Search results for 'PRS Custom 24 30th'

This Slope-Shouldered E6 features a solid Thermo-Cured Sitka Spruce top, and Mahogany back & sides. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

  This 24-08 features a stunning Quilted Maple 10-Top, Korina Back & Neck, Ebony fingerboard, Pattern-Thin neck carve, and Vintage Natural Smoked Burst finish.
  The Custom 24 is the quintessential PRS guitar, the iconic instrument that started it all back in 1985. The Custom 24-08 keeps many of the foundational specs as the original Custom – maple top, mahogany back and neck, 24 frets, 25" scale length, the PRS patented Gen III tremolo – but adds a new level of versatility with its TCI pickups and intuitive switching system. Featuring two mini-toggle coil-tap switches, the Custom 24-08 has eight different pickup settings that provide an array of humbucking and single coil tones, including a dual single coil option. For classic PRS playability, reliability, and tone with ultimate flexibility, check out the Custom 24-08.

  This Custom 24 features a Pattern Thin neck carve, and a 10-Top in Cobalt Smokeburst Finish
  The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.
  The Custom 24 is the original PRS. Since its introduction, it has offered a unique tonal option for serious players and defined PRS tone and playability.

  The Custom 24 "Floyd" is equipped with the time-tested Floyd Rose "Original" tremolo system and PRS's \ m / (metal) pickups. The Floyd Rose "Original" tremolo and locking nut tuning system is a double-locking design precision-made from high quality steel. This design combination allows players to lock the string at the nut and at the bridge to keep the guitar in tune even during the heaviest dive-bombing sessions.
  The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars' first Winter NAMM show in 1985 and has been a top seller ever since.

The Custom 24 is the quintessential PRS guitar, the iconic instrument that started it all back in 1985. The Custom 24-08 keeps many of the foundational specs as the original Custom – maple top, mahogany back and neck, 24 frets, 25" scale length, the PRS patented Gen III tremolo – but adds a new level of versatility with its TCI pickups and intuitive switching system. Featuring two mini-toggle coil-tap switches, the Custom 24-08 has eight different pickup settings that provide an array of humbucking and single coil tones, including a dual single coil option. For classic PRS playability, reliability, and tone with ultimate flexibility, check out the Custom 24-08.

This is a rare and highly sought-after 1965 Fender Deluxe (non-reverb) model. Unlike the more common Deluxe Reverb, the non-reverb version is special due to its purer signal path, resulting in increased clarity, tighter low end, and a slightly quicker response. For players who appreciate the simplicity and tonal purity of vintage tube amps, the non-reverb Deluxe offers a sound that's less colored by additional circuitry, making it an excellent platform for pedals or clean tones that cut through the mix.

This amp is in great condition and has been fully serviced and is ready to go. It features the legendary AB763 circuit, known for its pristine cleans and smooth overdrive. Production #3, as indicated on the tube chart. The Warehouse ET65 speaker is a high-quality replacement that enhances the amp’s versatility, offering both warmth and articulation without sacrificing the vintage tone.
Cosmetically, the amp is in great shape with minor wear consistent with its age.

Non-reverb Deluxe amps are harder to find and deliver a unique tonal character that sets them apart from their reverb-equipped siblings. If you're looking for a classic vintage amp with more tonal purity and a responsive, direct sound, this 1965 Fender Deluxe is an absolute gem. Learn More

This XTC-1 features a unique Mahogany body and neck, with ebony fingerboard, and beautiful Dog Hair finish. The Xotic XTC guitars are hand built in the USA and feature nitrocellulose finish, roasted necks treated with oil for the ultimate in playability, and Raw Vintage hand wound pickups based on Xotic’s own proprietary design.

The Xotic XTC guitars are hand built in the USA and feature nitrocellulose finish, flame roasted maple neck treated with oil for the ultimate in playability and Raw Vintage hand wound pickups based on Xotic’s own proprietary design.

  The S2 McCarty 594 Thinline is an all-mahogany, thin-body guitar with a powerful voice. Whether you are looking for authentic humbucking tones or nuanced, sweet single-coil sounds, the S2 McCarty 594 Thinline can seamlessly master both sonic territories thanks to its Maryland, USA-made 58/15 LT pickups and dual volume and push/pull tone controls.

  Introducing Myles Kennedy’s first signature model. Known for his work in Alter Bridge, Slash and the Conspirators, and his own solo recordings, Kennedy is an accomplished guitarist who brings blues and jazz style to rock guitar playing. This new signature model mirrors Kennedy’s rock sensibilities with a nod to historic designs. While the aesthetic may have players hearing chicken pickin’ in their heads – and this guitar can certainly reach twang territory – it is made to play like a rock machine.
  "This guitar captures the spirit of my favorite older instruments. With that said, since we developed this guitar, most of my vintage instruments rarely see the light of day," said Kennedy.

  The DGT (David Grissom Trem) is the result of more than 20 years of collaboration between Paul Reed Smith and David Grissom. The DGT is based on the McCarty platform with a unique DGT neck shape, taller frets, special pickups, and a revised control layout. Grissom and Paul spent a year A/B-ing more than forty sets of pickups before nailing the vintage-voice of DGT humbuckers. When paired with individual volume controls for each pickup and a push/pull master tone control that operates the coil taps, DGT pickups provide versatility and articulation.
  “The DGT is a product a lot of miles down the road: a lot of gigs, a lot of records. It’s like picking up a vintage guitar. It sounds like a vintage guitar, and out of the box it’s ready to go. There’s a whole lot of thought gone into this. The DGT is pretty perfect to me.” – David Grissom