Paul Reed Smith

  This Modern Eagle V features a Pattern neck carve, a beautiful 10-Top, and a Black Gold Burst Finish.
  The Modern Eagle V is an innovative instrument that offers highly musical tones for both recording and playing live. Utilizing a hum/single/hum (five-coil) pickup layout and unique electronics configuration, the Modern Eagle V gives players a vast array of tones in one guitar. The 5-way blade switch selects the pickups in intuitive groupings: treble, treble and middle, middle, middle and bass, and bass. There is a single volume and a push/pull tone control that activates both humbuckers when engaged; this allows players to access all three pickups simultaneously. Finally, the mini toggles allow players to individually separate the humbucker coils, turning the outside pickups into true single coils. This electronics design puts a whole set of classic and new tones at your fingertips.
  Additional appointments include a maple top and mahogany back, a 22 fret, 25” scale length, Pattern mahogany neck with rosewood fretboard, bone nut, and PRS patented Gen III tremolo.

  This Studio features a gorgeous 10-Top with Yellow Tiger finish, and Pattern neck carve.
  The PRS Studio model is a modern take on a traditional single-single-hum guitar. With PRS’s proprietary Narrowfield pickups in the middle and bass positions and a 58/15 LT humbucking treble pickup, the PRS Studio offers punchy single-coils, vintage scooped tones, and the chunky kick of a treble humbucker screaming in one instrument. This whole new scope of sounds (that are only possible with a three-pickup guitar) are easily accessible in the Studio model thanks to the push/pull tone control and 5-way blade switch. With seven combinations in all, the PRS Studio covers classic tones but maintains a unique voice making it a perfect “desert island” guitar.

Now boasting a newly-designed LR Baggs/PRS Piezo system, the SE Hollowbody II Piezo provides musicians with the versatility of wielding both acoustic and electric tones in one instrument. The instrument is designed with two discrete volume controls (magnetics and piezo) and output jacks (mix/piezo and magnetics). Players can plug into the “Mix/Piezo” jack and use the individual volume controls to blend the 58/15 “S” pickups with the piezo’s acoustic tones. Alternatively, players can plug into the jacks separately, so the guitar can run magnetic pickups into an amp and run the piezo through an acoustic amp or DI into the soundboard. When using the magnetic output jack in isolation, the piezo battery is bypassed completely, acting as a failsafe (in this scenario, the magnetic pickups still work even if the piezo battery has run out of juice). This is the most versatile SE instrument in the Series nearly twenty-year history.

"The SE Paul's Guitar is a great example of design, engineering, and teamwork. It's as close to home as we could get inside of the SE Series, and I am very proud of it," - Paul Reed Smith

The SE Paul's Guitar delivers a lot of "PRS," starting with tone and versatility. The TCI "S" treble and bass pickups deliver a pure, vintage sound. The SE Paul's Guitar also features two mini-toggle switches between the volume and tone knobs. This setup allows players to put either or both pickups in true single coil mode, which delivers the clarity and uniqueness of vintage single-coil tones in both single coil and humbucking positions. The PRS stoptail bridge is the same machined stoptail with brass inserts as spec'd on the Core Paul's Guitar.

"The SE Paul's Guitar is a great example of design, engineering, and teamwork. It's as close to home as we could get inside of the SE Series, and I am very proud of it," - Paul Reed Smith

The SE Paul's Guitar delivers a lot of "PRS," starting with tone and versatility. The TCI "S" treble and bass pickups deliver a pure, vintage sound. The SE Paul's Guitar also features two mini-toggle switches between the volume and tone knobs. This setup allows players to put either or both pickups in true single coil mode, which delivers the clarity and uniqueness of vintage single-coil tones in both single coil and humbucking positions. The PRS stoptail bridge is the same machined stoptail with brass inserts as spec'd on the Core Paul's Guitar.

"The SE Paul's Guitar is a great example of design, engineering, and teamwork. It's as close to home as we could get inside of the SE Series, and I am very proud of it," - Paul Reed Smith

The SE Paul's Guitar delivers a lot of "PRS," starting with tone and versatility. The TCI "S" treble and bass pickups deliver a pure, vintage sound. The SE Paul's Guitar also features two mini-toggle switches between the volume and tone knobs. This setup allows players to put either or both pickups in true single coil mode, which delivers the clarity and uniqueness of vintage single-coil tones in both single coil and humbucking positions. The PRS stoptail bridge is the same machined stoptail with brass inserts as spec'd on the Core Paul's Guitar.

  Paul Reed Smith CE 24 in a custom color, Blue Matteo, with Pattern Thin neck carve.
  Combining the snap and sustain of a bolt-on guitar with the airy resonance of a semi-hollow body, the CE 24 Semi-Hollow is a truly unique addition to the PRS Bolt-On lineup. The body pairs the traditional combination of a mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck features a Pattern Thin carve and satin nitro finish for a natural, addictive feel. The electronics consist of a volume and push/pull tone control with a 3-way toggle switch, giving a total of six classic sounds from the PRS 85/15 pickups.

  Paul Reed Smith CE 24 in a custom color: Tri Color Sunburst, and Pattern Thin neck profile.
  Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. These attributes have, in turn, become essential to many players trying to tell their story through music. The CE 24 pairs PRS’s traditional body combination of the mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck sports a Pattern Thin carve and satin nitro finish for a natural, addictive feel. To further maximize the guitar’s inherent tone and clarity, the CE 24 features PRS 85/15 pickups, which Paul designed to have remarkable clarity as well as extended high and low end. The electronics consist of a volume and push/pull tone control with 3-way toggle switch for a total of six classic sounds.

  Paul Reed Smith CE 24 in Eriza Verde, with Pattern Thin neck profile.
  Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. These attributes have, in turn, become essential to many players trying to tell their story through music. The CE 24 pairs PRS’s traditional body combination of the mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck sports a Pattern Thin carve and satin nitro finish for a natural, addictive feel. To further maximize the guitar’s inherent tone and clarity, the CE 24 features PRS 85/15 pickups, which Paul designed to have remarkable clarity as well as extended high and low end. The electronics consist of a volume and push/pull tone control with 3-way toggle switch for a total of six classic sounds.

  Featuring a gorgeous 10-Top in Yellow Tiger. The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

Now boasting a newly-designed LR Baggs/PRS Piezo system, the SE Hollowbody II Piezo provides musicians with the versatility of wielding both acoustic and electric tones in one instrument. The instrument is designed with two discrete volume controls (magnetics and piezo) and output jacks (mix/piezo and magnetics). Players can plug into the “Mix/Piezo” jack and use the individual volume controls to blend the 58/15 “S” pickups with the piezo’s acoustic tones. Alternatively, players can plug into the jacks separately, so the guitar can run magnetic pickups into an amp and run the piezo through an acoustic amp or DI into the soundboard. When using the magnetic output jack in isolation, the piezo battery is bypassed completely, acting as a failsafe (in this scenario, the magnetic pickups still work even if the piezo battery has run out of juice). This is the most versatile SE instrument in the Series nearly twenty-year history.