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Featuring a K&K Duotone pickup. Individually hand-built using traditional materials & “Old World” craftsmanship with solid Spruce Top, solid Maple back & sides. Ebony fingerboard & adjustable ebony bridge. F-style body with F-holes for superb tone & projection.

This 315E Mandola from Eastman comes with a K&K Duotone pickup, and offers an overall incredible value. It features all solid wood construction with a beautiful satin finish that is rich and old-world in appearance. With a sound and playability that is as sweet and burnished as its vintage good looks. We don't know of any other products that can compete with Eastman's amazing instruments at this price. Comes with padded gig bag.

  The PRS SE P20E is a parlor-sized acoustic with a big voice. The PRS P20E features all-mahogany construction, and has an organic, warm voice. Featuring PRS hybrid "X"/Classical bracing, which allows the top to freely vibrate, the SE P20E projects with even, bold tone. Its smaller size makes playing for hours fun and comfortable and allows for more convenient transport.
  Parlor-sized acoustics can be miscategorized because of their size but make no mistake this is a professional-grade instrument. Plug in, and the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone, so whether writing, recording, or performing, the P20E is sure to impress. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls, which essentially transforms what some may consider a "couch guitar" into a workhorse stage instrument.
  Featuring a satin finish with herringbone rosette and accents, the P20E looks as good as it sounds. Other high-quality features include a solid mahogany top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Comes with a gig bag and strung with 12-53 strings.

The all-new 724ce launches a new era for the Taylor 700 Series, introducing Select-grade Hawaiian koa to this popular family of acoustic guitars. This Grand Auditorium boasts back, sides and top of solid Hawaiian koa selected for its visual beauty as well as its punchy, lively musical response. You'll hear a bold attack with an energetic tone profile that yields crisp trebles, a rich midrange and a low end that grows in over time. The super-thin matte finish makes for a raw feel and aesthetic that's complemented by mother-of-pearl Fountain inlays, rosewood binding, a paua shell rosette and a dark-stained maple pickguard. It includes the ES2 acoustic pickup and a deluxe hardshell guitar case for storage and protection.

  The PRS NF 53 is a powerful guitar that combines classic tones with modern design. Inspired by one of Paul Reed Smith’s vintage guitars from 1953, the PRS NF 53 combines a swamp ash body and 22-fret, 25.5” scale length bolt-on maple neck with maple fretboard with a special set of PRS Narrowfield pickups. The PRS Narrowfield DD (Deep Dish) pickups are made with taller bobbins to fit more winds and extra metal pieces in between the magnets for a more focused, powerful tone.
  “I am so pleased with the feedback from the artists who have played this guitar – everyone is telling us that we have something special here,” said Paul Reed Smith. “If you are a fan of this style and tone, the NF 53 will take you where you want to go. To me to have this kind of beautiful high end without the hum is game changing.”

  After ten years, the PRS S2 Series is being updated with USA-made pickup and electronics for 2024 (and beyond). PRS is proud to bring this added value to what has become a fully integrated part of their manufacturing line and product offering.
  The S2 Standard 22 is a workhorse guitar for gigging musicians, toneful enough to stand up plugged straight into an amplifier and solid enough to serve as a great platform for even the most modern pedal board set up. The S2 Standard 22’s solid mahogany body and set neck give this guitar a distinctive resonance and powerful sustain, and when mahogany’s rich, round, warm tone meets the Maryland, USA-made 58/15 LT pickups, there are plenty of clear highs and strong mids to be dialed in. For the player who wants to cover a lot of ground with their music, the S2 Standard 22 is a perfect choice.

  This Hollowbody II Piezo features a McCarty Sunburst finish, and Pattern neck carve.
  With brilliant acoustics and a vast array of tones, the Hollowbody II has been a constant favorite in PRS's dynamic lineup of hollow instruments. The combination of the maple top and back with mahogany sides provides tonal clarity and extraordinary resonance.
  The LR Baggs/PRS Piezo System comes standard, providing musicians with the versatility of wielding both acoustic and electric guitar tones in one instrument. There are two output jacks on the Hollowbody II Piezo, allowing guitarists to plug into their favorite electric guitar or acoustic guitar amp or DI into a soundboard. By utilizing the separate blend control, the tone of the Hollowbody II Piezo's 58/15 LT pickups can also be combined with acoustic sounds through a single output.

  This Special Semi-Hollow features a Pattern neck carve, a 10-Top, and a McCarty Sunburst finish.
  The PRS Special Semi-Hollow offers players a versatile hum/“single”/hum configuration with two PRS 58/15 LT humbuckers and a PRS Narrowfield middle pickup. PRS Narrowfield pickups deliver the bite of a single coil, so they cut through the mix with plenty of clarity and punch – without the hum. Paired with a 5-way blade switch and two mini-toggles that split the 58/15 LT humbuckers, this guitar can handle myriad sounds and styles (with twelve pickup combinations in total). Roll back the tone control for added growl, turn it up for some shimmer, and have fun exploring this versatile tonal palette.
  Additional specifications include a maple top, mahogany back, 22-fret 25” scale length mahogany neck, rosewood fretboard, Phase III locking tuners, and the PRS Gen III patented tremolo system. The volume levels between the humbucking and single-coil settings remain very even, and the semi-hollow body with single f-hole provides a welcome airiness and depth to the guitar’s tone.

IN THE HILLS ABOVE HOLLYWOOD, CALIFORNIA… sit several well known canyons. Beachwood Canyon, to the East of Hollywood, is home to the famous HOLLYWOOD sign. To the West sits Nichols Canyon, where Foxx pedals founder and current Danelectro owner Steve lived with his parents in the mid 1960’s. It was in the garage of that home on Nichols Canyon Place that Steve created his first effects pedal, which he named “The Liverpool Fuzz Tone”. Steve had no money to buy a fuzz and no access to any schematics. So he created a completely unique circuit architecture that has never been seen again. Although he called his box a “fuzz”, it was in fact half way between a distortion and a fuzz. This incredible box dishes out delicious tones unlike those of any pedal ever made. While Steve labored to create this new box in 1966, less than 2 miles away in Laurel Canyon musicians were collaborating on what would become the most famous songs of the 1960’s.

Featurnig an Adirondack Spruce top.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.

  Mark Tremonti is one of rock's leading guitarists. As the guitarist of Alter Bridge and Creed, he has met extraordinary success and continues to grow as both a guitar player and songwriter. While Creed was on tour in support of their first record, My Own Prison, Mark was contacted by PRS and asked if he would like to try one of their guitars.
  Mark Tremonti began to collaborate with PRS on his dream guitar that would soon become the Mark Tremonti Signature. He needed pickups that were a little more aggressive and could complement his rhythm playing which contains a lot of palm muting. The neck of the guitar needed to accommodate his style, influenced by thrash metal, shred, and traditional blues. PRS met these needs with the Pattern Thin neck carve.