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  The newest addition to the Bourgeois Touchstone family is based on one of the most successful models ever to come out of the Lewiston workshop. the Country Boy. This vintage-inspired workhorse is meticulously handcrafted with the specific aim of providing musicians best-in-class attention to detail, tone, and playability. Resonating with warmth and clarity, the all-new Touchstone Country Boy offers an impressive dynamic range, perfect for aspiring and professional players alike.
  Crafted from some of the finest tonewoods in its class, the Touchstone Country Boy features a one-piece Honduran Mahogany neck, Honduran Mahogany back and sides, and a hand-voiced, old-growth Sitka Spruce top.
  Whether you’re a seasoned professional musician or just setting out on your road to the main stage, the Touchstone Country Boy is finally making the immersive, boutique playing experiences once reserved for the few, available to the many.

  This Custom 24 features a Pattern Thin neck carve, and Orange Tiger Finish
  The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.
  The Custom 24 is the original PRS. Since its introduction, it has offered a unique tonal option for serious players and defined PRS tone and playability.

Now available as a left-hand model, the Custom 24 is the quintessential PRS guitar: the iconic guitar that started it all back in 1985. The Custom 24-08 keeps all the foundational specs of the instrument, while taking the Custom platform to new sonic territories. Like the Core Series instrument, the SE Custom 24-08 features two mini-toggle coil-split switches that individually split the humbuckers into true single coils for a total of eight pickup configurations. Classic design elements include a maple top, mahogany back, rosewood fretboard, 24 frets, 25” scale length, bird inlays, signature headstock logo, and PRS patented molded tremolo.

Now available as a left-handed model, the PRS SE Standard 24-08 is a mahogany-body workhorse guitar with powerful humbucking and true single-coil tones in one instrument. Its PRS TCI “S” pickups are paired with a 3-way toggle switch and two mini-toggle coil split switches that individually split the humbuckers into true single coils for a total of eight pickup configurations. Players can enjoy two full octaves thanks to the 24-fret, 25” scale length rosewood fretboard and wide thin maple neck, and the PRS patented, molded tremolo gives players added flexibility and control over their playing. With sonic range and rock-solid reliability, the PRS SE Standard 24-08 will keep you playing without compromise.

  The Goodall Grand Concert might be one of the world's most perfect guitars. With its refined and beautifully proportioned shape, it is everything you could desire from an acoustic guitar and more. It's tone is a wonderful blend of balanced clarity, and punchy projection, with a smooth rich bass response. This instrument is larger than the Parlor but smaller than the Concert Jumbo. It has a singing lyrical treble, with excellent sustain, and is comfortable to hold. Though it is a small guitar, the Grand Concert does not exhibit the tight nasal tonal quality in the midrange and bass that is generally associated with smaller guitars.
  While the Grand Concert series is considered ideal for the fingerstylist due to its sensitive, dynamic responsiveness, it is equally appropriate for the flatpicker or plectrum player with the appropriate tonewood combination. It is prized by Bluegrass flatpickers and has even been said to surpass large bodied dreadnought guitars with respect to it's clarity, sustain and powerful projection.

The FN15 AR originates from Takamine's Natural series, combining a solid cedar top and spectacular Amazon rosewood for a powerfully musical combination. It features a new rosette pattern and satin finish recalling the essence of the Natural series guitars. Ease of amplification is achieved with the retro inspired CTF-2N preamp. FN15 AR is manufactured in limited numbers, capping at 300 pieces worldwide. Comes with hardshell case.

Here's another great special edition Larrivee guitar. This time they have taken their 40 Legacy Series Dreadnought model and made it with 12 fret neck to body construction. In addition they added a Vine headstock logo and rosewood binding on the body and fretboard. The change in dimensions and construction with a 12 fret to body gives you a more dynamic sounding guitar.

Urban Ash has carved out a niche for itself in the Taylor line as a premium back and side wood with a dry, focused midrange and balance akin to high-grade mahogany. Now, it’s debuting as a top wood in the 424ce LTD, a Grand Auditorium crafted with back, sides and top of solid Urban Ash.

The SE Zach Myers is packed with features that will satisfy even the most demanding musicians. Featuring a chambered mahogany body with maple cap, flame maple veneer, and single f-hole, the SE Zach Myers provides smooth mid-range tones with a natural, resonant internal reverb. The resonance of the semi-hollow body paired with the smooth feel of the satin finish neck will make an immediate impression in your hands. Additional appointments to the PRS SE Zach Myers signature model include a 22-fret, 24.5” scale length neck, PRS adjustable stoptail bridge, vintage-style tuners, and PRS-designed 245 “S” pickups paired with two volume and two tone controls and a 3-way toggle pickup switch. These pickups bring high-end clarity, low-end power, and an overall aggressive punch that maintains a certain sweetness.

  Featuring a gorgeous 10-Top in Purple Mist. The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

The T58/v-AMB features a hand-rubbed Antique Varnish finish, and TV Jones Classic Pickups. Premium tonewoods and meticulous craftsmanship form a harmonious relationship that made Eastman’s name in the Jazz guitar world. The choice of tonewoods and the time honored processes followed to craft these guitars create an organically acoustic tone that is seldom matched. Chords are full and complex while single notes are crisp and well defined.