed by master guitar designer Andy Powers, the 614ce Special Edition responds differently to each player’s individual technique and style, letting musicians create a signature sound that’s all their own. For this release, we’ve opted for appointments that highlight the bold color palette, including white binding, a single-ring rosette in green abalone, Twisted Ovals fretboard inlays in Italian acrylic, gold tuning machines, ebony bridge pins with green abalone dots, and a full-body gloss finish. Each model includes built-in ES2 electronics for clean amplified acoustic sound and a deluxe hardshell case for protection.

The AD26e Baritone-6 is tuned B-to-B, and players can easily return it to standard tuning by placing a capo at the fifth fret. Visual appointments for this special-edition release include black binding, a black/maple/black single-ring rosette, 4mm Dot fretboard inlays in Italian acrylic, a firestripe pickguard, nickel hardware, a full-body matte finish, and a shaded edgeburst color treatment for the back, sides, and top, with a heel burst on the neck.

  The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

  Here's a true treasure for guitar lovers, a vintage Gibson J-200. Made in 1968. The Gibson catalog describes their J-200 model as “King of the Flat Top Guitars”. This is timeless instrument that exudes charm and character. This J-200 showcases its age with grace and is in overall very good condition. The saddle, nut, frets, and neck binding have been professionally replaced. The bridge plate was rebuilt, and the adjustable saddle replaced; breathing new life into this vintage beauty. These upgrades have improved the instrument's performance and tone while retaining its authentic essence. With its iconic sunburst finish, this Gibson J-200 captivates both the eyes and ears. The action is low and easy to play. Strummed, it has a rich, resonant tone that is both loud and balanced, making it ideal for a variety of musical styles.
  Whether you are a collector seeking a prized addition to your collection or a musician yearning for a vintage gem, this vintage 1968 Gibson J-200 is ready to inspire and delight. Don't miss your chance to own this piece of musical history. Comes with the original hardshell case (one side of the handle is broken).

Urban Ash has carved out a niche for itself in the Taylor line as a premium back and side wood with a dry, focused midrange and balance akin to high-grade mahogany. Now, it’s debuting as a top wood in the 424ce LTD, a Grand Auditorium crafted with back, sides and top of solid Urban Ash. As a hardwood, Urban Ash delivers a natural compression effect that will sound familiar to players of mahogany or koa guitars, smoothing out the initial attack to yield a remarkably balanced profile across the frequency spectrum. This model serves up the same fundamental focus you would expect from mahogany—the note you play is the note you’ll hear, and the restrained overtone response makes the 424ce LTD a superstar in recording applications. Inside, the V-Class bracing generates its trademark blend of enhanced volume and sustain, coaxing greater musicality and tunefulness from this versatile guitar. Appointments for this limited-edition model match its 400 Series counterparts and include black binding, a three-ring black rosette, Renaissance fretboard and peghead inlays in Italian acrylic, a black pickguard, Taylor satin black tuners, and a natural gloss finish that showcases the natural blonde hue and grain of Urban Ash. It ships with ES2 electronics and a deluxe hardshell case.

Colling's D1-T Traditional Series or "T-Series” guitars represent an exciting vintage-inspired tonal variation on the distinctive Collings sound, designed and crafted to showcase the most desirable characteristics present in coveted pre-war instruments. Bracing and tone woods are adjusted for weight and thickness to create a voicing characterized by warm, rounded highs and a present low midrange, while retaining a quick attack and strong projection.

The SE Zach Myers is packed with features that will satisfy even the most demanding musicians. Featuring a chambered mahogany body with maple cap, flame maple veneer, and single f-hole, the SE Zach Myers provides smooth mid-range tones with a natural, resonant internal reverb. The resonance of the semi-hollow body paired with the smooth feel of the satin finish neck will make an immediate impression in your hands. Additional appointments to the PRS SE Zach Myers signature model include a 22-fret, 24.5” scale length neck, PRS adjustable stoptail bridge, vintage-style tuners, and PRS-designed 245 “S” pickups paired with two volume and two tone controls and a 3-way toggle pickup switch. These pickups bring high-end clarity, low-end power, and an overall aggressive punch that maintains a certain sweetness.

The SE Zach Myers is packed with features that will satisfy even the most demanding musicians. Featuring a chambered mahogany body with maple cap, flame maple veneer, and single f-hole, the SE Zach Myers provides smooth mid-range tones with a natural, resonant internal reverb. The resonance of the semi-hollow body paired with the smooth feel of the satin finish neck will make an immediate impression in your hands. Additional appointments to the PRS SE Zach Myers signature model include a 22-fret, 24.5” scale length neck, PRS adjustable stoptail bridge, vintage-style tuners, and PRS-designed 245 “S” pickups paired with two volume and two tone controls and a 3-way toggle pickup switch. These pickups bring high-end clarity, low-end power, and an overall aggressive punch that maintains a certain sweetness.

  Featuring a gorgeous 10-Top in Purple Mist. The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

This beautifully aged classical guitar is from master luthier Jeronimo Peña Fernadez. Hand-dated in the soundhole at 1973. Featuring a solid Red Cedar top and quatersawn Brazilian Rosewood back and sides, the renowned warmth and balance of this instrument's tone is hard to overstate. This instrument was made at a time when Jerinimo Peña Fernandez was producing between 20 and 25 guitars a year in his workshop. The highly stylized guitars of Fernandez are perhaps most immediately identifiable for their intricate design details and overall original style. He learned this in the course of an apprenticeship in carpentry that began when he was only nine.

Taylor Builder’s Edition 517e Natural. In near mint condition. We've seen new guitars hanging in other stores that show more wear than this guitar. The neck is straight and true. The frets look perfect. It plays and sounds great. Taylor’s new modern Dreadnought body with all the Builder’s Edition upgrades. Torrified Spruce with vintage-hued looks, serves up projection and clarity with a touch of warmth. Silent satin finish helps give this guitar a little bit of vintage mojo. This slope shouldered dread with Taylor’s patented V Class Bracing resonates with finely honed balance of low-end power and clarity across the mid and upper registers. Premium features include chamfered body edges and a new compound carve neck profile help create a most comfortable playing experience. Contoured fretboard edges, ridgeless neck heel, and curved wing bridge provides even more playing comfort. Looks great, sounds great, comfortable playability, all in one. Raising the bar on your playing experience.