Search results for 'Gracie walk up stands'

If you’re into big, menacing Tone, but don’t need the power or the weight of a classic 100-Watt-er, Mesa/Boogie invites you to check out what 50 years designing and building high performance tube amps can serve up in the 50 watt range. From Clean and Crunch on to Modern Era Heavy, this is their latest evolution of Recto tone. It's a Rectifier at its core, but not the Recto you know. The 50 Watt setting delivers bold authority and the highest headroom while the 20-watt setting finds the power tubes re-wired for Triode operation that unveils greater clipping potential and a mid-scooped, harmonic-laden response that reveals trademark EL34 Tone. The Badlander 50 is also the recordists dream realized. It features Mesa's first onboard CabClone IR and it delivers seamless DI with Channel Specific IR Assignment of the 8 virtual Cabinets and a Reactive Load that sounds and feels great!

  Paul Reed Smith CE 24 in a custom color, Cobalt Blue Wrap Burst, with Pattern Thin neck carve.
  Combining the snap and sustain of a bolt-on guitar with the airy resonance of a semi-hollow body, the CE 24 Semi-Hollow is a truly unique addition to the PRS Bolt-On lineup. The body pairs the traditional combination of a mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck features a Pattern Thin carve and satin nitro finish for a natural, addictive feel. The electronics consist of a volume and push/pull tone control with a 3-way toggle switch, giving a total of six classic sounds from the PRS 85/15 pickups.

Greek for “ruler” or “lord,” the PRS Archon is a commanding 2-channel amp with versatile overdriven tones and sparkling cleans with plenty of headroom. Designed with five gain stages before the master volume, the Archon’s lead channel is voiced to cover everything from Classic Rock to Metal with full, lush distortion. The clean channel provides rich tones that retain clarity even at high volume, and there is ample headroom, creating an excellent platform for pedals. The Archon has remarkably responsive tone with incredible note separation, whether you’re playing on the clean channel or chugging on the lead.

It's time to unleash a new member of the Rectifier Family; the Rectifier Badlander 50 Combo. Tighter, meaner, more aggressive, it’s a Recto tuned for the times and up for the task of raising the bar once again in Rock tone. Two identical Channels feature 3 new super dynamic and duplicated Modes. CLEAN, CRUNCH and CRUSH repeated supply all the gain, tone-shaping power, and raw personality you'll need to navigate any Band or Session environment. The easy to pilot 2-Channel preamp is harnessed with three different and perfect power displacements, each delivering addictive EL34 performance. If you’re into big, menacing Tone, Mesa invites you to check out what 51 years designing and building high performance Tube Amps can serve up.

Mesa's most compact Subway Cabinet, the 1x12 Ultra-Lite combines finely-tuned porting, Top-grade ply, aircraft-style bracing, a super-responsive and efficient neodymium 12" Driver and their musical sounding HF Driver to create an amazing compact Bass cabinet. It will handle smaller venues surprisingly well by itself, or combined with another 1x12, 1x15 or larger cabs for a multi-dimensional Cabinet array.

The same R&D team responsible for Blackstar's professional amps also designed the ID:Core V3. Unique innovations and connectivity give guitarists the best possible sound from the first time they plug in. The ID:Core Stereo 10 V3 is a 2x20 watt, ultimate entry level guitar amplifier. Incredible tone and flexibility is accessed by a simple and intuitive control set and delivered in SUPER WIDE STEREO to give an immersive playing experience that will have you hooked on playing guitar.

The EC-1001 Tiger Eye has a mahogany body with flamed maple top in the exquisite Tiger Eye finish, with outstanding black binding and matching black hardware. Other features of this guitar include a mahogany neck that features a satin finish on the back, with a Macassar ebony fingerboard and 24 extra-jumbo stainless steel frets, and a set of direct-mount Fishman Fluence Open Core Classic Humbucker pickups, with push-pull controls to select voicings.

  That big powerful iconic sound with improved playability, the StingRay 4H with rosewood fingerboard produces a look, feel and sound that is remarkably unmistakable. The Music Man StingRay took the bass world by storm in its debut in 1976. Since then it has remained one of the most popular instruments amongst professional bassists, and for good reason.
  Featured revisions include an enhanced contour that is rounded for more comfort in any playing position, a sculpted neck joint for uninhibited upper fret access to all 22 stainless steel frets, and lightweight aluminum hardware providing a lighter, more balanced instrument. The improved StingRay electronics feature powerful neodymium magnets for higher output and a 18-volt 3-Band preamp for extra clean headroom without clipping. Solid roadworthy construction, elegant oval pickguard, 3+1 tuning key configuration, and the ever popular Music Man humbucker for that revered iconic StingRay sound.

Following the popularity of Jason Richardson’s striking signature model, now introducing the new Richardson Cutlass for the more traditional players. Featuring a custom contoured lower horn for fret access, roasted maple neck with rosewood fretboard, and highly figured Poplar Burl top, it features all the appointments of the original, but in a sleek 6-string configuration. That also includes a high output humbuckers, a 12dB “Push-Push” volume boost, coil-tap “Push-Push” tone control, and Modern Tremolo.

Roger Sadowsky's goal was always to further improve an already very successful bass design by making a number of detailed improvements. Along with the electronics, which he developed by himself, he succeeded to raise the well-known J-bass sound to a new level, so today you can speak of a typical Sadowsky tone: Never harsh or shrill sounding, with strong, powerful but never muddy bass, with present, but not too aggressive mids, and a sweet and airy treble range. All features of this modern bass sound can also be found in the 21-Fret Vintage J/J basses of the MetroExpress series. All basses are lightweight with approximately 8.4 pounds. A good choice for bass players who are looking for a lightweight solution for the stage in addition to a modern bass sound. This version of the Sadowsky Vintage J/J Bass features a Tobacco Burst Transparent High Polish finish, a parchment pickguard and a Maple fingerboard.

Roger Sadowsky's goal was always to further improve an already very successful bass design by making a number of detailed improvements. Along with the electronics, which he developed by himself, he succeeded to raise the well-known J-bass sound to a new level, so today you can speak of a typical Sadowsky tone: Never harsh or shrill sounding, with strong, powerful but never muddy bass, with present, but not too aggressive mids, and a sweet and airy treble range. All features of this modern bass sound can also be found in the 21-Fret Vintage J/J basses of the MetroExpress series. All basses are lightweight with approximately 8.4 pounds. A good choice for bass players who are looking for a lightweight solution for the stage in addition to a modern bass sound. This five-string version of the Sadowsky Vintage J/J Bass features a Tobacco Burst finish, a parchment pickguard, and Morado (Pau Ferro) fingerboard.