Search results for 'gracie stand'

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  1. SOLD - Bob Shane's 1981 Mossman Golden Era Brazilian Rosewood Acoustic w/Secret Compartment
    $0.00

    Here's a cool guitar. A really cool guitar. A true one of a kind. We are offering a 1981 Mossman Guitar Golden Era model custom made for Bob Shane by Stuart Mossman to commemorate 25 years of the The Kingston Trio. This guitar was a collaborative effort between Bob and Stuart Mossman. Bob personally selected the Brazilian rosewood and spruce top from Mossman's private stash, (Remember the word "stash"...you'll understand in a minute). Bob played this guitar for three years on the road before he retired it. Kingston Trio was the the preeminent folk band in the early sixties and spearheaded the massive, folk boom. These guys are the Beatles of folk music. This is a fantastic guitar and a great piece of American music history.

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  2. Bourgeois Heirloom Series D - Large Soundhole AT Adirondack Spruce/Madagascar Rosewood #8687

    Regular Price: $10,815.00

    Special Price $9,733.00

    The Large Soundhole Dreadnought is a flatpicking cannon inspired by some of our favorite bluegrass legends. Featuring an AT Adirondack top and stunning Madagascar Rosewood back & sides, this guitar has an extra dose of projection and maintains all of the punch of our standard Dreadnoughts.

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  3. Paul Reed Smith SE Hollowbody Standard - Fire Red Burst #9573
    $1,029.00

    The SE Hollowbody Standard features an all-mahogany body with hollow construction for a warm, resonant tone. The 22 fret wide fat neck, PRS adjustable stoptail bridge, and 58/15 “S” pickups further promote the SE Hollowbody Standard’s big, clear, balanced voice. This vintage-inspired instrument combines the power and stability of a solid-body electric guitar with the captivating, resonance of a hollowbody instrument, making the SE Hollowbody Standard at home with players of all styles.

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  4. Vintage 1971 Marshall 1959 Super Lead 100 Head & matching 4x12 cab
    Click for price

    Amazing sounding vintage Marshall Super Lead 100 head and matching 4x12 cabinet. Both made in 1971. This was previously owned by the guitarist from the legendary Memphis band, Target. Target had a large Mid-South regional fan base in the early 1970's and opened for Black Sabbath, Boston, and Kiss. Their lead singer, Jimi Jamison, went on to become the front man for Survivor and sang on a bunch of their hits; "I Can't Hold Back", High On You", "The Search Is Over", and "Burning Heart".

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  5. Mesa/Boogie Mark Five: 35 Head - Fawn Slub Bronco
    $2,254.00

    Mesa/Boogie's Mark Five: 35 is an upgraded rendering of their recent smash hit, the mini-platform MARK FIVE: 25. They've added a Channel Independent SOLO Feature, a long-spring tank for the all-tube Reverb, the complete set of Voicing Choices from their CABCLONE with the addition of the VINTAGE setting, on-board DI Output, and an upgraded Footswitch for access to the new footswitchable choices. This new blend of perfect clip-ablity on demand and exciting, dynamic headroom when you need it, creates the most adaptable MARK amplifier yet!

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  6. Zvex Wah Probe Painted
    $329.00
    This effect is a natural continuation of the probe series... the fuzz factory probe, the volume control/manual tremolo probe, and now a wah. It's probably exactly what you think it is: a theremin-style antenna controlling a wah, getting brighter as your foot approaches. It has one extra feature, however. There's a Super Hard-On boost circuit in front of the wah, with a knob to set the exact level of boost for driving your wah sound. It can be turned up high enough to make the wah crack up a little for that "something's gonna blow" sound. It gets pretty darn loud! Learn More
  7. Zvex Box of Metal
    $219.00

    This is an aggressive high-gain pedal with a highly-effective built-in switchable gate which dramatically reduces noise and unwanted feedback. Its gain and tonal characteristics are somewhat similar to high-gain tube amplifiers that have been the staple of hard rock and metal sounds since the 80's. On the right, there is a true- bypass switch with an indicator LED to bypass the entire effect. On the left is a gate switch which is only effective when the pedal is on (the gate cannot be used separately.) When the gate's LED (on the left side of the pedal) is ON, the gate will be active whenever the pedal is turned on. The gate is very useful for cleaning up any noise between palm-muted chords and lead phrases, but may be switched off to initiate feedback or to stretch out soloed notes that are fading into noise. 

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