Mesa Boogie

This cabinet is LEGENDARY! The original Rectifier® 2x12 Horizontal Cabinet was designed by matching the dimensions of the bottom two speakers in a Standard Oversized Rectifier 4x12. While simple in its design concept, the resulting sealed enclosure delivers HUGE punch, projection and authority from its relatively small size. In addition to world-class low end response, its midrange punch and bite, coupled with the classic warmth and cut of Celestion Vintage 30s, makes this cabinet an excellent choice for all styles despite its reputation in high gain rock, alternative, and metal styles. Anytime you want to bring a 4x12 but can’t, the 2x12 Recto® sounds big enough to make you wonder if you DO have a 4x12 behind you! Learn More

Build Location: Petaluma, CA USA with the World's Finest Materials Wattage: Multi-Watt™ 15, 30 or 40 (Channel Assignable) Power Tube Type: 4x Mesa EL84 Channels & Modes: 2 Channels / 5 Modes Mode Voicings / Styles: Ch. 1 = Normal (Brit Clean) or Top Boost (Brit Drive) Ch. 2 = Tweed, Hi 1 or Hi 2 - (Plus, Pull Gain Boost on Gain Control) Graphic EQ / Reverb / FX / Solo: Reverb, FX Loop Footswitchable Functions: Ch. 1/2 & FX Loop Speaker(s) & Impedance: 1 - 8 Ohm Celestion Custom 90 / Total Load = 8 Ohms Learn More

The Mesa/Boogie Mark Five: 35 tube amp head gives you legendary Mesa tone from its Mark Series preamp and proprietary Dyna-watt, 4 x EL84 output section. Pushing the EL84 power tubes lets you dial in everything from sweet cleans to roaring leads. The two independent Solo controls allow you to footswitch a preset boost. And the Mesa/Boogie Mark Five: 35's built-in Cabclone speaker-emulated output, with closed-back, open-back, and vintage voices, completes this amazing gigging and recording tube amplifier. Learn More

The TT-800 features an all-new tube driven preamp allowing bassists to experience the rich, blooming tube character of the legendary tone stack architecture from the Bass 400+ in the Boogie® channel or the modern tone of the award-wining Subway Channel with enhanced tightness in the low end, accurate punchy mids and crystal clean highs. These Channels can be used to switch between (Foot Switch optional) for different responses and sounds with one Instrument, or dedicated to separate Instruments with different characters and needs. Modern feature packed, the TT-800’s DEEP and BRIGHT switches add tone shaping opportunities and allow for taming “boomy” rooms by switching DEEP off or kicking it in for styles such as Reggae. BRIGHT adds sparkle and sheen and Subway fans have been known to use the feature for advanced techniques such as slapping and adding dimension and clarity to chordal work. Global GAIN switching allows for custom configuration of attack and headroom characteristics. LOW provides a clean, clear sound in comparison to the HIGH setting that ramps up driving the tubes and is especially notable in the Boogie Channel. A New OD (Overdrive) SYMMETRY control features tightly-glued harmonics toward the (counterclockwise) (SYM) extreme or a looser, more tube-like harmonic spread in the ASYM (clockwise) half of the control. Learn More

The California Tweed 2:20 features a single channel with Normal (clean to overdrive) and Low (clean) Inputs, Gain, Treble, Mid, Bass, Presence, Reverb, and Master Controls, giving you everything you need to dial up your ideal TONE quickly and easily. The Vintage All-Tube Spring Reverb is equipped with an external reverb switching jack (footswitch and cable sold separately) for remote activation. Whether you choose to run your pedals straight into the input or through the included fully buffered, tube-driven series FX loop, the California Tweed 2:20 delivers an ideal platform for pedal users in a compact 23-pound head that expands vintage tone and defines portability. The California Tweed series is what we like to call “Vintage Expanded.” When it comes to vintage, low-wattage tone and feel, no amp offers more than the new California Tweed 2:20! Harken back, bounce on forward, while never sacrificing one drop of golden California Tone. Learn More

Introducing the MESA/Boogie Fillmore 25. Joining the award-winning Fillmore 50, the new Fillmore 25 shows up to claim the bantam-weight class with a compact 6V6 format. Authentic traditional tones abound in this new Fillmore’s popular power range, from clipped cleans, to a purring grind, all joined by the preamp’s higher gain realm delivering blistering tube overdrive like only a MESA can. The 25 also features tube-driven spring reverb that provides some of our lushest, richest reverb to date. Experience the 50's circuit, soul and clip-ability coupled seamlessly with the realm beyond where traditional amp evolution tapped-out in the twilight of the 60s with the new Fillmore 25. Finally, you can have the original Boogie-sized footprint, preamp flexibility to cover any style, and Traditional, old-school dress in the perfect power range! …Tone for days that brings back The Years!

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  The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
  At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
  Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

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By itself or as a companion to a 1x12 or another 1x15 cabinet, our most popular single speaker format is the 1x15 Ultra-Lite. A little larger footprint (than the 1x12) accommodates the needed internal volume to match the 15” Full Range driver and create this, warm, huge sounding compact cabinet that shines for everything form old-school Blues and R&B to scooped modern Slap and tight, picked Rock styles. Our sweet High Frequency Driver ensures the detail remains intact and imparts an adjustable Hi-Fi character to the sound. By itself, or as a foundation for further coloring with 10s or 12s, the 1x15 anchors the Subway Cabinet Line with its flexibility, warm and accurate performance across the full range, and ease of transport.

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The 2x10 is the compact solution for players who prefer the midrange articulation and focus of 10s, but need a smaller option than the classic 4x10. Combining two allows a more portable solution than one heavier quad-box and the ability to take one for rehearsal or small venues and two for gigs with louder bands or in bigger venues. Using the 2x10 in combination with a 1x12 or 1x15 imparts color, articulation and iconic midrange punch along with more volume. Built with all the same woods, aircraft-style bracing and Tri-Port™ porting, the 2x10 Ultra-Lite brings another key voice to the modular approach in compact, lightweight Bass Cabinetry.

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