Search results for 'gs mini'

  Here's a G&L L1500 4 string bass, a vintage beauty from 1996, handcrafted in Fullerton, California. Upgraded from the standard L1500 model with Premium Clear Red finish on a stunning bookmatched Swamp Ash top and scraped binding. This L1500 is surprisingly lightweight at just 8 pounds 2 ounces. Yet, it doesn't compromise on the legendary G&L tone. This bass is a collector or player's dream. It's in near-mint condition. We've never seen a cleaner 28 year old instrument! Collector-owned, there are no signs of any play wear. The neck is straight and true. The frets are perfect and show no signs of play wear. It has new strings installed and has just had a professional set up. Everything is working perfectly. This bass has nice balance, great acoustic resonance, and incredible sustain. It plays and sounds great!
  Complete with its original hardshell case, this bass is ready to be treasured as a collector's item or gigged with. Whether you're drawn to its vintage charm or its exceptional playability, this G&L L1500 is a standout choice for any bass player.

Top: Torrefied Sitka Spruce
Back & Sides: Honduran mahogany
Neck: Honduran mahogany
Body Binding: Tortoise with b/w/b/w top purfling
Bridge: Ebony belly-style with 2 3/16" spacing
Fingerboard: Ebony with MOP short dots
Bridge Pins/End Pin: Ebony with MOP dot
Nut: Bone
Nut Width: 1 3/4"
Saddle: Bone, drop-in
Neck Profile: Modified V
Peghead Profile: Tapered square
Neck Joint: Mortise & tenon hybrid
Truss Rod: Fully adjustable
Frets: Medium 18% nickel-silver
Peghead Veneer: Ebony with MOP Collings logo
Tuners: Nickel Waverly (16:1 ratio)
Backstrip: 1-style (Walnut)
Rosette: b/w Purfling
Scale Length: 25 1/2"
Brace Material: Adirondack Spruce
Brace Pattern: Pre-war scalloped X-brace
Fingerboard Radius: 14" - 26" compound
Body Finish: High gloss nitrocellulose lacquer
Neck Finish: High gloss polyester resin
Pickguard: Tortoise
Strings: D'Addario EJ-16 (.012"- .053")
Case: Collings TKL Handcrafted Case
Serial Number: 34327

A mid-'50s Danelectro U2 will set you back a pretty penny — provided you can even get your hands on one. Fortunately for players today, the modern Danelectro 57 brings all the style, flair, and tone of the originals to a high-performance modern instrument. The Dano 57's center-blocked, semi-hollow construction and Vintage '50s Lipstick pickups give you the spank, chime, grit, and chunk of a real-deal vintage original. Tone toggling and voice tailoring are easily done using the 57's rugged 3-way switch and space-saving concentric volume/tone controls. Cream-buttoned Gotoh tuning machines, a U3 intonatable saddle bridge, and a dual-action truss rod give the modern '57 a leg up on a true '50s model.

A mid-'50s Danelectro U2 will set you back a pretty penny — provided you can even get your hands on one. Fortunately for players today, the modern Danelectro 57 brings all the style, flair, and tone of the originals to a high-performance modern instrument. The Dano 57's center-blocked, semi-hollow construction and Vintage '50s Lipstick pickups give you the spank, chime, grit, and chunk of a real-deal vintage original. Tone toggling and voice tailoring are easily done using the 57's rugged 3-way switch and space-saving concentric volume/tone controls. Cream-buttoned Gotoh tuning machines, a U3 intonatable saddle bridge, and a dual-action truss rod give the modern '57 a leg up on a true '50s model.

This sharp-dressed Baritone reissue from the 2019 Danelectro collection delivers the bass down low — real low. We're talking B to B. That's a perfect fourth below standard E to E tuning. And whether you're a downtuned country picker, a drop-tuned hard rocker, or an accompanist/recording artist on the prowl for alternate open-chord voicings, the Danelectro Baritone is built to take your music in exciting new directions. The hybrid 29.75"-scale-length maple neck makes a comfortable transition for bass players and guitarists both. Electronics-wise, two high-output lipstick pickups driven by a simple 3-way selector permit quick access to those coveted Dano Bari tones, along with a sweet, throaty breakup that won't leave you drowning in amp noise. All the while, classic Danelectro stylings — the Art Deco single-cut body style and iconic Dolphin headstock — make this bari a sweet addition to any collector's showcase.

This cutaway acoustic/electric Grand Auditorium blends layered walnut back and sides with a solid Sitka spruce top, making it a great all-around acoustic that responds well to strumming, flatpicking and fingerpicking. With our patented Taylor neck, you’ll enjoy easy playability and accurate intonation as long as you own the guitar, and the slightly narrower 1-11/16-inch nut width makes forming barre chords easier on the hands.  The Venetian cutaway gives you access to more upper-end fretboard real estate, while our dynamic Expression System 2 pickup produces a natural amplified acoustic voice that will help you sound your best whenever you plug in. The clean appointment scheme includes Italian acrylic dot fretboard inlays, a 3-ring rosette, plus black binding and a black pickguard that complement the look of the genuine ebony fretboard and bridge. The guitar includes a lightweight protective gig bag for easy portability.

In LEFT-HANDED form! Featuring solid Sitka Spruce top with solid Sapele back and sides. Whether you’re a purist seeking a guitar steeped in tradition, or someone with their sights set on a more modern instrument, you’ll find what you’re looking for in Eastman's Orchestra models.

In LEFT-HANDED form! Featuring solid Sitka Spruce top with solid Sapele back and sides. Whether you’re a purist seeking a guitar steeped in tradition, or someone with their sights set on a more modern instrument, you’ll find what you’re looking for in Eastman's Orchestra models.

In LEFT-HANDED form! Featuring solid Sitka Spruce top and solid Sapele back and sides. Eastman Dreadnoghts are iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

Now boasting a newly-designed LR Baggs/PRS Piezo system, the SE Hollowbody II Piezo provides musicians with the versatility of wielding both acoustic and electric tones in one instrument. The instrument is designed with two discrete volume controls (magnetics and piezo) and output jacks (mix/piezo and magnetics). Players can plug into the “Mix/Piezo” jack and use the individual volume controls to blend the 58/15 “S” pickups with the piezo’s acoustic tones. Alternatively, players can plug into the jacks separately, so the guitar can run magnetic pickups into an amp and run the piezo through an acoustic amp or DI into the soundboard. When using the magnetic output jack in isolation, the piezo battery is bypassed completely, acting as a failsafe (in this scenario, the magnetic pickups still work even if the piezo battery has run out of juice). This is the most versatile SE instrument in the Series nearly twenty-year history.

Now boasting a newly-designed LR Baggs/PRS Piezo system, the SE Hollowbody II Piezo provides musicians with the versatility of wielding both acoustic and electric tones in one instrument. The instrument is designed with two discrete volume controls (magnetics and piezo) and output jacks (mix/piezo and magnetics). Players can plug into the “Mix/Piezo” jack and use the individual volume controls to blend the 58/15 “S” pickups with the piezo’s acoustic tones. Alternatively, players can plug into the jacks separately, so the guitar can run magnetic pickups into an amp and run the piezo through an acoustic amp or DI into the soundboard. When using the magnetic output jack in isolation, the piezo battery is bypassed completely, acting as a failsafe (in this scenario, the magnetic pickups still work even if the piezo battery has run out of juice). This is the most versatile SE instrument in the Series nearly twenty-year history.