Products

"When we string up an OM it's hard to distinguish from the Traditional Dreadnought"
-Goodall Guitars

The Orchestra Model is a greatly favored shape amongst Goodall's Traditional lineup. It features a smaller, more comfortable to hold body size than the popular dreadnought body shape. Its tone is extremely powerful in the bass and midrange, with an emphasis on a broad warmth without lacking treble. All of Goodall's Traditional series models features a custom, partially scalloped bracing pattern which produces a bit more 'boominess' in the bass and midrange. The peghead and bridge have been redesigned for a more conservative visual appeal, with open gear Waverly tuning machines contributing to its charm. It is attractively arrayed with a herringbone marquetry rosette and top purfling, and a chevron marquetry backstrip. It has been designed especially with the flatpicker and the bluegrass player in mind.

The AD26e Baritone-6 is tuned B-to-B, and players can easily return it to standard tuning by placing a capo at the fifth fret. Visual appointments for this special-edition release include black binding, a black/maple/black single-ring rosette, 4mm Dot fretboard inlays in Italian acrylic, a firestripe pickguard, nickel hardware, a full-body matte finish, and a shaded edgeburst color treatment for the back, sides, and top, with a heel burst on the neck.

Here is an absolutely beautiful Private Stock McCarty 594 featuring woods we hand-selected from the PRS Private Stock Vault. Made in 2020, this guitar was collector owned and is in mint condition. It comes with the original case candy, certificate, and hardshell case. One-piece tops are difficult to find and this one has a stunning One-Piece Burl Maple Top in Faded Indigo. Other features include a Brazilian Rosewood Fingerboard and Headstock Veneer, Swamp Ash back with White Wash/Blue Grainfill finish, Mother of Pearl Inlays w/ Blue Pava outlines. A one-of-a-kind stunner!

  Here's a USA made Dobro Model 60D Square Neck dating to 1976. This is a great sounding Dobro. Featuring a bound all-laminate maple body in a tobacco sunburst finish, 12-fret gloss finished unbound square neck w/ rosewood fingerboard and dot position markers, two upper-bout screen holes, and slotted peghead. This example is in good condition with mild wear present, finish swirls and dings, a crack in the rim at the input jacks, and a crack in the headstock. Inside, a powerful cone provides a fulfilling resonating platform for all the swirling squareneck riffs you could dream up, from Bluegrass, to Blues.
  Not only is this a great sounding resonator, it has very cool provenance: it was previously owned by Hank DeVito, a fantastic slide guitarist who played it while on tour with Emmylou Harris in the Hot Band, and also in the studio on Guy Clark's "Better Days" album. Hank installed a magnetic pickup and lavalier mic. The lavalier is not functional currently. He would run the magnetic pickup through an amp to use as a stage monitor, and run the lavalier direct to the board.
  Comes with the hardshell case and a letter from Hank Devito himself.

“The super-comfortable all-new roasted maple Pete Thorn Signature 60s soft V-neck shape is like a blend of my favorite vintage ’64 and my favorite Suhr Classic S necks. The warm, clear, and ballsy sounding, all-new Thornbucker II humbucker integrates beautifully with the Suhr V63 single coils and versatile pickup switching. John and I worked really hard to perfect the look and flow of the new pick guard design and I chose some familiar and some brand new awesome colors. This guitar is a gigging players dream. Just like my two humbucker Signature model, this is a versatile tone machine with stunning looks, it's both classic and fresh.”
-Pete Thorn

The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
  “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin

A Tyler Studio Elite HD in an insane Jimburst Shmear finish! The James Taylor Studio Elite HD is one of the most popular models that Tyler Guitars offers. Tyler guitars are well known for their unparalleled feel and tone. James’ keen insight into how things work, and what players want is the main reason Tyler Guitars are coveted by top session players and artists worldwide. 

This Eastman SB59v features a hand-rubbed Antique Goldburst Varnish finish, and Lollar Imperial pickups. Eastman makes an astonishing electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a great guitar with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

  Featuring a gorgeous 10-Top in Yellow Tiger. The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.