Search results for 'gracie stand'
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Here's a cool guitar. A really cool guitar. A true one of a kind. We are offering a 1981 Mossman Guitar Golden Era model custom made for Bob Shane by Stuart Mossman to commemorate 25 years of the The Kingston Trio. This guitar was a collaborative effort between Bob and Stuart Mossman. Bob personally selected the Brazilian rosewood and spruce top from Mossman's private stash, (Remember the word "stash"...you'll understand in a minute). Bob played this guitar for three years on the road before he retired it. Kingston Trio was the the preeminent folk band in the early sixties and spearheaded the massive, folk boom. These guys are the Beatles of folk music. This is a fantastic guitar and a great piece of American music history.
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Regular Price: $10,815.00
Special Price $9,733.00
The Large Soundhole Dreadnought is a flatpicking cannon inspired by some of our favorite bluegrass legends. Featuring an AT Adirondack top and stunning Madagascar Rosewood back & sides, this guitar has an extra dose of projection and maintains all of the punch of our standard Dreadnoughts.
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$1,029.00
The SE Hollowbody Standard features an all-mahogany body with hollow construction for a warm, resonant tone. The 22 fret wide fat neck, PRS adjustable stoptail bridge, and 58/15 “S” pickups further promote the SE Hollowbody Standard’s big, clear, balanced voice. This vintage-inspired instrument combines the power and stability of a solid-body electric guitar with the captivating, resonance of a hollowbody instrument, making the SE Hollowbody Standard at home with players of all styles.
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$2,499.00
In the twilight of the 1960s, SF Bay Area amp repairman to the Stars, Randall Smith, was inspired to start building his own amplifiers after coming to a deep appreciation for the '50s Tweed circuits developed by Leo Fender. He loved their organic sounding voice, powerful controls and the way they smoothly transitioned from clean to clip and back again.
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Standing on the shoulders of a giant, Smith’s (and the World’s) first venture into boutique guitar amplification resulted in a new Boogie amp design inspired by that wonderful, timeless sounding preamp. Five Decades later we return to pay homage. Now, drawing on these 50 years of experience, we bring forward an exciting new realm of tweed-based performance and authentic 6V6 character. A beautifully simplistic design that raises the bar in the world of vintage tone. The NEW CALIFORNIA TWEED -
Regular Price: $3,299.00
Special Price $2,804.00
Model: Classic JM Pro
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Body Wood: Alder
Finish Color: 3-Tone Burst
Neck Profile: 60's C Vintage Standard .810-.930
Nut Width: 1.65"
Nut Material: Tusq
# of Frets: 22
Fret Size: Medium
Fret Material: Stainless Steel
Radius: 10" - 14"
Neck Wood: Maple
Fingerboard: Indian Rosewood
Neck Pickup: SSV Neck
Bridge Pickup: SSV Bridge
Pickup Selector: 3-Way
Controls: V/T/T
Bridge: Gotoh 510 - 2 Post, Bent Saddles, Steel Block
Tuners: Suhr Locking
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Amazing sounding vintage Marshall Super Lead 100 head and matching 4x12 cabinet. Both made in 1971. This was previously owned by the guitarist from the legendary Memphis band, Target. Target had a large Mid-South regional fan base in the early 1970's and opened for Black Sabbath, Boston, and Kiss. Their lead singer, Jimi Jamison, went on to become the front man for Survivor and sang on a bunch of their hits; "I Can't Hold Back", High On You", "The Search Is Over", and "Burning Heart".
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$2,249.00
Mesa/Boogie's Mark Five: 35 is an upgraded rendering of their recent smash hit, the mini-platform MARK FIVE: 25. They've added a Channel Independent SOLO Feature, a long-spring tank for the all-tube Reverb, the complete set of Voicing Choices from their CABCLONE with the addition of the VINTAGE setting, on-board DI Output, and an upgraded Footswitch for access to the new footswitchable choices. This new blend of perfect clip-ablity on demand and exciting, dynamic headroom when you need it, creates the most adaptable MARK amplifier yet!
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Regular Price: $3,358.00
Special Price $2,350.00
This ASAT Deluxe has been upgraded with a Black Limba top, DFS Trem/Vibrato, and Light Tint Satin neck finish.
The G&L ASAT Deluxe takes the iconic ASAT into humbucker territory while retaining the feel and playability that have made the ASAT a perennial favorite among players. Essentially a fusion of Fullerton and Kalamazoo, the Deluxe features Seymour Duncan humbuckers housed in a Premium Black Limba Top over Swamp Ash body. An innovative G&L Saddle-Lock bridge transfers string energy right into the body end-grain to make the most of the resonant body wood combination. The familiar ASAT feel continues with a hard-rock maple neck sporting an easy-playing satin finish, comfortable 9 1/2" radius and Jescar 57110 medium-jumbo nickel-silver frets for silky playability.
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$329.00This effect is a natural continuation of the probe series... the fuzz factory probe, the volume control/manual tremolo probe, and now a wah. It's probably exactly what you think it is: a theremin-style antenna controlling a wah, getting brighter as your foot approaches. It has one extra feature, however. There's a Super Hard-On boost circuit in front of the wah, with a knob to set the exact level of boost for driving your wah sound. It can be turned up high enough to make the wah crack up a little for that "something's gonna blow" sound. It gets pretty darn loud! Learn More
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$219.00
This is an aggressive high-gain pedal with a highly-effective built-in switchable gate which dramatically reduces noise and unwanted feedback. Its gain and tonal characteristics are somewhat similar to high-gain tube amplifiers that have been the staple of hard rock and metal sounds since the 80's. On the right, there is a true- bypass switch with an indicator LED to bypass the entire effect. On the left is a gate switch which is only effective when the pedal is on (the gate cannot be used separately.) When the gate's LED (on the left side of the pedal) is ON, the gate will be active whenever the pedal is turned on. The gate is very useful for cleaning up any noise between palm-muted chords and lead phrases, but may be switched off to initiate feedback or to stretch out soloed notes that are fading into noise.
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