Search results for 'Left handed acoustic'

The AD22e offers players all the warm, seasoned tone, workmanlike style and exceptional value of the American Dream Series in a compact, accommodating Grand Concert frame. Featuring all-solid-wood construction and our tone-enhancing V-Class bracing, this model’s mahogany top pairs with sapele back and sides for a rich response with a bold midrange character and clear, pristine highs. The Grand Concert’s 24 7/8" scale length makes for a relaxed, slinky feel that will please fingerstylists and traditional pickers alike, while the hardwood top helps to even out the attack for a more balanced sound all the way down the neck. Chamfered body edges provide an even more intimate feel, while the ultra-thin matte finish preserves the guitar’s performance-forward aesthetic. Other visual details include 4mm dot fretboard inlays in Italian acrylic, black top purfling, a faux-tortoiseshell pickguard and a single-ring rosette. The non-cutaway AD22e includes our ES2 acoustic pickup and ships with a lightweight, durable AeroCase.

This Dreadnought distills the essential features of a great acoustic guitar into a budget-friendly form. Taylor's Academy Series was designed with developing players in mind, so the goal was to create as comfortable a playing experience as possible. The guitar body pairs layered sapele back and sides with a solid Sitka spruce top, and incorporates a feature normally reserved for their premium instruments: a built-in armrest that softens the edge of the body’s bass-side lower bout to enhance the playing comfort. The patented Taylor neck features a slightly shorter 24-7/8-inch scale length, 1-11/16-inch nut width, and light gauge strings, which make fretting and bending strings easier. Tonally the Dreadnought’s body dimensions produce a bold response with a warm low end and punchy treble, making this a great option for strummers and flatpickers. Onboard ES-B electronics include a built-in digital chromatic tuner with an LED display for tuning and low battery indication. Whether you’re at the front end of you guitar journey or just looking for a great strumming guitar without breaking the bank, the A10e will serve you well.

The AD22e offers players all the warm, seasoned tone, workmanlike style and exceptional value of the American Dream Series in a compact, accommodating Grand Concert frame. Featuring all-solid-wood construction and our tone-enhancing V-Class bracing, this model’s mahogany top pairs with sapele back and sides for a rich response with a bold midrange character and clear, pristine highs. The Grand Concert’s 24 7/8" scale length makes for a relaxed, slinky feel that will please fingerstylists and traditional pickers alike, while the hardwood top helps to even out the attack for a more balanced sound all the way down the neck. Chamfered body edges provide an even more intimate feel, while the ultra-thin matte finish preserves the guitar’s performance-forward aesthetic. Other visual details include 4mm dot fretboard inlays in Italian acrylic, black top purfling, a faux-tortoiseshell pickguard and a single-ring rosette. The non-cutaway AD22e includes our ES2 acoustic pickup and ships with a lightweight, durable AeroCase.

Taylor's popular Grand Auditorium 314ce is an acoustic workhorse that performs equally well in the practice room, recording studio, and on stage. This latest edition features their acclaimed V-Class bracing, a revolutionary innovation in acoustic sound that responds with greater musicality and harmonic agreement. By introducing a more orderly vibration to the guitar’s top, V-Class bolsters the sustain and volume to offer players a more dynamic voice to explore, while also resolving the minor intonation issues that players have long had to contend with. Together with a solid Sitka spruce top and solid sapele back and sides, you can expect a balanced and articulate blend of top-end brightness, midrange fullness, and low-end warmth that accommodates an array of playing styles. Appointments include black binding, Gemstone fretboard/peghead inlays in Italian acrylic, and satin-finish back and sides with a gloss top. A Venetian cutaway invites your fretting hand up the neck, while their proprietary ES2 electronics serve up faithful plugged-in tone. The guitar ships in a deluxe hardshell case.

Featuring a solid Sitka-Spruce top, solid Ovangkol back and sides, and Fishman Sonitone pickup. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a solid Sitka Spruce top, and solid Mahogany back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a solid Sitka Spruce top, and solid Mahogany back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a solid Sitka Spruce top, and solid Mahogany back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a solid Sitka Spruce top, and solid Mahogany back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a solid Sitka Spruce top, and solid Mahogany back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.