Search results for 'PRS Custom 24'

  If this one isn't already on your radar, it should be. For a smaller body guitar, Larrivee's 0-40r creates an outstanding range of sound. It is not only seriously fun to play, and easy to sit with; but is surprisingly full-sounding, and balanced. This would make an outstanding instrument for recording.
  Built in America using all solid woods, bone nut and saddle, diamond fingerboard dots, and 18:1 open-back tuners.
 This one is upgraded with a Moon Spruce top for added punch, and JCL headstock logo.
  Between the sharp aesthetic, the high-caliber build quality, and most importantly the gorgeous sound, this model might seriously become your go-to piece.

The ESP E-II Eclipse DB is inarguably one of the coolest-looking guitars in the entire ESP offering. It starts with a great combination of Vintage Black finish and age-yellowed multi-binding with gold hardware. But the E-II Eclipse DB is more than a killer-looking instrument; it's also one of their finest-playing guitars. Powered by a set of EMG 60 (neck) and EMG 81 (bridge) pickups, it's ready for everything from deep and contemplative sounds to the most screaming, aggressive tones imaginable. A set-neck design, it's easy to get quickly up to the highest frets. It features a mahogany body with maple cap, a one piece mahogany neck, and an ebony fingerboard with 22 extra-jumbo frets. The E-II Eclipse DB includes high-end components like Dunlop Straploks, Gotoh locking tuners, and a Gotoh TOM bridge and tailpiece. Like all instruments in our E-II Series, the Eclipse DB is made in Japan at ESP’s Tokyo factory. Includes hardshell case.

  The E3OM Deluxe features a solid Sitka Spruce top, solid Ovangkol back and sides, Eastman's Truetone Gloss finish, and Fishman electronics.
  The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a solid Thermo-Cured Sitka Spruce top, and solid Rosewood back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

  This CE24 features a Black Amber Finish, and Pattern Thin neck carve.
  Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. These attributes have, in turn, become essential to many players trying to tell their story through music. The CE 24 pairs PRS’s traditional body combination of the mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck sports a Pattern Thin carve and satin nitro finish for a natural, addictive feel. To further maximize the guitar’s inherent tone and clarity, the CE 24 features PRS 85/15 pickups, which Paul designed to have remarkable clarity as well as extended high and low end. The electronics consist of a volume and push/pull tone control with 3-way toggle switch for a total of six classic sounds.

  The Modern Eagle V is an innovative instrument that offers highly musical tones for both recording and playing live. Utilizing a hum/single/hum (five-coil) pickup layout and unique electronics configuration, the Modern Eagle V gives players a vast array of tones in one guitar. The 5-way blade switch selects the pickups in intuitive groupings: treble, treble and middle, middle, middle and bass, and bass. There is a single volume and a push/pull tone control that activates both humbuckers when engaged; this allows players to access all three pickups simultaneously. Finally, the mini toggles allow players to individually tap the humbucker coils, for additional single-coil sounds. This electronics design puts a whole set of classic and new tones at your fingertips.
  Additional appointments include a maple top and mahogany back, a 22 fret, 25” scale length, Pattern mahogany neck with rosewood fretboard, bone nut, and PRS patented Gen III tremolo.

The PRS SE Standard 24-08 is a mahogany-body workhorse guitar with powerful humbucking and true single-coil tones in one instrument. Its PRS TCI “S” pickups are paired with a 3-way toggle switch and two mini-toggle coil split switches that individually split the humbuckers into true single coils for a total of eight pickup configurations. Players can enjoy two full octaves thanks to the 24-fret, 25" scale length rosewood fretboard and wide thin maple neck, and the PRS patented, molded tremolo gives players added flexibility and control over their playing. With sonic range and rock-solid reliability, the PRS SE Standard 24-08 will keep you playing without compromise.

  “I didn't just rubber stamp this. This guitar is something I have been very involved in and am really proud of. The SE Series is lightyears ahead of anything I could get my hands on when I started playing - it’s amazing how far the quality has come – and I am proud to be able to offer this guitar to more people.” - David Grissom
  The PRS SE DGT (David Grissom Trem) brings David Grissom’s signature model to the SE Series for the first time. Based on the McCarty platform, the DGT model has been a constant favorite since its introduction in 2007, thanks to Grissom’s deep knowledge of vintage guitars and his painstaking attention to detail. Every feature on the SE DGT has been considered from the neck shape to the fret choice and dressing, from the colors to the pickups and electronics layout.

  “I didn't just rubber stamp this. This guitar is something I have been very involved in and am really proud of. The SE Series is lightyears ahead of anything I could get my hands on when I started playing - it’s amazing how far the quality has come – and I am proud to be able to offer this guitar to more people.” - David Grissom
  The PRS SE DGT (David Grissom Trem) brings David Grissom’s signature model to the SE Series for the first time. Based on the McCarty platform, the DGT model has been a constant favorite since its introduction in 2007, thanks to Grissom’s deep knowledge of vintage guitars and his painstaking attention to detail. Every feature on the SE DGT has been considered from the neck shape to the fret choice and dressing, from the colors to the pickups and electronics layout.

  This Custom Build Banjo Killer is a standard square shouldered dreadnought with a premium bearclaw Sitka spruce top and figured mahogany back and sides. Square headstock shape. The bracing for this guitar is modeled after Bryan Sutton’s famous Bourgeois dubbed the “Banjo Killer". The fingerboard and belly bridge are figured ziricote wood. The Tor-tis pickguard is handmade, and the bridge pins are ebony with abalone dots. The tuners are Nickel Waverly with ivoroid buttons.
  Bryan Sutton has this to say: "From the first time I played the Slope-D Bourgeois that would come to be known as the "Banjo Killer", I was amazed at the range of tone and volume the guitar could produce. The guitar always seems to be to able to handle any dynamic level of play. I can hear the guitar clearly in a loud jam session without feeling like I have to overplay and also enjoy a full and sustained tone when I want to play softly.”

New Deluxe model featuring Truetone Gloss finish, and Fishman electronics. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.