Search results for 'Prs sc'

The Large Soundhole Dreadnought is a flatpicking cannon inspired by some of our favorite bluegrass legends. Featuring an AT Adirondack top and stunning Madagascar Rosewood back & sides, this guitar has an extra dose of projection and maintains all of the punch of our standard Dreadnoughts.

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The SE Hollowbody Standard features an all-mahogany body with hollow construction for a warm, resonant tone. The 22 fret wide fat neck, PRS adjustable stoptail bridge, and 58/15 “S” pickups further promote the SE Hollowbody Standard’s big, clear, balanced voice. This vintage-inspired instrument combines the power and stability of a solid-body electric guitar with the captivating, resonance of a hollowbody instrument, making the SE Hollowbody Standard at home with players of all styles.

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Vintage 1971 Marshall model 1961 "Bluesbreaker" 4x10 combo, 50 watts with tremolo. This amp is super rare and super cool. The condition is very good. The grill looks great, with a few scuffs. The speakers are original with an offset 4x10 configuration. The tolex is fine and looks good. It works great, and it really sounds amazing. Eric Clapton used a four 10" model in the earliest days of John Mayall. A must have for the Marshall enthusiast!

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Top: Solid Cedar
Back: Solid Sapele
Sides: Sapele
Neck: Mahogany
Fingerboard: Ebony
Scale: 644mm
Nut Width: 42mm
Preamp: CT4-DX (DMP)

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D'Angelico's flagship archtop—now available in the Premier Series. Crafted from John D’Angelico’s original design, the Premier EXL-1's balanced, organic tone captures the unmistakable sound of a New York jazz box. Couple that with signature D'Angelico features in the Stairstep tailpiece and iconic headstock, the EXL-1 embodies elegance. Its single floating mini-humbucker highlights its naturally punchy mids and warm acoustic edge. Designed for jazzers at every turn, the Premier EXL-1 is the finest archtop in its class.

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Introducing the MESA/Boogie Fillmore 25. Joining the award-winning Fillmore 50, the new Fillmore 25 shows up to claim the bantam-weight class with a compact 6V6 format. Authentic traditional tones abound in this new Fillmore’s popular power range, from clipped cleans, to a purring grind, all joined by the preamp’s higher gain realm delivering blistering tube overdrive like only a MESA can. The 25 also features tube-driven spring reverb that provides some of our lushest, richest reverb to date. Experience the 50's circuit, soul and clip-ability coupled seamlessly with the realm beyond where traditional amp evolution tapped-out in the twilight of the 60s with the new Fillmore 25. Finally, you can have the original Boogie-sized footprint, preamp flexibility to cover any style, and Traditional, old-school dress in the perfect power range! …Tone for days that brings back The Years!

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  The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
  At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
  Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

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By itself or as a companion to a 1x12 or another 1x15 cabinet, our most popular single speaker format is the 1x15 Ultra-Lite. A little larger footprint (than the 1x12) accommodates the needed internal volume to match the 15” Full Range driver and create this, warm, huge sounding compact cabinet that shines for everything form old-school Blues and R&B to scooped modern Slap and tight, picked Rock styles. Our sweet High Frequency Driver ensures the detail remains intact and imparts an adjustable Hi-Fi character to the sound. By itself, or as a foundation for further coloring with 10s or 12s, the 1x15 anchors the Subway Cabinet Line with its flexibility, warm and accurate performance across the full range, and ease of transport.

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"Un objeto de gran belleza"  That's a beautiful Spanish phrase isn't it? It means, "An object of great beauty". I can't think of anything that describes this guitar more eloquently and accurately. Where do I begin? This stunning instrument is a work of art that also happens to be an incredible guitar. It has a wonderful tone thanks in part to the Aged Tone Adirondack Top. Of course, the Brazilian Rosewood back and sides doesn't hurt either. This is a presentation model, like the beautiful presentation grade guitars and banjos made by the great instrument makers in the early 1900's. Instruments that were designed to represent the penultimate of the maker's art. The Bourgeois L-DBO-Presentation is that and more. This is as good as it gets, my friends.

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This vintage Pre-War 1939 Martin D-18 acoustic guitar not only has more mojo than any guitar we have in the shop right now, it's also one of the best sounding. Serial number #73062. Owned by a single family since 1940, when it was bought by our customer's father at a pawn shop on historic Beale Street here in Memphis, TN. Still has its original hard-case. It was his daily player until he passed away, and has sat in a closet for the last couple of years. It has aged and opened up with a sound that only a guitar that's been played for 78 years could. Learn More

  Featuring an amazingly lightweight and resonant body made from Empress wood.
  The foundation of the L-2500 is a pair of G&L Magnetic Field Design humbuckers backed by the flexible Tri-Tone control system, providing the sort of versatility that'll let you find your tone no matter what kind of bass line you're laying down. The Tri-Tone system features a trio of mini toggles for pickup selection, series/parallel signal routing and active/passive operation, as well as a trio of knobs for volume, treble and bass. With all that under the hood, Leo gave the L-2000 the kind of chops that’ll fit in any situation, from classic R&B to power-packed rock to poppin’ funk. With the addition of a meaty low 'B', the L-2500 brings a crushing bottom end that's tight and well defined. What’s more, the L-2500 features an innovative Leo Fender-designed Saddle-Lock bridge to transfer string energy right into the body end-grain for an incredibly resonant instrument. On the other end is a comfortable, C-shaped neck checking in with a modern 12" radius and 21 Plek-processed medium-jumbo nickel frets ready to deliver silky playability.

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