Search results for 'Super eagle'

By itself or as a companion to a 1x12 or another 1x15 cabinet, our most popular single speaker format is the 1x15 Ultra-Lite. A little larger footprint (than the 1x12) accommodates the needed internal volume to match the 15” Full Range driver and create this, warm, huge sounding compact cabinet that shines for everything form old-school Blues and R&B to scooped modern Slap and tight, picked Rock styles. Our sweet High Frequency Driver ensures the detail remains intact and imparts an adjustable Hi-Fi character to the sound. By itself, or as a foundation for further coloring with 10s or 12s, the 1x15 anchors the Subway Cabinet Line with its flexibility, warm and accurate performance across the full range, and ease of transport.

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The 2x10 is the compact solution for players who prefer the midrange articulation and focus of 10s, but need a smaller option than the classic 4x10. Combining two allows a more portable solution than one heavier quad-box and the ability to take one for rehearsal or small venues and two for gigs with louder bands or in bigger venues. Using the 2x10 in combination with a 1x12 or 1x15 imparts color, articulation and iconic midrange punch along with more volume. Built with all the same woods, aircraft-style bracing and Tri-Port™ porting, the 2x10 Ultra-Lite brings another key voice to the modular approach in compact, lightweight Bass Cabinetry.

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Amazing sounding vintage Marshall Super Lead 100 head and matching 4x12 cabinet. Both made in 1971. This was previously owned by the guitarist from the legendary Memphis band, Target. Target had a large Mid-South regional fan base in the early 1970's and opened for Black Sabbath, Boston, and Kiss. Their lead singer, Jimi Jamison, went on to become the front man for Survivor and sang on a bunch of their hits; "I Can't Hold Back", High On You", "The Search Is Over", and "Burning Heart".

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-Number 35 of 40
-Nightshade finish
-One-piece mahogany set-neck
-Pattern Regular neck carve
-Madagascar rosewood fingerboard
-Dragon tail fingerboard inlay
-24 frets
-Madagascar headstock veneer
-Green Ripple Private Stock eagle headstock inlay
-Phase III Locking tuners
-Madagascar tuner buttons
-Solid african ribbon mahogany body
-Private Stock grade curly maple top w/ retro carve
-85/15 Treble & Bass humbuckers
-Volume, Push/Pull Tone, & 3-way toggle
-PRS tremolo bridge
-Deluxe PRS case

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Equipped with a Celestion G12H and a Vintage 30. Learn More

• 2 Super Hard On circuits in one
• Channel 1 cascades into Channel 2 for incredibly dangerous amounts of gain
• Master Volume control lets you enjoy the madness at lower volumes

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The Tremolo Probe is a kind of cross between a theremin volume control and a Super Hard-On. There is a 3-5/8" square copper plate mounted on a chunk of 3/8" clear acrylic that passes over the top of the pedal housing, angles down to sharp turn, and goes back to the pedal. Under the whole mess is a 3 5/8" by 7" sheet of aluminum that provides shielding from annoying ground effects and wires under the stage. It also serves to protect the knob from being knocked off if you drop it on that end... and it makes a nice toe chopper if you are barefoot, so (legal disclaimer:) DO NOT DROP THIS PEDAL ON YOUR FOOT! IT IS HEAVY AND HAS VERY POINTY CORNERS THAT COULD DAMAGE LIVING CREATURES AND FINE HARDWOOD FLOORING. ALSO, YOU COULD BREAK SOMETHING. Like your dog. Learn More

This effect is a natural continuation of the probe series... the fuzz factory probe, the volume control/manual tremolo probe, and now a wah. It's probably exactly what you think it is: a theremin-style antenna controlling a wah, getting brighter as your foot approaches. It has one extra feature, however. There's a Super Hard-On boost circuit in front of the wah, with a knob to set the exact level of boost for driving your wah sound. It can be turned up high enough to make the wah crack up a little for that "something's gonna blow" sound. It gets pretty darn loud! Learn More

This is an aggressive high-gain pedal with a highly-effective built-in switchable gate which dramatically reduces noise and unwanted feedback. Its gain and tonal characteristics are somewhat similar to high-gain tube amplifiers that have been the staple of hard rock and metal sounds since the 80's. On the right, there is a true- bypass switch with an indicator LED to bypass the entire effect. On the left is a gate switch which is only effective when the pedal is on (the gate cannot be used separately.) When the gate's LED (on the left side of the pedal) is ON, the gate will be active whenever the pedal is turned on. The gate is very useful for cleaning up any noise between palm-muted chords and lead phrases, but may be switched off to initiate feedback or to stretch out soloed notes that are fading into noise. 

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