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Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

Eastman makes an outstanding semi-hollow electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a semi-hollow with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

Featuring a solid Adirondack Spruce top, and solid Mahohany back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

  Upgraded with a cool matching headstock and 3-ply White Pearl pickguard.
  The G&L ASAT Special just might be the quintessential G&L guitar, viewed by many as Leo's ultimate single-cutaway. The ASAT Special features jumbo single-coil Magnetic Field Design pickups, each with a narrow bobbin aperture for a coil which is shallow yet wide. In this regard, an MFD jumbo single coil is similar to a P-90 or Jazzmaster pickup, yet the MFD principle provides a punchier bottom end and brighter top end sparkling with harmonics. Leo further departed with the past with the addition of his innovative Saddle-Lock bridge which transfers string energy right into the body end-grain for an incredibly resonant instrument. The result is one of the most versatile guitars ever, serving up ballsy twang to searing blues to smooth jazz tones.

Jason Lollar’s fascination with guitar tones can be traced back to the sound of early-‘60s (pre-CBS) Strats. That was the benchmark he aimed for when creating our Sixty-Four Strat pickup. When you hear them, we think you’ll agree he hit the mark! You get prominent midrange and clear top end with a piano-like attack.

Jason Lollar’s fascination with guitar tones can be traced back to the sound of early-‘60s (pre-CBS) Strats. That was the benchmark he aimed for when creating our Sixty-Four Strat pickup. When you hear them, we think you’ll agree he hit the mark! You get prominent midrange and clear top end with a piano-like attack.