Search results for 'taylor gs mini'

  This Studio features a gorgeous 10-Top with Yellow Tiger finish, and Pattern neck carve.
  The PRS Studio model is a modern take on a traditional single-single-hum guitar. With PRS’s proprietary Narrowfield pickups in the middle and bass positions and a 58/15 LT humbucking treble pickup, the PRS Studio offers punchy single-coils, vintage scooped tones, and the chunky kick of a treble humbucker screaming in one instrument. This whole new scope of sounds (that are only possible with a three-pickup guitar) are easily accessible in the Studio model thanks to the push/pull tone control and 5-way blade switch. With seven combinations in all, the PRS Studio covers classic tones but maintains a unique voice making it a perfect “desert island” guitar.

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Taking you deep down the rabbit hole of classic analog modulation, UAFX Astra Modulation Machine serves up the most sonically authentic bucket-brigade chorus/vibrato, studio flanger/doubler, and tube-driven tremolo effects ever placed into a single stompbox. Built upon our powerful new UAFX dual-engine processing and unmatched levels of quirky analog realism, Astra delivers richly addictive vintage modulation, beautifully crafted to inspire you for decades. Upon its release in 1976, this legendary gray bucket-brigade stompbox changed the sound of music with its thick, luxuriant chorus and wavy vibrato. Astra's Brigade Chorus mode gives you the most complete circuit emulation of this landmark unit — including its preamp section for authentically thick, saturated sounds — letting you paint with subtle ripples of analog texture and tone, adding chewiness, shimmer, and motion to everything you play. Packed with late-'70s bucket-brigade tech, this classic rackmount studio flanger/doubler is famous for stunning whoosh effects, organic thickening, and a parade of wild sounds that go way beyond typical flanger boxes. Astra's Flanger/Dblr effect is the only end‑to‑end circuit emulation of this ultra‑rare unit, capturing its original features to a "T" and putting impossibly dense, complex flanging/doubling right at your feet. Few things compare to the optical tube-driven tremolo of '60s American amplifiers. Deep, undulating, and the very essence of vibe, Trem 65 is a faithful emulation of this classic circuit. From shimmering ripples to choppy mayhem, every dynamic detail is captured in UA style, down to the complex interactions between the light source photoresistor and 12AT7 driver tube. Plus, you can explore further and create your own trem textures with variable sine and square wave settings. Learn More

Build Location: Petaluma, CA USA with the World's Finest Materials Wattage: Multi-Watt™ 15, 30 or 40 (Channel Assignable) Power Tube Type: 4x Mesa EL84 Channels & Modes: 2 Channels / 5 Modes Mode Voicings / Styles: Ch. 1 = Normal (Brit Clean) or Top Boost (Brit Drive) Ch. 2 = Tweed, Hi 1 or Hi 2 - (Plus, Pull Gain Boost on Gain Control) Graphic EQ / Reverb / FX / Solo: Reverb, FX Loop Footswitchable Functions: Ch. 1/2 & FX Loop Speaker(s) & Impedance: 1 - 8 Ohm Celestion Custom 90 / Total Load = 8 Ohms Learn More

This Juliet features a hand-rubbed Antique Black Varnish finish, Bare Knuckle Old Guard humbucking pickups, and a Bigsby vibrato. A new and unique Eastman solid body guitar, Juliet is an evolution of ergonomic carves and graceful curves. Featuring a lightweight Okume body and neck, sculpted for maximum comfort and playability. Striking features include an offset body with raised center bar and laid-in pickguard, making Juliet stand out in any player's rig, on any player's stage.

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This Eastman SB59v features a hand-rubbed Antique Goldburst Varnish finish, and Lollar Imperial pickups. Eastman makes an astonishing electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a great guitar with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

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Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

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Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

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This Eastman T64/v features a hand-rubbed Antique Goldburst Varnish finish, Lollar P90 pickups, and Bigsby vibrato. Eastman makes an outstanding hollow-body electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a hollow-body with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

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This Eastman T64/v features a hand-rubbed Antique Red Varnish finish, Lollar P90 pickups, and Bigsby vibrato. Eastman makes an outstanding hollow-body electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a hollow-body with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

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Featuring a Thermo-cured Sitka Spruce top, and solid Mahogany back and sides. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

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Featuring an Adirondack Spruce top, and Rosewood Back & Sides. From a sunny day on the back porch to a big night on stage, the smaller upper bout paired with the larger lower bout and thinner soundbox makes the OO an absolute joy to play.

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