Search results for 'Phantom power'

Amazing sounding vintage Marshall Super Lead 100 head and matching 4x12 cabinet. Both made in 1971. This was previously owned by the guitarist from the legendary Memphis band, Target. Target had a large Mid-South regional fan base in the early 1970's and opened for Black Sabbath, Boston, and Kiss. Their lead singer, Jimi Jamison, went on to become the front man for Survivor and sang on a bunch of their hits; "I Can't Hold Back", High On You", "The Search Is Over", and "Burning Heart".

Learn More

Mesa/Boogie's Mark Five: 35 is an upgraded rendering of their recent smash hit, the mini-platform MARK FIVE: 25. They've added a Channel Independent SOLO Feature, a long-spring tank for the all-tube Reverb, the complete set of Voicing Choices from their CABCLONE with the addition of the VINTAGE setting, on-board DI Output, and an upgraded Footswitch for access to the new footswitchable choices. This new blend of perfect clip-ablity on demand and exciting, dynamic headroom when you need it, creates the most adaptable MARK amplifier yet!

Learn More

Introducing the Recto-Verb Twenty-Five 1x12 Combo, the Reverb-endowed, fraternal-twins of Mesa's little Mini Rectifier lunchbox that's been taking names all over the globe. This even mightier package is slightly larger – just big enough to accommodate a 1x12 speaker and long-spring Reverb tank – and boast all the same great performance that the Mini Rec is famous for and more. Plus, their classic vinyl-covered birch cabinets provide a wide array of custom finish options to fully personalize them.

The lush tube-driven Reverb widens the sound and sweetens the attack just a bit, increasing its versatility and appeal for players who favor lower to medium gain in
their style. But don't fret...for those into heavier tones, the trademark Recto sounds are all here and completely authentic.

Learn More

FEATURES
All-tube Supro circuit
2 Channels with Parallel Link
Tube Tremolo with footswitch jack
24 Watts 6973 power tubes
1×12 Supro DT12 speaker
Blue Rhino Hide tolex
Made in NY, USA

TUBE COMPLEMENT
4x 12AX7EH
2x 6973

Learn More

-Number 35 of 40
-Nightshade finish
-One-piece mahogany set-neck
-Pattern Regular neck carve
-Madagascar rosewood fingerboard
-Dragon tail fingerboard inlay
-24 frets
-Madagascar headstock veneer
-Green Ripple Private Stock eagle headstock inlay
-Phase III Locking tuners
-Madagascar tuner buttons
-Solid african ribbon mahogany body
-Private Stock grade curly maple top w/ retro carve
-85/15 Treble & Bass humbuckers
-Volume, Push/Pull Tone, & 3-way toggle
-PRS tremolo bridge
-Deluxe PRS case

Learn More

The Archer is sort of a 2 in one pedal. It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but there is a magical blend in between that you will find. Please experiment!! Learn More

Equipped with a Celestion G12H and a Vintage 30. Learn More

• Gain, level and continuously-sweepable EQ tone control
• LED-based gain circuit for smooth, high-output distortion
• 1MEG Ohms input impedance for proper pickup loading
• 10K Ohms output impedance when engaged
• 1% metal-film resistors for consistency
• High-voltage poly caps for better tone
• Military-spec circuit board for reliability
• Blue status LED for high visibility and low power consumption
• Easy access battery compartment
• True hardwire bypass
• 5-year warranty

Learn More

This is an aggressive high-gain pedal with a highly-effective built-in switchable gate which dramatically reduces noise and unwanted feedback. Its gain and tonal characteristics are somewhat similar to high-gain tube amplifiers that have been the staple of hard rock and metal sounds since the 80's. On the right, there is a true- bypass switch with an indicator LED to bypass the entire effect. On the left is a gate switch which is only effective when the pedal is on (the gate cannot be used separately.) When the gate's LED (on the left side of the pedal) is ON, the gate will be active whenever the pedal is turned on. The gate is very useful for cleaning up any noise between palm-muted chords and lead phrases, but may be switched off to initiate feedback or to stretch out soloed notes that are fading into noise. 

Learn More