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The Tremolo Probe is a kind of cross between a theremin volume control and a Super Hard-On. There is a 3-5/8" square copper plate mounted on a chunk of 3/8" clear acrylic that passes over the top of the pedal housing, angles down to sharp turn, and goes back to the pedal. Under the whole mess is a 3 5/8" by 7" sheet of aluminum that provides shielding from annoying ground effects and wires under the stage. It also serves to protect the knob from being knocked off if you drop it on that end... and it makes a nice toe chopper if you are barefoot, so (legal disclaimer:) DO NOT DROP THIS PEDAL ON YOUR FOOT! IT IS HEAVY AND HAS VERY POINTY CORNERS THAT COULD DAMAGE LIVING CREATURES AND FINE HARDWOOD FLOORING. ALSO, YOU COULD BREAK SOMETHING. Like your dog. Learn More

This effect is a natural continuation of the probe series... the fuzz factory probe, the volume control/manual tremolo probe, and now a wah. It's probably exactly what you think it is: a theremin-style antenna controlling a wah, getting brighter as your foot approaches. It has one extra feature, however. There's a Super Hard-On boost circuit in front of the wah, with a knob to set the exact level of boost for driving your wah sound. It can be turned up high enough to make the wah crack up a little for that "something's gonna blow" sound. It gets pretty darn loud! Learn More

This is an aggressive high-gain pedal with a highly-effective built-in switchable gate which dramatically reduces noise and unwanted feedback. Its gain and tonal characteristics are somewhat similar to high-gain tube amplifiers that have been the staple of hard rock and metal sounds since the 80's. On the right, there is a true- bypass switch with an indicator LED to bypass the entire effect. On the left is a gate switch which is only effective when the pedal is on (the gate cannot be used separately.) When the gate's LED (on the left side of the pedal) is ON, the gate will be active whenever the pedal is turned on. The gate is very useful for cleaning up any noise between palm-muted chords and lead phrases, but may be switched off to initiate feedback or to stretch out soloed notes that are fading into noise. 

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