Search results for 'Baritone Acoustic guitar'

The Bergantino Audio Systems HDN (High Definition Neo) series lightweight speaker cabinets retain the great Bergantino Audio sound and give you the weight savings but not at the expense of tone and performance. These are the finest lightweight speaker cabinets made. The precision tuned cabinet architecture and the enclosures are built with the highest quality lightweight Italian poplar plywood (with Baltic birch baffle boards) selected to our demanding specifications. This lightweight cabinet material (along with the lightweight magnet material) helps reduce the overall cabinet weight. The exterior of these speaker cabinets are finished in a durable bronco tolex covering for long life and cabinet protection. A rigid black grille is added to protect the drivers from damage and to minimize the coloration and tone reduction found with a cloth speaker grille.

The internal components used are extremely high quality and they are of Bergantino design. No "off-the-shelf" parts are used. Our new design Neodymium magnet woofers (unique to the HDN) are used for the low frequency section of the HDN series cabinets. These Neodymium drivers have a punchy low-end and a very sweet midrange that is placed a little more forward in the sound field when compared to the HD series. Fretless and upright players will often prefer the HDN cabinets because of how the midrange "speaks" with their instruments. The HDN series cabinets have a new design high intelligibility tweeter mated to the woofers through a custom designed phase-coherent crossover with a tweeter control. Because of the increased cost of the Neodymium magnet material and imported wood for the cabinetry, the HDN series speakers cost more than the HD series, but may just be the right match for your playing style and weight needs.

The Bergantino Audio Systems HDN (High Definition Neo) series lightweight speaker cabinets retain the great Bergantino Audio sound and give you the weight savings but not at the expense of tone and performance. These are the finest lightweight speaker cabinets made. The precision tuned cabinet architecture and the enclosures are built with the highest quality lightweight Italian poplar plywood (with Baltic birch baffle boards) selected to our demanding specifications. This lightweight cabinet material (along with the lightweight magnet material) helps reduce the overall cabinet weight. The exterior of these speaker cabinets are finished in a durable bronco tolex covering for long life and cabinet protection. A rigid black grille is added to protect the drivers from damage and to minimize the coloration and tone reduction found with a cloth speaker grille.

The internal components used are extremely high quality and they are of Bergantino design. No "off-the-shelf" parts are used. Our new design Neodymium magnet woofers (unique to the HDN) are used for the low frequency section of the HDN series cabinets. These Neodymium drivers have a punchy low-end and a very sweet midrange that is placed a little more forward in the sound field when compared to the HD series. Fretless and upright players will often prefer the HDN cabinets because of how the midrange "speaks" with their instruments. The HDN series cabinets have a new design high intelligibility tweeter mated to the woofers through a custom designed phase-coherent crossover with a tweeter control. Because of the increased cost of the Neodymium magnet material and imported wood for the cabinetry, the HDN series speakers cost more than the HD series, but may just be the right match for your playing style and weight needs.

This cutaway acoustic/electric Grand Auditorium blends layered walnut back and sides with a solid Sitka spruce top, making it a great all-around acoustic that responds well to strumming, flatpicking and fingerpicking. With our patented Taylor neck, you’ll enjoy easy playability and accurate intonation as long as you own the guitar, and the slightly narrower 1-11/16-inch nut width makes forming barre chords easier on the hands.  The Venetian cutaway gives you access to more upper-end fretboard real estate, while our dynamic Expression System 2 pickup produces a natural amplified acoustic voice that will help you sound your best whenever you plug in. The clean appointment scheme includes Italian acrylic dot fretboard inlays, a 3-ring rosette, plus black binding and a black pickguard that complement the look of the genuine ebony fretboard and bridge. The guitar includes a lightweight protective gig bag for easy portability.

The 114e features our popular Grand Auditorium body style, whose physical dimensions have made it a popular choice for its appealing performance versatility. Layered walnut back and sides are topped with a solid Sitka spruce soundboard, which together produce signature clear and balanced tone with a pleasing projection and midrange focus. The 1-11/16-inch nut width is slightly narrower than the standard 1-3/4-inch width of other steel-strings in the 300 Series and up, making it easier for developing players to navigate the fretboard. And with Taylor’s onboard Expression System 2 pickup, the guitar is ready to plug in whenever you are. The guitar ships in a durable lightweight gig bag.

Fans of Hawaiian koa will love the look, feel and sound of this all-koa Grand Auditorium. A shaded edgeburst elevates the vintage appeal of the solid koa top, which is paired with layered koa back and sides, while a gloss finish wraps the body in a rich sheen. The Grand Auditorium’s musical versatility makes this a great all-purpose guitar for both strumming and fingerpicking, and the hardwood koa top will even out a lively attack to produce a focused, linear voice. Player-friendly modern features include a cutaway and Taylor’s ES2 acoustic electronics. Among the distinctive appointments are a single-ring faux pearl rosette in an interlocking “fishbone” pattern, black binding, Italian acrylic small diamond inlays, and chrome tuners. The guitar ships in a Taylor deluxe hardshell case.

Co-designed with one of the world's most renowned jazz guitarists, the signature Kurt Rosenwinkel Premier SS features a spruce top for brightness and a center-block for maximum sustain. With minimal appointments, the Kurt Rosenwinkel SS is built for rich tone and high performance, featuring a comfortable C-shape neck profile and stopbar tailpiece. Its Honey Burst finish is complemented by a rosewood fretboard and chrome hardware.

Designed in collaboration with one of the world's most renowned jazz guitarists, the Deluxe Kurt Rosenwinkel SS features a spruce top for brightness and a center-block for maximum sustain, easily maintaining its full tone in a band setting. With minimal appointments, the Kurt Rosenwinkel SS features a comfortable slim C-shape neck profile, rosewood fingerboard, and stopbar tailpiece. Its Honey Burst finish is complemented by gold Grover tuners and ebony tone knobs.

This Custom 24 has been upgraded with a 10-Top, Artist finish (Bonnie Pink), Artist Grade flamed maple neck and fingerboard. Also features a Pattern Thin neck profile.

The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.

This McCarty 594 has been upgraded with an Artist finish (River Blue), and Brazilian Rosewood fingerboard and headstock veneer. These features are usually only available on Artist Package models, but are being made a available for a very limited time. Also features a Pattern Vintage neck profile.

The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

"The 594 is the best new guitar I've played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can't get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting." – John Mayer

This McCarty 594 has been upgraded with an Artist grade figured maple neck and fingerboard. This feature is usually only available on Artist Package models, but is being made a available for a very limited time. Also features a Pattern Vintage neck profile.

The McCarty 594 is a vintage-inspired instrument that is at once incredibly familiar and effortlessly playable. Whether you are looking for rich, authentic, vintage humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to the 58/15 LT pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

"The 594 is the best new guitar I've played in years. It has a vintage heart and soul but without the technical limitations that usually come along with an old instrument. What good is an old guitar if you can't get all that feel out of the upper frets, or the intonation is off? To hear that old PAF sound but be able to articulate the notes in a way that only modern manufacturing could allow is so exciting." – John Mayer

We at Martin Music are friends of left-handed folk. We care about left-handed people, unlike some shops. I won't mention any names, but you know who I'm talking about. All kidding aside, for our left-handed friends, we are proud to offer this fine Martin 00016GT L. It's a very cool guitar from 2011. It shows some cosmetic wear. There are some small dings and scuffs, but no cracks or separations. The frets are in perfect condition, and the neck is straight and true. Overall the condition is very good, plus. The action is nice and comfortable. It sounds great; strong and vibrant. For those unfamiliar with the 000-16GT specs, go to Martin's web site. Briefly, the 000-16GT is a solid, all-wood (no laminate) guitar with spruce top and mahogany sides and back. The 000-16GT is a smaller body guitar compared to the standard dreadnought, and essentially the same size as Clapton played on Unplugged. The feel is very comfortable. It's a great guitar, American made, all solid wood, left-handed, and...it's a Martin. Comes with original hardshell case.