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  Hombre, Suhr’s take on the classic Brownface tones that have inspired John Suhr since his early days as a guitarist. The intention was clear: create a modern take on these classic designs while preserving the vintage heritage.
  The purity of the signal path is part of Hombre’s beauty. It results in a playing experience that is incredibly dynamic and touch-sensitive. A simple turn of the volume and tone controls will put a shocking range of sound at your fingertips.
  Clean tones are classic, gorgeous and bell-like, but make no mistake, this amp is a dirty little combo. It wants to be pushed into sweet overdrive, conjuring tones from the 1970s era of Texas blues-rock.
  The onboard Dynamic Tube Bias tremolo imparts an unmistakably rich, sought after sound, that simply can’t be imitated.

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The Marshall ORI212A Origin comes loaded with dual Celestion Seventy 80s. These 12-inch speakers give you modern British tone with gutsy midrange and plenty of top-end punch. Celestions are a staple of modern music. Starting in the 1960s, they helped define generations of guitar tone. The Seventy 80 takes the sound of Celestion’s classic original G12M Greenback ceramic speaker to the max. Characterized by a hefty bottom end, aggressive mids, crisp highs, and robust volume handling, these speakers sound great no matter what style of music you play. 

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Packed with a generous complement of tubes, the Origin ORI20C exhibits vintage-inspired Marshall tone. This amp is powerful in its simplicity. Dial in the Gain and Master controls to get the right amount of crunch, then shape your tone with the Presence knob and the 3-band EQ. A unique Tilt control blends bright and normal sounds, while switchable power enables high-output sounds at any volume. The Origin ORI20C is a no-frills gateway to classic Marshall tone.

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During the early 20th century, acoustic guitars were used in antiquated dance orchestras and brass bands. However, the wind instruments would drown out the sound of the acoustic guitars. In 1927, Slovak luthier, John Dopyera was approached by a guitarist known as George Beauchamp with a request for a guitar loud enough to play alongside brass and wind instruments. Using 3 spun aluminum speaker cones (resonators), joined by a T-shaped aluminum bar that supports the bridge, a mechanical amplification system was created that allowed the guitar to be heard in the back row of the auditorium. From the jazz bands of the '20s, through the Hawaiian craze of the '30s, from Chicago down to the Delta, the sound of the Tricone defined an era.

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During the early 20th century, acoustic guitars were used in antiquated dance orchestras and brass bands. However, the wind instruments would drown out the sound of the acoustic guitars. In 1927, Slovak luthier, John Dopyera was approached by a guitarist known as George Beauchamp with a request for a guitar loud enough to play alongside brass and wind instruments. Using 3 spun aluminum speaker cones (resonators), joined by a T-shaped aluminum bar that supports the bridge, a mechanical amplification system was created that allowed the guitar to be heard in the back row of the auditorium. From the jazz bands of the '20s, through the Hawaiian craze of the '30s, from Chicago down to the Delta, the sound of the Tricone defined an era.

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Features Power Output: 700 watts @ 2.67 or 4 ohms, 350 watts @ 8 ohms Preamp Section: Solid State Power Section: Class D Transformer: Switching mode power supply (SMPS) EQ Section: Bass: +/- 17 dB @ 40 Hz Mid Level: +/- 16 dB Mid Frequency: 180 Hz – 1 kHz Treble: +/- 14 dB @ 4 kHz Drive Control: Fully adjustable, featuring Aguilar’s proprietary AGS (adaptive gain shaping) circuit Effects Loop: Series operation. Adds 6 dB of additional gain, making it useful for a broad range of effects units. Inputs: One 1/4″ input jack, compatible with all active and passive basses Speaker Outputs: Two Neutrik Speakon speaker outputs Balanced Output: XLR balanced output with pre/post EQ and ground lift switch Tuner output Cooling: Two high-quality whisper fans with thermal speed control Dimensions: 12″ W x 9″ D x 3″ H Weight: 4.9 lbs (2.22 kg) Warranty: Three year limited Learn More

Features Power Output: 700 watts @ 2.67 or 4 ohms, 350 watts @ 8 ohms Preamp Section: Solid State Power Section: Class D Transformer: Switching mode power supply (SMPS) EQ Section: Bass: +/- 17 dB @ 40 Hz Deep: +6 dB <250 Hz Low Mid: +/- 15 dB @ 300 Hz High Mid: +/- 14dB @ 800 Hz Treble: +/- 14 dB @ 4 kHz Bright: +6 dB >3 kHz, shelving -10dB input pad Tuner output Inputs: One 1/4″ input jack, compatible with all active and passive basses Speaker Outputs: Two Neutrik Speakon speaker outputs Effects Loop: Series operation. Adds 6 dB of additional gain, making it useful for a broad range of effects units Balanced Output: XLR balanced output with pre/post EQ and ground lift switch Cooling: Two high-quality whisper fans with thermal speed control Dimensions: 12″ W x 9″ D x 3″ H Weight: 4.9 lbs Warranty: Three year limited Learn More

Features Power Output: 350 watts into 4 ohms, 175 watts into 8 ohms Preamp Section: Solid State Power Section: Class D Transformer: Switching mode power supply (SMPS) Tuner output EQ Section: Bass: +/- 17 dB @ 40 Hz Mid Level: +/- 16 dB Mid Frequency: 180 Hz – 1 kHz Treble: +/- 14 dB @ 4 kHz Drive Control: Fully adjustable, featuring Aguilar’s proprietary AGS (adaptive gain shaping) circuit. Inputs: One 1/4″ input jack, compatible with all active and passive basses -10dB input pad Speaker Output: Neutrik Speakon Balanced Output: XLR balanced output with pre/post EQ and ground lift switch Cooling: One high-quality whisper fan with thermal speed control Dimensions: 8.25″ W x 7.5″ D x 2.75″ H Weight: 3 lbs Warranty: Three year limited Learn More

The UAFX Woodrow '55 Instrument Amplifier pedal gives you the legendary American tweed tube amp sounds used by artists and producers for decades, from The Eagles to Chuck Berry to Neil Young. Built on powerful dual-engine processing and UAD modeling expertise, the Woodrow '55 effects pedal packs sweet cleans, rich overdrive, and grungy distortion. Whether it's replacing your amp rig and going direct to front‑of‑house on stage, or recording tracks into your DAW — Woodrow '55 gives you the inspiring, album‑ready tones of an expertly miked "golden unit" vintage tweed amp, within seconds. Take your rowdy tweed tones further using tried-and-true British speaker swaps and boosts — including preamps from the iconic KORG SDD-3000 rack unit and Maestro EP-3 tape delay — at the flip of a switch.* Only Woodrow '55 puts authentic tube growl and hot‑rod mods under your chucks, docs, or crocs. Woodrow '55 gets even better with the UAFX Control mobile app. Download custom artist tones, recall and archive your presets, and delve into the tweed amp that started it all. Learn More

This cabinet is LEGENDARY! The original Rectifier® 2x12 Horizontal Cabinet was designed by matching the dimensions of the bottom two speakers in a Standard Oversized Rectifier 4x12. While simple in its design concept, the resulting sealed enclosure delivers HUGE punch, projection and authority from its relatively small size. In addition to world-class low end response, its midrange punch and bite, coupled with the classic warmth and cut of Celestion Vintage 30s, makes this cabinet an excellent choice for all styles despite its reputation in high gain rock, alternative, and metal styles. Anytime you want to bring a 4x12 but can’t, the 2x12 Recto® sounds big enough to make you wonder if you DO have a 4x12 behind you! Learn More

Build Location: Petaluma, CA USA with the World's Finest Materials Wattage: Multi-Watt™ 15, 30 or 40 (Channel Assignable) Power Tube Type: 4x Mesa EL84 Channels & Modes: 2 Channels / 5 Modes Mode Voicings / Styles: Ch. 1 = Normal (Brit Clean) or Top Boost (Brit Drive) Ch. 2 = Tweed, Hi 1 or Hi 2 - (Plus, Pull Gain Boost on Gain Control) Graphic EQ / Reverb / FX / Solo: Reverb, FX Loop Footswitchable Functions: Ch. 1/2 & FX Loop Speaker(s) & Impedance: 1 - 8 Ohm Celestion Custom 90 / Total Load = 8 Ohms Learn More