Search results for 'G&L guitar'

Previously owned and in mint condition, this Custom 24 has been upgraded with a 10-Top, Mash Green finish (normally reserved only for Artist Package guitars), Artist Grade flamed maple neck, and Artist Grade flamed maple fingerboard and headstock veneer. Also features a Pattern Thin neck profile.

The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.

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"Un objeto de gran belleza"  That's a beautiful Spanish phrase isn't it? It means, "An object of great beauty". I can't think of anything that describes this guitar more eloquently and accurately. Where do I begin? This stunning instrument is a work of art that also happens to be an incredible guitar. It has a wonderful tone thanks in part to the Aged Tone Adirondack Top. Of course, the Brazilian Rosewood back and sides doesn't hurt either. This is a presentation model, like the beautiful presentation grade guitars and banjos made by the great instrument makers in the early 1900's. Instruments that were designed to represent the penultimate of the maker's art. The Bourgeois L-DBO-Presentation is that and more. This is as good as it gets, my friends.

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This vintage Pre-War 1939 Martin D-18 acoustic guitar not only has more mojo than any guitar we have in the shop right now, it's also one of the best sounding. Serial number #73062. Owned by a single family since 1940, when it was bought by our customer's father at a pawn shop on historic Beale Street here in Memphis, TN. Still has its original hard-case. It was his daily player until he passed away, and has sat in a closet for the last couple of years. It has aged and opened up with a sound that only a guitar that's been played for 78 years could. Learn More

  Featuring an amazingly lightweight and resonant body made from Empress wood.
  The foundation of the L-2500 is a pair of G&L Magnetic Field Design humbuckers backed by the flexible Tri-Tone control system, providing the sort of versatility that'll let you find your tone no matter what kind of bass line you're laying down. The Tri-Tone system features a trio of mini toggles for pickup selection, series/parallel signal routing and active/passive operation, as well as a trio of knobs for volume, treble and bass. With all that under the hood, Leo gave the L-2000 the kind of chops that’ll fit in any situation, from classic R&B to power-packed rock to poppin’ funk. With the addition of a meaty low 'B', the L-2500 brings a crushing bottom end that's tight and well defined. What’s more, the L-2500 features an innovative Leo Fender-designed Saddle-Lock bridge to transfer string energy right into the body end-grain for an incredibly resonant instrument. On the other end is a comfortable, C-shaped neck checking in with a modern 12" radius and 21 Plek-processed medium-jumbo nickel frets ready to deliver silky playability.

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This ASAT Deluxe has been upgraded with a Black Limba top, DFS Trem/Vibrato, and Light Tint Satin neck finish.

The G&L ASAT Deluxe takes the iconic ASAT into humbucker territory while retaining the feel and playability that have made the ASAT a perennial favorite among players. Essentially a fusion of Fullerton and Kalamazoo, the Deluxe features Seymour Duncan humbuckers housed in a Premium Black Limba Top over Swamp Ash body. An innovative G&L Saddle-Lock bridge transfers string energy right into the body end-grain to make the most of the resonant body wood combination. The familiar ASAT feel continues with a hard-rock maple neck sporting an easy-playing satin finish, comfortable 9 1/2" radius and Jescar 57110 medium-jumbo nickel-silver frets for silky playability.

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-Number 35 of 40
-Nightshade finish
-One-piece mahogany set-neck
-Pattern Regular neck carve
-Madagascar rosewood fingerboard
-Dragon tail fingerboard inlay
-24 frets
-Madagascar headstock veneer
-Green Ripple Private Stock eagle headstock inlay
-Phase III Locking tuners
-Madagascar tuner buttons
-Solid african ribbon mahogany body
-Private Stock grade curly maple top w/ retro carve
-85/15 Treble & Bass humbuckers
-Volume, Push/Pull Tone, & 3-way toggle
-PRS tremolo bridge
-Deluxe PRS case

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• 2 Super Hard On circuits in one
• Channel 1 cascades into Channel 2 for incredibly dangerous amounts of gain
• Master Volume control lets you enjoy the madness at lower volumes

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This effect is a natural continuation of the probe series... the fuzz factory probe, the volume control/manual tremolo probe, and now a wah. It's probably exactly what you think it is: a theremin-style antenna controlling a wah, getting brighter as your foot approaches. It has one extra feature, however. There's a Super Hard-On boost circuit in front of the wah, with a knob to set the exact level of boost for driving your wah sound. It can be turned up high enough to make the wah crack up a little for that "something's gonna blow" sound. It gets pretty darn loud! Learn More

This is an aggressive high-gain pedal with a highly-effective built-in switchable gate which dramatically reduces noise and unwanted feedback. Its gain and tonal characteristics are somewhat similar to high-gain tube amplifiers that have been the staple of hard rock and metal sounds since the 80's. On the right, there is a true- bypass switch with an indicator LED to bypass the entire effect. On the left is a gate switch which is only effective when the pedal is on (the gate cannot be used separately.) When the gate's LED (on the left side of the pedal) is ON, the gate will be active whenever the pedal is turned on. The gate is very useful for cleaning up any noise between palm-muted chords and lead phrases, but may be switched off to initiate feedback or to stretch out soloed notes that are fading into noise. 

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ISO Boost incorporates a clean transparent boost, as well as a transformer isolated buffered signal to drive long effects chains. Learn More

The new Xotic SP Compressor offers the same OTA (operational transconductance amplifier) technology used in what many guitar players consider the best compressor ever, the Ross Compressor. 

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