Search results for 'Custom 24 Floyd Rose'

The Natural – a natural topped Mahogany box that packs some serious firepower. Pairing a natural Sitka Spruce soundboard with Honduran Mahogany back and sides, the natural harkens from a no-frills design approach to deliver a high performing short scale guitar perfect for vocal accompaniment.

  The brainchild of Sarah Tyler, the 35th Anniversary Studio Elite commemorates the birth year of the Studio Elite with Jim's iconic headstock design: 1987. This year marks a pivotal moment when Jim transitioned to full-time guitar building, leaving behind mods and repairs for good. With the guitar turning 35 years old in 2022, it was only fitting to celebrate its rich history.
  To honor this milestone, every aspect of the guitar reflects California craftsmanship and tones, paying homage to the early Tylers made with Mamywo. The guitar features lead/rhythm circuits with mid-boost preamps, reminiscent of those classic models. Additionally, to infuse a touch of modernity, Tyler incorporated the Stingray 500 pickups with the new cancelling coil circuit.

Formerly called “ESP Standard”, all ESP E-II instruments are created at our ESP factory in Tokyo, Japan, and are designed for professional players who accept no compromises in tone, feel, or reliability for their guitars and basses. The E-II Eclipse Full Thickness is exactly as the name implies: a body with traditionally thick design. This guitar offers set-thru construction, using a mahogany body with flamed maple top that looks amazing in Tobacco Sunburst finish, complemented by single ply creme binding. The E-II Eclipse Full Thickness also features a mahogany neck with bound ebony fingerboard that includes ESP flag inlays, and a satin finish on the back for super smooth playability. Premier components include Gotoh locking tuners, a Gotoh TOM bridge and tailpiece, a bone nut, ESP strap locks, and a set of Fishman Fluence Open Core Classic Humbucker pickups with push-pull controls to activate three different voicings. Includes an ESP hardshell form-fitting case.

Featuring a Thermo-cured Sitka Spruce top, and Rosewood back and sides. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

  This CE24 features a Black Amber Finish, and Pattern Thin neck carve.
  Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. These attributes have, in turn, become essential to many players trying to tell their story through music. The CE 24 pairs PRS’s traditional body combination of the mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck sports a Pattern Thin carve and satin nitro finish for a natural, addictive feel. To further maximize the guitar’s inherent tone and clarity, the CE 24 features PRS 85/15 pickups, which Paul designed to have remarkable clarity as well as extended high and low end. The electronics consist of a volume and push/pull tone control with 3-way toggle switch for a total of six classic sounds.

  The Modern Eagle V is an innovative instrument that offers highly musical tones for both recording and playing live. Utilizing a hum/single/hum (five-coil) pickup layout and unique electronics configuration, the Modern Eagle V gives players a vast array of tones in one guitar. The 5-way blade switch selects the pickups in intuitive groupings: treble, treble and middle, middle, middle and bass, and bass. There is a single volume and a push/pull tone control that activates both humbuckers when engaged; this allows players to access all three pickups simultaneously. Finally, the mini toggles allow players to individually tap the humbucker coils, for additional single-coil sounds. This electronics design puts a whole set of classic and new tones at your fingertips.
  Additional appointments include a maple top and mahogany back, a 22 fret, 25” scale length, Pattern mahogany neck with rosewood fretboard, bone nut, and PRS patented Gen III tremolo.

The Xotic XTC guitars are hand built in the USA and feature nitrocellulose finish, flame roasted maple neck treated with oil for the ultimate in playability and Raw Vintage hand wound pickups based on Xotic’s own proprietary design.

The Xotic XTC guitars are hand built in the USA and feature nitrocellulose finish, flame roasted maple neck treated with oil for the ultimate in playability and Raw Vintage hand wound pickups based on Xotic’s own proprietary design.

A Tyler Studio Elite HD in White Shmear finish! The James Taylor Studio Elite HD is one of the most popular models that Tyler Guitars offers. Tyler guitars are well known for their unparalleled feel and tone. James’ keen insight into how things work, and what players want is the main reason Tyler Guitars are coveted by top session players and artists worldwide. 

The PRS SE Standard 24-08 is a mahogany-body workhorse guitar with powerful humbucking and true single-coil tones in one instrument. Its PRS TCI “S” pickups are paired with a 3-way toggle switch and two mini-toggle coil split switches that individually split the humbuckers into true single coils for a total of eight pickup configurations. Players can enjoy two full octaves thanks to the 24-fret, 25" scale length rosewood fretboard and wide thin maple neck, and the PRS patented, molded tremolo gives players added flexibility and control over their playing. With sonic range and rock-solid reliability, the PRS SE Standard 24-08 will keep you playing without compromise.

  This Custom Build Banjo Killer is a standard square shouldered dreadnought with a premium bearclaw Sitka spruce top and figured mahogany back and sides. Square headstock shape. The bracing for this guitar is modeled after Bryan Sutton’s famous Bourgeois dubbed the “Banjo Killer". The fingerboard and belly bridge are figured ziricote wood. The Tor-tis pickguard is handmade, and the bridge pins are ebony with abalone dots. The tuners are Nickel Waverly with ivoroid buttons.
  Bryan Sutton has this to say: "From the first time I played the Slope-D Bourgeois that would come to be known as the "Banjo Killer", I was amazed at the range of tone and volume the guitar could produce. The guitar always seems to be to able to handle any dynamic level of play. I can hear the guitar clearly in a loud jam session without feeling like I have to overplay and also enjoy a full and sustained tone when I want to play softly.”