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  Featuring a gorgeous 10-Top in Yellow Tiger. The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

  Here's a 2006 Gretsch Chet Atkins Country Classic G6122-1962. Made in 2006. This is a reissue of the double-cutaway version of the Country Gentleman that George Harrison used on the Ed Sullivan show all those years ago. This is the guitar that many people imagine when they think of a Gretsch "Country Gentleman". This one sounds and plays as amazingly as it looks.

- Jumbo acoustic inspired by Bob Taylor's original design
- Indian rosewood back and sides for warmth, clear trebles
- Sitka spruce top delivers power and projection
- Adjustable, easy-playing modern Taylor neck
- Includes LR Baggs Element VTC pickup

Taylor puts an all-walnut spin on their renowned Academy Grand Concert model. The slim, ergonomic, easy-to-hold Grand Concert body is comfortable for a wide variety of players. A solid walnut top and layered walnut back and sides produce a bright, clear tone that also delivers formidable body and projection. ES-B electronics effortlessly electrify your playing and authentically capture the 22e's rich unplugged tone.

  This is a 1982 Gibson Firebird II Artist CMT in a beautiful cherry sunburst finish. This is a rare vintage piece with some tasteful modifications to make it more player-friendly. With its Curly Maple Top (CMT) and unique design, this is one of the more distinctive Firebirds Gibson ever made.

  The Bourgeois HSV-D features extraordinary Brazilian Rosewood back and sides, showcasing a stunning palette of colors: from deep browns to reddish hues, with distinctive spider webbing and a striking sapwood center. The Brazilian Rosewood on this guitar has a unique provenance: it was acquired by Dana Bourgeois from the estate of the late Don Sharp, a legendary master luthier. Don Sharp, who tragically passed away in November 2021, was celebrated for his exquisite custom handmade acoustic guitars, including his renowned harp guitars valued between $8,000 and $12,000. His legacy of craftsmanship adds a rich historical significance to this exceptional instrument.
  Paired with an Adirondack Spruce top, this guitar delivers amazing power, clarity, and responsiveness. The Adirondack top, famous for its wide dynamic range, gives you crisp attack and sparkling trebles that shine whether you’re flatpicking or fingerpicking. It's a guitar that not only looks incredible but sounds just as inspiring.

Designed for players who crave the rich octave shimmer of a 12-string, the all-koa 264ce-K DLX serves up a vibrant, punchy tone and a gorgeous visual aesthetic. With a solid koa top and layered koa back and sides, this versatile Grand Auditorium yields a bright, focused tone that matures with play into an increasingly warm, rich, sweet sound. The slender, comfortable Taylor neck boasts a 1-7/8" nut width, inviting effortless fretting, while the Venetian cutaway provides easy access to the upper frets. A full-body gloss finish and shaded edgeburst accentuate koa's natural allure. The 264ce-K DLX ships with built-in ES2 electronics and a deluxe hardshell case.

Crafted with all-solid tonewoods, tone-enhancing interior bracing and a striking sunburst finish, the Taylor 314ce Studio makes pro-quality sound more accessible than ever. This versatile, comfortable Grand Auditorium acoustic-electric boasts back and sides of solid sapele, a mahogany-like tonewood with a warm, punchy midrange voice. A solid top of torrefied Sitka spruce yields bold projection and a warm, aged-in quality thanks to our special roasting recipe, while our V-Class bracing adds more volume, longer sustain and clearer harmony between notes all the way up the neck. A narrower nut width of 1-11/16 inches and our slender neck profile makes for buttery-smooth fretting at any skill level, and the onboard ES2 electronics make it easy to plug in and play with clear amplified tone. This model is finished with an attractive shaded edgeburst top treatment and an all-gloss body, and includes a structured gig bag for convenient storage and portability.

For players seeking the rich, sophisticated acoustic tone and bold projection that comes with an all-solid-wood guitar, there may be no better value than the Taylor 314ce Studio. Now the lowest-priced gateway to the solid-wood experience in the Taylor line, this Grand Auditorium acoustic-electric combines back and sides of sapele with a torrefied spruce top, adding up to a punchy midrange response with a clear, woody character and an added dash of warmth and sweetness from our special roasting recipe. Inside, our V-Class bracing dials up more volume, longer sustain and improved harmony all the way up the neck. This model also features comfort-enhancing chamfered body edges and a slightly narrower fretboard of 1-11/16 inches, offering a hand-friendly feel that makes fretting a breeze regardless of your skill level. Finished off with a full-body gloss, nickel hardware and a faux tortoiseshell pickguard, the 314ce Studio includes ES2 electronics for faithful plugged-in tone and a structured gig bag.

Taylor puts an all-walnut spin on their renowned Academy Grand Concert model. The slim, ergonomic, easy-to-hold Grand Concert body is comfortable for a wide variety of players. A solid walnut top and layered walnut back and sides produce a bright, clear tone that also delivers formidable body and projection. ES-B electronics effortlessly electrify your playing and authentically capture the 22e's rich unplugged tone.

Larrivee's Traditional Series was created with two things in mind: Create an instrument with traditional 'vintage' features like a flat-top headstock, hand-carved volute, and diamond inlays; but at the same time maintain the unique tonal balance of the standard Larrivée symmetrical parabolic bracing system. An enlarged soundhole allows significantly greater mid-range punch, emphasizing the low end, and increasing overall volume. This 50 Series features Larrivee's highest grade mahogany, herringbone trim, and traditional angled bone nut. The casted bronze open-back tuners feature engraved design work by Wendy Larrivee. One of the many fine details that put this series in a category of their own.