Search results for 'wood library'

Based on Larrivee's tried and true "X-Brace" design, Jean Larrivee blended a non-symmetrical scalloped lateral cross-bracing pattern with their standard X-Brace. This means maximum strength using the least amount of material. It's a build that allows even further vibration of the soundboard, while still offering a controlled dynamic bass response. Like all Larrivée's, the 40 Series are built in America using only all solid wood and feature upgrades like bone nut and saddle, diamond fingerboard dots, and 18:1 open-back tuners. Jean's revolutionary new bracing design means a robust and unique tone that is sure to appeal to traditional and long-time Larrivée players alike.

Specifications:
Model: Custom 24
Neck wood: Black Limba
Fingerboard wood: African Blackwood
Top wood: Buckeye Burl Maple
Back wood: Black Limba
Headstock Veneer Wood: African Blackwood
Neck Carve: Pattern Regular
Side dots: Mother of Pearl
Color/Stain: Multi-Color w/ Blue resin
Fingerboard Inlays: Matching Swirl w/ Mother of Pearl outline
Headstock Veneer Inlays: Matching Swirl Private Stock Eagle w/ Mother of Pearl outline
Finish type: High Gloss Nitro
Pickups: Treble: 58/15 LT Bass: 58/15 LT
Electronics: One volume, one tone control w/ 3-way toggle
Hardware: Smoked Black PRS Gen III tremolo bridge, PRS Phase III set-screw locking tuning pegs w/ Ebony buttons, Black Limba backplates, African Blackwood pickup rings & truss rod cover
Strings: D'Addario.010
Case type: Private Stock Brown lealher
Specials: High Gloss Nitro finish, Buckeye Burl Maple top, Black Bimba back & neck, African Blackwood fingerboard & headstock veneer, matching Swirl bird inlays with Mother of Pearl outlines, Smoked Black hardware, 58/15 LT pickups. The woods on this guitar were personally hand-selecied by the dealer from the PRS Private Stock Vault.

Specifications:
Model: McCarty 594
Neck wood: Roasted Maple
Fingerboard wood: Brazilian Rosewood w/ Burl Maple binding
Top wood: Burl Maple
Back wood: Figured Mahogany
Headstock Veneer Wood: Brazilian Rosewood w/ Burl Maple binding
Neck Carve: Pattern Vintage
Side dots: Black
Color/Stain: Multi-Color
Fingerboard Inlays: Select Abalone birds w/ Mother of Pearl outline
Headstock Veneer Inlays: Select Abalone Private Stock Eagle w/ Mother of Pearl outline
Finish type: High Gloss Nitro
Pickups: Treble: 58/15 LT Bass: 58/15 LT
Electronics: Two volume, two push pull tone controls w/ 3-way toggle
Hardware: Nickel PRS 2pc stoptail bridge, PRS Phase III set-screw locking tuning pegs, Mahogany backplates, Brazilian Rosewood truss rod cover, & Bone nut
Strings: D'Addario.010
Case type: Private Stock Brown lealher
Specials: High Gloss Nitro finish, Burl Maple top, Roasted Maple neck, Brazilian Rosewood fingerboard & headstock veneer, Select Abalone bird inlays w/ Mother of Pearl outlines, Nickel hardware, and 58/15 LT pickups.
The woods on this guitar were personally hand-selected by the dealer from the PRS Private Stock Vault.

If the traditional double-cutaway bolt-on guitar is your standard, then the G&L Fullerton Deluxe Legacy is probably your best bet. It is the culmination of years of research and application from Paul Gagon, the G&L VP Engineering. Their vintage-spec CLF-100 Alnico single coils were developed directly from original Leo Fender prints, and successfully and impeccably capture that sparkle and spank of late 50s single coils. Coupling with the vintage tones is modern crafting, like Leo Fender's PTB (Passive Treble and Bass) system, which functions on all three pickups for dramatically more variety than the vintage setup, and a Dual-Fulcrum Vibrato bridge that allows for maximum stability in bending.

Offering a universe of rich, analog-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS’s expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

  Paul Reed Smith CE 24 in a custom color, Cobalt Blue Wrap Burst, with Pattern Thin neck carve.
  Combining the snap and sustain of a bolt-on guitar with the airy resonance of a semi-hollow body, the CE 24 Semi-Hollow is a truly unique addition to the PRS Bolt-On lineup. The body pairs the traditional combination of a mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck features a Pattern Thin carve and satin nitro finish for a natural, addictive feel. The electronics consist of a volume and push/pull tone control with a 3-way toggle switch, giving a total of six classic sounds from the PRS 85/15 pickups.

  That big powerful iconic sound with improved playability, the StingRay 4H with rosewood fingerboard produces a look, feel and sound that is remarkably unmistakable. The Music Man StingRay took the bass world by storm in its debut in 1976. Since then it has remained one of the most popular instruments amongst professional bassists, and for good reason.
  Featured revisions include an enhanced contour that is rounded for more comfort in any playing position, a sculpted neck joint for uninhibited upper fret access to all 22 stainless steel frets, and lightweight aluminum hardware providing a lighter, more balanced instrument. The improved StingRay electronics feature powerful neodymium magnets for higher output and a 18-volt 3-Band preamp for extra clean headroom without clipping. Solid roadworthy construction, elegant oval pickguard, 3+1 tuning key configuration, and the ever popular Music Man humbucker for that revered iconic StingRay sound.

Following the popularity of Jason Richardson’s striking signature model, now introducing the new Richardson Cutlass for the more traditional players. Featuring a custom contoured lower horn for fret access, roasted maple neck with rosewood fretboard, and highly figured Poplar Burl top, it features all the appointments of the original, but in a sleek 6-string configuration. That also includes a high output humbuckers, a 12dB “Push-Push” volume boost, coil-tap “Push-Push” tone control, and Modern Tremolo.

  The SE Custom 24 brings the original PRS design platform to the high-quality, more affordable SE line up of instruments. Played by internationally touring artists, gigging musicians, and aspiring players, the SE Custom 24 features a maple top, mahogany back, wide thin maple neck, rosewood fretboard with bird inlays, and the PRS patented molded tremolo bridge. Its versatile sounds come from the 85/15 “S” pickups paired with a volume, push/pull tone control, and 3-way blade pickup selector.
  The SE Custom 24 is a modern classic with roadworthy durability, addictive playability, and wide array of tones, making it a perfect workhorse guitar.

Here is an absolutely beautiful Private Stock Custom 22 Semi-hollow w/F-hole featuring woods we hand-selected from the PRS Private Stock Vault. Gorgeous Burl Maple Top in Charcoal Glow finish, Ebony Fingerboard and Headstock Veneer, Mahogany back with Black Stain/White Grainfill finish, Etched Mother of Pearl Inlays w/ Mother Of Pearl purfling. A one-of-a-kind stunner!

  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith's favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer