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  Featuring a gorgeous 10-Top in Yellow Tiger. The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

- Jumbo acoustic inspired by Bob Taylor's original design
- Indian rosewood back and sides for warmth, clear trebles
- Sitka spruce top delivers power and projection
- Adjustable, easy-playing modern Taylor neck
- Includes LR Baggs Element VTC pickup

Thanks to the Empress body, this XSC-1 is unbelievably lightweight at 5 lb, 15oz! The Xotic XSC guitars are hand built in the USA and feature nitrocellulose finish, flame roasted maple neck treated with oil for the ultimate in playability and Raw Vintage hand wound pickups based on Xotic’s own proprietary design.

  This is a Teye, L-Series Cleopatra: a true work of art that combines breathtaking craftsmanship with exceptional tone and playability. Known for their intricate inlays, ornate engraved aluminum plates, and rich, versatile sounds, Teye guitars are highly sought after by players and collectors alike.
  This Cleopatra is in excellent condition, showing only slight hints of playwear. The finish, hardware, and intricate details are all in great shape, and it has been well cared for. The frets are perfect and show no wear. It has been set up and plays great.
  This Cleopatra also features a Shipwreck finish on its mahogany back and neck, a bound ebony fretboard, Lollar pickups, and Grover Imperial tuners, ensuring premium tone and playability. It comes with a waterproof SKB iSeries hardshell case for ultimate protection.

Taylor puts an all-walnut spin on their renowned Academy Grand Concert model. The slim, ergonomic, easy-to-hold Grand Concert body is comfortable for a wide variety of players. A solid walnut top and layered walnut back and sides produce a bright, clear tone that also delivers formidable body and projection. ES-B electronics effortlessly electrify your playing and authentically capture the 22e's rich unplugged tone.

  This is a 1982 Gibson Firebird II Artist CMT in a beautiful cherry sunburst finish. This is a rare vintage piece with some tasteful modifications to make it more player-friendly. With its Curly Maple Top (CMT) and unique design, this is one of the more distinctive Firebirds Gibson ever made.

The Super Bee captures that legendary Fullerton-made blackface 4x10" Super Reverb sound in an inspiring new model sized and powered to suit the true needs of today’s venues. No channel switching, no loop, just pure old-school blackface-inspired tone, delivered with new-school usability.

From scooped chime, to edge-of-breakup twang, to stinging roar, it’s all there at volume levels that will keep the soundman smiling while you push the Super Bee into succulent output-tube-driven overdrive and harmonically saturated bloom.

The key to the Super Bee circuit lies in its current-production 6BM8 output tubes. The pair achieves rich, bold, articulate tone remarkably reminiscent of the classic 6L6GC but at only 10 watts — plenty to cut through your drummer at the next club gig, but easily driven into dynamic sonic splendor without violating any noise restrictions.

Add a built-in attenuator to take it from 2 watts to a whisper for late-night jams; Carr’s spacious, three-dimensional tube-driven reverb; an EZ81 tube rectifier for a lively, bouncy playing response; and Carr’s legendary point-to-point construction and high-end component selection, and this is the finest compact Fullerton-killer on the scene today.

But wait! There’s also the versatile Sting switch to reconfigure the Super Bee for three classic voices:

64 – extra-scooped shimmer for crystalline cleans
68 – pushed blackface with bite for meaty twang and crunch
72 – more gain and a shift in the EQ circuit placement delivering fuller mids for luscious leads

The Super Bee — a Super reverb combo you can actually carry . . . And tear down the house without shredding any eardrums. Learn More

Thanks to the Empress body, this XSC-1 is unbelievably lightweight at 5 lb, 13oz! The Xotic XSC guitars are hand built in the USA and feature nitrocellulose finish, flame roasted maple neck treated with oil for the ultimate in playability and Raw Vintage hand wound pickups based on Xotic’s own proprietary design.

Thanks to the Empress body, this XSC-1 is unbelievably lightweight at 5 lb, 13oz! The Xotic XSC guitars are hand built in the USA and feature nitrocellulose finish, flame roasted maple neck treated with oil for the ultimate in playability and Raw Vintage hand wound pickups based on Xotic’s own proprietary design.

This XTC-1 is incredibly lightweight at 5 lb, 6 oz. Amazingly balanced as well. An absolutely killer T-style guitar. The Xotic XTC guitars are hand built in the USA and feature nitrocellulose finish, flame roasted maple neck treated with oil for the ultimate in playability and Raw Vintage hand wound pickups based on Xotic’s own proprietary design.

This XTC-1 is one of the lightest we've ever come across at 5 lb, 1 oz. Amazingly balanced as well. An absolutely killer T-style guitar. The Xotic XTC guitars are hand built in the USA and feature nitrocellulose finish, flame roasted maple neck treated with oil for the ultimate in playability and Raw Vintage hand wound pickups based on Xotic’s own proprietary design.