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The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
  “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin

  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith's favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer

PRS Private Stock

BuckEye Top
Resin Fill
Black Limba Back
Black Limba Neck
Exotic Ebony Fretboard
Ebony Tuner Buttons
Ebony Rings
MOP Side Dots
Limba Backplates

  This CE24 features an Eriza Verde Finish, and Pattern Thin neck carve.
  Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. These attributes have, in turn, become essential to many players trying to tell their story through music. The CE 24 pairs PRS’s traditional body combination of the mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck sports a Pattern Thin carve and satin nitro finish for a natural, addictive feel. To further maximize the guitar’s inherent tone and clarity, the CE 24 features PRS 85/15 pickups, which Paul designed to have remarkable clarity as well as extended high and low end. The electronics consist of a volume and push/pull tone control with 3-way toggle switch for a total of six classic sounds.

  The S2 McCarty 594 Singlecut delivers vintage appointments with the precision of PRS’s modern manufacturing techniques and trusted craftsmanship. Whether you are looking for authentic humbucking tones or nuanced, sweet single-coil sounds, the S2 McCarty 594 Singlecut can seamlessly master both sonic territories thanks to its 58/15 "S" pickups and dual volume and push/pull tone controls.
  The warm, familiar tone of the S2 McCarty 594 Singlecut is further supported by its construction specifications and design. Featuring a bound 22-fret Pattern Vintage neck and slightly thicker back for more sustain the S2 McCarty 594 Singlecut feels and sounds like a guitar you’ve been playing forever. It plays
in tune, stays in tune, and is intonated the entire length of the neck. A zinc two-piece bridge and vintage-style tuners anchor this guitar and stay true to the promise of the McCarty family.
  Designed to capture the heart of the McCarty family of instruments and stay true to the S2 Series spirit, the S2 McCarty 594 Singlecut recreates the essence of vintage.

  Paul Reed Smith CE 24 in Faded Grey Black, with Pattern Thin neck profile.
  Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. These attributes have, in turn, become essential to many players trying to tell their story through music. The CE 24 pairs PRS’s traditional body combination of the mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck sports a Pattern Thin carve and satin nitro finish for a natural, addictive feel. To further maximize the guitar’s inherent tone and clarity, the CE 24 features PRS 85/15 pickups, which Paul designed to have remarkable clarity as well as extended high and low end. The electronics consist of a volume and push/pull tone control with 3-way toggle switch for a total of six classic sounds.

Looking for the ultimate baritone acoustic? The kind that explodes like a cannon, with seemingly endless depth and headroom? Look no further. Featuring a classic pairing of Sitka Spruce with Indian Rosewood. This is EXACTLY what you want a baritone acoustic to sound like. Get ready to experience the sheer depths of this gorgeous sounding instrument.

During the early 20th century, acoustic guitars were used in antiquated dance orchestras and brass bands. However, the wind instruments would drown out the sound of the acoustic guitars. In 1927, Slovak luthier, John Dopyera was approached by a guitarist known as George Beauchamp with a request for a guitar loud enough to play alongside brass and wind instruments. Using 3 spun aluminum speaker cones (resonators), joined by a T-shaped aluminum bar that supports the bridge, a mechanical amplification system was created that allowed the guitar to be heard in the back row of the auditorium. From the jazz bands of the '20s, through the Hawaiian craze of the '30s, from Chicago down to the Delta, the sound of the Tricone defined an era.

During the early 20th century, acoustic guitars were used in antiquated dance orchestras and brass bands. However, the wind instruments would drown out the sound of the acoustic guitars. In 1927, Slovak luthier, John Dopyera was approached by a guitarist known as George Beauchamp with a request for a guitar loud enough to play alongside brass and wind instruments. Using 3 spun aluminum speaker cones (resonators), joined by a T-shaped aluminum bar that supports the bridge, a mechanical amplification system was created that allowed the guitar to be heard in the back row of the auditorium. From the jazz bands of the '20s, through the Hawaiian craze of the '30s, from Chicago down to the Delta, the sound of the Tricone defined an era.

Looking for the ultimate baritone acoustic? The kind that explodes like a cannon, with seemingly endless depth and headroom? Look no further. Featuring a classic pairing of Sitka Spruce with Indian Rosewood. This is EXACTLY what you want a baritone acoustic to sound like. Get ready to experience the sheer depths of this gorgeous sounding instrument.

Serving up striking looks along with bold tone, this refined Grand Auditorium sets a high bar for musical utility and visual appeal. The 214ce DLX LTD, finished with an alluring Trans Gray top color treatment and glossy black back and sides, boasts a solid Lutz spruce top with layered Big Leaf maple back and sides, yielding a punchy, powerful voice that adapts beautifully across playing styles and genres. The comfortable Grand Auditorium body shape and easy-playing Taylor neck give this model a supremely accommodating feel, making it a great choice for players of all skill levels. And with the built-in ES2 electronics and included deluxe hardshell case, you're all set for any musical situation.