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Keep in mind that AC/DC’s Back in Black is one of the best-selling albums of all time. Much of the lead guitar tone of Angus Young from that magic era is due to the Schaffer-Vega. The SVDS sported a clean boost, a compressor and an expander (companding) in its audio circuitry, allowing it to further overdrive the amplifiers and add a unique signature to the sound. As with all guitar effects or sound effects in general in the known universe, some will like it and some won’t. We have tested the original Schaffer-Vega and its Replica extensively for two years and published many videos with it.

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  Featuring an amazingly lightweight and resonant body made from Empress wood.
  The foundation of the L-2500 is a pair of G&L Magnetic Field Design humbuckers backed by the flexible Tri-Tone control system, providing the sort of versatility that'll let you find your tone no matter what kind of bass line you're laying down. The Tri-Tone system features a trio of mini toggles for pickup selection, series/parallel signal routing and active/passive operation, as well as a trio of knobs for volume, treble and bass. With all that under the hood, Leo gave the L-2000 the kind of chops that’ll fit in any situation, from classic R&B to power-packed rock to poppin’ funk. With the addition of a meaty low 'B', the L-2500 brings a crushing bottom end that's tight and well defined. What’s more, the L-2500 features an innovative Leo Fender-designed Saddle-Lock bridge to transfer string energy right into the body end-grain for an incredibly resonant instrument. On the other end is a comfortable, C-shaped neck checking in with a modern 12" radius and 21 Plek-processed medium-jumbo nickel frets ready to deliver silky playability.

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This ASAT Deluxe has been upgraded with a Black Limba top, DFS Trem/Vibrato, and Light Tint Satin neck finish.

The G&L ASAT Deluxe takes the iconic ASAT into humbucker territory while retaining the feel and playability that have made the ASAT a perennial favorite among players. Essentially a fusion of Fullerton and Kalamazoo, the Deluxe features Seymour Duncan humbuckers housed in a Premium Black Limba Top over Swamp Ash body. An innovative G&L Saddle-Lock bridge transfers string energy right into the body end-grain to make the most of the resonant body wood combination. The familiar ASAT feel continues with a hard-rock maple neck sporting an easy-playing satin finish, comfortable 9 1/2" radius and Jescar 57110 medium-jumbo nickel-silver frets for silky playability.

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The Boogie 1x12 WideBody delivers the best of the open-back world by rear-mounting the speaker and extending the width of the cab to provide more interior low-end resonance while still emphasizing the signature sparkle and chime of an open-back design. Clean, low and medium-gain styles benefit greatly from the open-back format. Those styles benefit even further with the added bass response and overall fullness provided by the WideBody design. Full bass representation, solid midrange and the elusive high end "openness", sparkle and transparency are what the 1x12 WideBody does best!

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This effect is a natural continuation of the probe series... the fuzz factory probe, the volume control/manual tremolo probe, and now a wah. It's probably exactly what you think it is: a theremin-style antenna controlling a wah, getting brighter as your foot approaches. It has one extra feature, however. There's a Super Hard-On boost circuit in front of the wah, with a knob to set the exact level of boost for driving your wah sound. It can be turned up high enough to make the wah crack up a little for that "something's gonna blow" sound. It gets pretty darn loud! Learn More

ISO Boost incorporates a clean transparent boost, as well as a transformer isolated buffered signal to drive long effects chains. Learn More