Search results for 'lefty guitars'

The SE Custom 24 is the quintessential SE instrument, designed to faithfully reflect the PRS model that started it all. The SE Custom 24 Lefty brings classic PRS playability, reliability, and vibrant tone to the left-handed players of the world. Gig and studio ready, this model keeps all of the same foundational specifications as the SE Custom 24: maple top, mahogany back, wide thin maple neck, 24 frets, 25” scale length, the PRS patented molded tremolo, and dual 85/15 “S” pickups with a 3-way blade pickup switch and push/pull tone control for coil splitting.

It’s back! While you won’t find many purpleish/blue reindeer in the wild, this E-II Eclipse brings back an exclusive ESP favorite finish in Reindeer Blue over a quilted maple top with multi-ply binding. Like all E-II models, this guitar is created at our ESP factory in Tokyo, Japan, and is designed for professional players who accept no compromise in tone, feel, or reliability for their guitars and basses. The E-II Eclipse RDB also includes an ebony fingerboard, 22 extra-jumbo frets, ESP flag inlays, a satin finish on the back for super smooth playability, a bone nut, Gotoh locking tuners, a Gotoh TOM bridge and tailpiece, and ESP strap locks. We’re also updated this outstanding guitar with a set of EMG 60 and EMG 81 pickups in Brushed Black Chrome. Includes an ESP hardshell form-fitting case.

As one of the best-looking, best-sounding, and highest quality single cutaway guitars ever made, the E-II Eclipse is made in Japan at the ESP factory, and designed for serious players who rely on their guitars for professional-caliber stage and studio work. This guitar offers a collection of top-tier components, like a bone nut, ESP strap locks, Gotoh locking tuners, and a Gotoh TOM bridge and tailpiece. Perhaps most impressive is its set of EMG 57TW/66TW set for coil splitting each active pickup with individual push-pull controls on both volume knobs. Built with set-thru construction on a traditional full thickness mahogany body and mahogany neck. The EII also features multi-binding on the body, neck, and matching headstock, and includes an ESP hardshell case.

  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith's favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer

"When we string up an OM it's hard to distinguish from the Traditional Dreadnought"
-Goodall Guitars

The Orchestra Model is a greatly favored shape amongst Goodall's Traditional lineup. It features a smaller, more comfortable to hold body size than the popular dreadnought body shape. Its tone is extremely powerful in the bass and midrange, with an emphasis on a broad warmth without lacking treble. All of Goodall's Traditional series models features a custom, partially scalloped bracing pattern which produces a bit more 'boominess' in the bass and midrange. The peghead and bridge have been redesigned for a more conservative visual appeal, with open gear Waverly tuning machines contributing to its charm. It is attractively arrayed with a herringbone marquetry rosette and top purfling, and a chevron marquetry backstrip. It has been designed especially with the flatpicker and the bluegrass player in mind.

The FN15 AR originates from Takamine's Natural series, combining a solid cedar top and spectacular Amazon rosewood for a powerfully musical combination. It features a new rosette pattern and satin finish recalling the essence of the Natural series guitars. Ease of amplification is achieved with the retro inspired CTF-2N preamp. FN15 AR is manufactured in limited numbers, capping at 300 pieces worldwide. Comes with hardshell case.

The FN15 AR originates from Takamine's Natural series, combining a solid cedar top and spectacular Amazon rosewood for a powerfully musical combination. It features a new rosette pattern and satin finish recalling the essence of the Natural series guitars. Ease of amplification is achieved with the retro inspired CTF-2N preamp. FN15 AR is manufactured in limited numbers, capping at 300 pieces worldwide. Comes with hardshell case.

Here's another great special edition Larrivee guitar. This time they have taken their 40 Legacy Series Dreadnought model and made it with 12 fret neck to body construction. In addition they added a Vine headstock logo and rosewood binding on the body and fretboard. The change in dimensions and construction with a 12 fret to body gives you a more dynamic sounding guitar.

With its gorgeous visual texture and shimmer, Big Leaf maple has always served up striking looks alongside its uniquely player-reflective sound. The 614ce Special Edition elevates that aesthetic appeal to new heights with five color choices that are sure to capture the attention of audiences on any stage. Like its standard-model sibling in the 600 Series, this Grand Auditorium boasts back and sides of solid figured Big Leaf maple paired with a torrefied Sitka spruce top, yielding a played-in sound with an extra dash of power and sustain coaxed out by the V-Class bracing architecture inside. Offering a warmer character than most maple guitars thanks to voicing touches developed by master guitar designer Andy Powers, the 614ce Special Edition responds differently to each player’s individual technique and style, letting musicians create a signature sound that’s all their own. For this release, we’ve opted for appointments that highlight the bold color palette, including white binding, a single-ring rosette in green abalone, Twisted Ovals fretboard inlays in Italian acrylic, gold tuning machines, ebony bridge pins with green abalone dots, and a full-body gloss finish. Each model includes built-in ES2 electronics for clean amplified acoustic sound and a deluxe hardshell case for protection.

The AD26e Baritone-6 is tuned B-to-B, and players can easily return it to standard tuning by placing a capo at the fifth fret. Visual appointments for this special-edition release include black binding, a black/maple/black single-ring rosette, 4mm Dot fretboard inlays in Italian acrylic, a firestripe pickguard, nickel hardware, a full-body matte finish, and a shaded edgeburst color treatment for the back, sides, and top, with a heel burst on the neck.

  The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.