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The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
  “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin

The T58/v-AMB features a hand-rubbed Antique Varnish finish, and TV Jones Classic Pickups. Premium tonewoods and meticulous craftsmanship form a harmonious relationship that made Eastman’s name in the Jazz guitar world. The choice of tonewoods and the time honored processes followed to craft these guitars create an organically acoustic tone that is seldom matched. Chords are full and complex while single notes are crisp and well defined.

  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith's favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer

The Xotic XSC guitars are hand built in the USA and feature nitrocellulose finish, flame roasted maple neck treated with oil for the ultimate in playability and Raw Vintage hand wound pickups based on Xotic’s own proprietary design.

  Eric GALES and MAGNETO Guitars have been working together for more than 12 years. MAGNETO guitars has produced several custom versions of the Eric GALES “RawDawg” guitar in the past years. From Magneto - "We have always worked on the same type of body and neck combinations but we have tried to add a new feature at every new rendition making it a high grade instrument with a solid price tag. In early 2020, we started to talk about the idea of producing a new Signature guitar that would be made available to a broader audience. We kept on talking with Eric and tried many options and we have also developed specific parts for that guitar. An important part of the plan was to develop a specific range of single coil pickups that would have the dynamics and great midrange response which play an important role in Eric’s guitar tone."
  The MAGNETO Eric GALES RD3 features a basswood body and roasted maple neck with a rosewood fingerboard. Sunset Gold finish with Gold mirror pickguard and backplate, a Gotoh tremolo, Gotoh tuners as well as the new Magneto Metro-Poles EG1 pickups.

  This CE24 features an Eriza Verde Finish, and Pattern Thin neck carve.
  Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. These attributes have, in turn, become essential to many players trying to tell their story through music. The CE 24 pairs PRS’s traditional body combination of the mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck sports a Pattern Thin carve and satin nitro finish for a natural, addictive feel. To further maximize the guitar’s inherent tone and clarity, the CE 24 features PRS 85/15 pickups, which Paul designed to have remarkable clarity as well as extended high and low end. The electronics consist of a volume and push/pull tone control with 3-way toggle switch for a total of six classic sounds.

Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

Premium tonewoods and meticulous craftsmanship form a harmonious relationship that made Eastman’s name in the Jazz guitar world. The choice of tonewoods and the time honored processes followed to craft these guitars create an organically acoustic tone that is seldom matched. Chords are full and complex while single notes are crisp and well defined.

A Tyler Studio Elite HD in an insane Jimburst Shmear finish! The James Taylor Studio Elite HD is one of the most popular models that Tyler Guitars offers. Tyler guitars are well known for their unparalleled feel and tone. James’ keen insight into how things work, and what players want is the main reason Tyler Guitars are coveted by top session players and artists worldwide. 

During the early 20th century, acoustic guitars were used in antiquated dance orchestras and brass bands. However, the wind instruments would drown out the sound of the acoustic guitars. In 1927, Slovak luthier, John Dopyera was approached by a guitarist known as George Beauchamp with a request for a guitar loud enough to play alongside brass and wind instruments. Using 3 spun aluminum speaker cones (resonators), joined by a T-shaped aluminum bar that supports the bridge, a mechanical amplification system was created that allowed the guitar to be heard in the back row of the auditorium. From the jazz bands of the '20s, through the Hawaiian craze of the '30s, from Chicago down to the Delta, the sound of the Tricone defined an era.

During the early 20th century, acoustic guitars were used in antiquated dance orchestras and brass bands. However, the wind instruments would drown out the sound of the acoustic guitars. In 1927, Slovak luthier, John Dopyera was approached by a guitarist known as George Beauchamp with a request for a guitar loud enough to play alongside brass and wind instruments. Using 3 spun aluminum speaker cones (resonators), joined by a T-shaped aluminum bar that supports the bridge, a mechanical amplification system was created that allowed the guitar to be heard in the back row of the auditorium. From the jazz bands of the '20s, through the Hawaiian craze of the '30s, from Chicago down to the Delta, the sound of the Tricone defined an era.