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Here's a cool guitar. A really cool guitar. A true one of a kind. We are offering a 1981 Mossman Guitar Golden Era model custom made for Bob Shane by Stuart Mossman to commemorate 25 years of the The Kingston Trio. This guitar was a collaborative effort between Bob and Stuart Mossman. Bob personally selected the Brazilian rosewood and spruce top from Mossman's private stash, (Remember the word "stash"...you'll understand in a minute). Bob played this guitar for three years on the road before he retired it. Kingston Trio was the the preeminent folk band in the early sixties and spearheaded the massive, folk boom. These guys are the Beatles of folk music. This is a fantastic guitar and a great piece of American music history.

This Classic T features n Even C Medium neck profile. The Classic T retains many of the original specifications of the Classic T Pro including the SSCII hum canceling system and stainless steel frets. The Wilkinson compensated 3-saddle bridge provides classic 3-saddle tone with superior intonation.

The SE Hollowbody Standard features an all-mahogany body with hollow construction for a warm, resonant tone. The 22 fret wide fat neck, PRS adjustable stoptail bridge, and 58/15 “S” pickups further promote the SE Hollowbody Standard’s big, clear, balanced voice. This vintage-inspired instrument combines the power and stability of a solid-body electric guitar with the captivating, resonance of a hollowbody instrument, making the SE Hollowbody Standard at home with players of all styles.

D'Angelico's flagship archtop—now available in the Premier Series. Crafted from John D’Angelico’s original design, the Premier EXL-1's balanced, organic tone captures the unmistakable sound of a New York jazz box. Couple that with signature D'Angelico features in the Stairstep tailpiece and iconic headstock, the EXL-1 embodies elegance. Its single floating mini-humbucker highlights its naturally punchy mids and warm acoustic edge. Designed for jazzers at every turn, the Premier EXL-1 is the finest archtop in its class.

Introducing the MESA/Boogie Fillmore 25. Joining the award-winning Fillmore 50, the new Fillmore 25 shows up to claim the bantam-weight class with a compact 6V6 format. Authentic traditional tones abound in this new Fillmore’s popular power range, from clipped cleans, to a purring grind, all joined by the preamp’s higher gain realm delivering blistering tube overdrive like only a MESA can. The 25 also features tube-driven spring reverb that provides some of our lushest, richest reverb to date. Experience the 50's circuit, soul and clip-ability coupled seamlessly with the realm beyond where traditional amp evolution tapped-out in the twilight of the 60s with the new Fillmore 25. Finally, you can have the original Boogie-sized footprint, preamp flexibility to cover any style, and Traditional, old-school dress in the perfect power range! …Tone for days that brings back The Years!

Model: Classic JM Pro
Body Wood: Alder
Finish Color: 3-Tone Burst
Neck Profile: 60's C Vintage Standard .810-.930
Nut Width: 1.65"
Nut Material: Tusq
# of Frets: 22
Fret Size: Medium
Fret Material: Stainless Steel
Radius: 10" - 14"
Neck Wood: Maple
Fingerboard: Indian Rosewood
Neck Pickup: SSV Neck
Bridge Pickup: SSV Bridge
Pickup Selector: 3-Way
Controls: V/T/T
Bridge: Gotoh 510 - 2 Post, Bent Saddles, Steel Block
Tuners: Suhr Locking
Deluxe Gig Bag

  The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
  At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
  Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

By itself or as a companion to a 1x12 or another 1x15 cabinet, our most popular single speaker format is the 1x15 Ultra-Lite. A little larger footprint (than the 1x12) accommodates the needed internal volume to match the 15” Full Range driver and create this, warm, huge sounding compact cabinet that shines for everything form old-school Blues and R&B to scooped modern Slap and tight, picked Rock styles. Our sweet High Frequency Driver ensures the detail remains intact and imparts an adjustable Hi-Fi character to the sound. By itself, or as a foundation for further coloring with 10s or 12s, the 1x15 anchors the Subway Cabinet Line with its flexibility, warm and accurate performance across the full range, and ease of transport.

The 2x10 is the compact solution for players who prefer the midrange articulation and focus of 10s, but need a smaller option than the classic 4x10. Combining two allows a more portable solution than one heavier quad-box and the ability to take one for rehearsal or small venues and two for gigs with louder bands or in bigger venues. Using the 2x10 in combination with a 1x12 or 1x15 imparts color, articulation and iconic midrange punch along with more volume. Built with all the same woods, aircraft-style bracing and Tri-Port™ porting, the 2x10 Ultra-Lite brings another key voice to the modular approach in compact, lightweight Bass Cabinetry.

Amazing sounding vintage Marshall Super Lead 100 head and matching 4x12 cabinet. Both made in 1971. This was previously owned by the guitarist from the legendary Memphis band, Target. Target had a large Mid-South regional fan base in the early 1970's and opened for Black Sabbath, Boston, and Kiss. Their lead singer, Jimi Jamison, went on to become the front man for Survivor and sang on a bunch of their hits; "I Can't Hold Back", High On You", "The Search Is Over", and "Burning Heart".

Mesa/Boogie's Mark Five: 35 is an upgraded rendering of their recent smash hit, the mini-platform MARK FIVE: 25. They've added a Channel Independent SOLO Feature, a long-spring tank for the all-tube Reverb, the complete set of Voicing Choices from their CABCLONE with the addition of the VINTAGE setting, on-board DI Output, and an upgraded Footswitch for access to the new footswitchable choices. This new blend of perfect clip-ablity on demand and exciting, dynamic headroom when you need it, creates the most adaptable MARK amplifier yet!