Search results for '3'

The 2x10 is the compact solution for players who prefer the midrange articulation and focus of 10s, but need a smaller option than the classic 4x10. Combining two allows a more portable solution than one heavier quad-box and the ability to take one for rehearsal or small venues and two for gigs with louder bands or in bigger venues. Using the 2x10 in combination with a 1x12 or 1x15 imparts color, articulation and iconic midrange punch along with more volume. Built with all the same woods, aircraft-style bracing and Tri-Port™ porting, the 2x10 Ultra-Lite brings another key voice to the modular approach in compact, lightweight Bass Cabinetry.

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Amazing sounding vintage Marshall Super Lead 100 head and matching 4x12 cabinet. Both made in 1971. This was previously owned by the guitarist from the legendary Memphis band, Target. Target had a large Mid-South regional fan base in the early 1970's and opened for Black Sabbath, Boston, and Kiss. Their lead singer, Jimi Jamison, went on to become the front man for Survivor and sang on a bunch of their hits; "I Can't Hold Back", High On You", "The Search Is Over", and "Burning Heart".

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Previously owned and in mint condition, this Custom 24 has been upgraded with a 10-Top, Mash Green finish (normally reserved only for Artist Package guitars), Artist Grade flamed maple neck, and Artist Grade flamed maple fingerboard and headstock veneer. Also features a Pattern Thin neck profile.

The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.

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"Un objeto de gran belleza"  That's a beautiful Spanish phrase isn't it? It means, "An object of great beauty". I can't think of anything that describes this guitar more eloquently and accurately. Where do I begin? This stunning instrument is a work of art that also happens to be an incredible guitar. It has a wonderful tone thanks in part to the Aged Tone Adirondack Top. Of course, the Brazilian Rosewood back and sides doesn't hurt either. This is a presentation model, like the beautiful presentation grade guitars and banjos made by the great instrument makers in the early 1900's. Instruments that were designed to represent the penultimate of the maker's art. The Bourgeois L-DBO-Presentation is that and more. This is as good as it gets, my friends.

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This vintage Pre-War 1939 Martin D-18 acoustic guitar not only has more mojo than any guitar we have in the shop right now, it's also one of the best sounding. Serial number #73062. Owned by a single family since 1940, when it was bought by our customer's father at a pawn shop on historic Beale Street here in Memphis, TN. Still has its original hard-case. It was his daily player until he passed away, and has sat in a closet for the last couple of years. It has aged and opened up with a sound that only a guitar that's been played for 78 years could. Learn More

  Featuring an amazingly lightweight and resonant body made from Empress wood.
  The foundation of the L-2500 is a pair of G&L Magnetic Field Design humbuckers backed by the flexible Tri-Tone control system, providing the sort of versatility that'll let you find your tone no matter what kind of bass line you're laying down. The Tri-Tone system features a trio of mini toggles for pickup selection, series/parallel signal routing and active/passive operation, as well as a trio of knobs for volume, treble and bass. With all that under the hood, Leo gave the L-2000 the kind of chops that’ll fit in any situation, from classic R&B to power-packed rock to poppin’ funk. With the addition of a meaty low 'B', the L-2500 brings a crushing bottom end that's tight and well defined. What’s more, the L-2500 features an innovative Leo Fender-designed Saddle-Lock bridge to transfer string energy right into the body end-grain for an incredibly resonant instrument. On the other end is a comfortable, C-shaped neck checking in with a modern 12" radius and 21 Plek-processed medium-jumbo nickel frets ready to deliver silky playability.

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Clothed in the vintage brown and gold cosmetic, the Panoramic Stereo brings the Magnatone stereo experience to a smaller, more convenient size. Two 10” speakers are powered by four EL84s push pull 12 + 12 watts of all tube stereo power for a very compact and wide sounding amplifier. All of this plus Magnatone’s exclusive Varistor Pitch Shifting Vibrato and a full length Accutroics reverb tank means you can get the sound of a Twilighter Stereo in the perfect size for grab and go gigs or rehearsals.

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Mesa/Boogie's Mark Five: 35 is an upgraded rendering of their recent smash hit, the mini-platform MARK FIVE: 25. They've added a Channel Independent SOLO Feature, a long-spring tank for the all-tube Reverb, the complete set of Voicing Choices from their CABCLONE with the addition of the VINTAGE setting, on-board DI Output, and an upgraded Footswitch for access to the new footswitchable choices. This new blend of perfect clip-ablity on demand and exciting, dynamic headroom when you need it, creates the most adaptable MARK amplifier yet!

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This ASAT Deluxe has been upgraded with a Black Limba top, DFS Trem/Vibrato, and Light Tint Satin neck finish.

The G&L ASAT Deluxe takes the iconic ASAT into humbucker territory while retaining the feel and playability that have made the ASAT a perennial favorite among players. Essentially a fusion of Fullerton and Kalamazoo, the Deluxe features Seymour Duncan humbuckers housed in a Premium Black Limba Top over Swamp Ash body. An innovative G&L Saddle-Lock bridge transfers string energy right into the body end-grain to make the most of the resonant body wood combination. The familiar ASAT feel continues with a hard-rock maple neck sporting an easy-playing satin finish, comfortable 9 1/2" radius and Jescar 57110 medium-jumbo nickel-silver frets for silky playability.

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  Following a 35 year tradition of 4xEL84 based power with successful models such as the Caliber, Maverick, Nomad and Lone Star, Mesa/Boogie is proud to add the legendary and first-ever MARK preamp to the 9-Pin power lineup and introduce the MARK FIVE: 35. This light-middleweight is an upgraded rendering of their recent smash hit, the mini-platform MARK FIVE: 25 and like it, the new 35 boxes far above its class.
  To further bolster the new MARK FIVE: 35's stage-ready resume, Mesa has added a Channel Independent SOLO Feature, a long-spring tank for the all-tube Reverb, the complete set of Voicing Choices from their CABCLONE with the addition of the VINTAGE setting to its on-board DI Output and an upgraded Footswitch for access to the new footswitchable choices. This new blend of perfect clip-ablity on demand and exciting, dynamic headroom when you need it, creates the most adaptable MARK amplifier yet!

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The Boogie 1x12 WideBody delivers the best of the open-back world by rear-mounting the speaker and extending the width of the cab to provide more interior low-end resonance while still emphasizing the signature sparkle and chime of an open-back design. Clean, low and medium-gain styles benefit greatly from the open-back format. Those styles benefit even further with the added bass response and overall fullness provided by the WideBody design. Full bass representation, solid midrange and the elusive high end "openness", sparkle and transparency are what the 1x12 WideBody does best!

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