Search results for 'G&L guitar'

The AD26e Baritone-6 is tuned B-to-B, and players can easily return it to standard tuning by placing a capo at the fifth fret. Visual appointments for this special-edition release include black binding, a black/maple/black single-ring rosette, 4mm Dot fretboard inlays in Italian acrylic, a firestripe pickguard, nickel hardware, a full-body matte finish, and a shaded edgeburst color treatment for the back, sides, and top, with a heel burst on the neck.

The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

Here's a 48 year old S.L. Mossman Flint Hills model Rosewood Dreadnought. Made in 1977. Handmade in Winfield, Kansas the Flint Hills is perhaps the most well known model of the Mossman models, featuring a Sitka Spruce top, East Indian Rosewood Back and Sides, Ebony Fingerboard and Bridge, Grover Rotomatic tuners, 25 3/4" inch scale length, and Mossman’s own proprietary bracing.

Here very cool and rare Japanese made ESP/LTD Mirage. An early first LTD. Beautiful transparent Emerald finish which has faded to a nice looking Matcha green. Solid Swamp Ash body, bolt on maple neck with Indian Rosewood fingerboard. The 22 fret neck has a slim Mirage profile that is very easy to play. Two single coil sized ESP dual rail humbuckers in the neck and middle position, and full sized bridge humbucker. Gotoh locking tuners and Wilkinson tremolo. The Wilkinson has one replacement screw. The guitar shows overall light cosmetic wear, appropriate for its age. The finish is glossy with swirls, light surface scratches, and other minor blemishes. The frets are in excellent condition with no divots present. It plays and sounds great with low action. Comes with the tremolo bar. Does not include a case. 

The Valentine Collection is known for effortlessly combining the best of iconic guitar features into the perfect package, and the newest installation in the legacy is no different. The 2023 Valentine stays true to the original specs that made it stand out — White Ash slab body, 12dB push-push boost, roasted maple neck, and locking tuners — while elevating and innovating. This addition to the line delivers with its all new chambered body and Tune-o-matic bridge with a Bigsby B50 to explore experimental sounds. Available in Butterscotch.

  The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

The passion evident in John’s playing extends to his attention to detail for the instruments that bear his name. From the voicing of the pickups, to the choice of tonewoods that make up this fine instrument, his involvement in every step of the production leads to a guitar that possess not only the look, but the sound & feel worthy of this iconic musician.

  Here's a true treasure for guitar lovers, a vintage Gibson J-200. Made in 1968. The Gibson catalog describes their J-200 model as “King of the Flat Top Guitars”. This is timeless instrument that exudes charm and character. This J-200 showcases its age with grace and is in overall very good condition. The saddle, nut, frets, and neck binding have been professionally replaced. The bridge plate was rebuilt, and the adjustable saddle replaced; breathing new life into this vintage beauty. These upgrades have improved the instrument's performance and tone while retaining its authentic essence. With its iconic sunburst finish, this Gibson J-200 captivates both the eyes and ears. The action is low and easy to play. Strummed, it has a rich, resonant tone that is both loud and balanced, making it ideal for a variety of musical styles.
  Whether you are a collector seeking a prized addition to your collection or a musician yearning for a vintage gem, this vintage 1968 Gibson J-200 is ready to inspire and delight. Don't miss your chance to own this piece of musical history. Comes with the original hardshell case (one side of the handle is broken).

The new 326ce Baritone-8 Special Edition reintroduces players to a truly singular playing experience that bridges the gap between traditional acoustic sounds and specialized tonal flavors. With its B-to-B tuning, longer-than-standard scale and the unique sonic texture generated by the octave pairing of its third and fourth (D and A) strings, this model delivers a rich low-end voice complemented by a touch of 12-string shimmer. The 326ce Baritone-8 Special Edition boasts back, sides and top of solid neo-tropical mahogany crafted in our bold-voiced Grand Symphony body shape, yielding a haymaker of midrange punch that retains exceptional focus alongside its powerful attack. Perfect for any player looking to diversify their musical toolkit, this model will be especially inspiring for guitarists who enjoy experimenting with uncommon sonic palettes. It can also be a useful tool for singers, providing a frequency spectrum that might be more accessible for those with a lower vocal range. Placing a capo at the fifth fret returns the guitar to standard tuning. Visual appointments include a satin finish with a dark stain and a shaded edgeburst top treatment, black binding with a matching three-ring rosette and pickguard, Gemstone fretboard inlays in Italian acrylic, and satin black tuners. It also features a traditional Venetian cutaway for easy access to the guitar’s upper register, along with ES2 electronics for faithful amplified tone. It ships with a Taylor deluxe hardshell case.