Search results for 'Gibson hummingbird acoustic'

  Here is a beautiful, custom Tom Anderson Angel, finished in a stunning Transparent Dark Olive with binding. With flame maple top over a Limba body. Resonant and punchy, both acoustically and plugged-in.
  It has a super comfortable Even-Taper neck is made from caramel maple, with a matching caramel maple fingerboard. The neck has a satin natural finish that feels smooth and fast. The compound radius (12"–14") and jumbo stainless steel frets make bending and chording equally easy. The locking Floyd-Rose bridge is dive-bomb ready.
  This is a custom Anderson that can do it all: gigs, recording, or just some serious home playing time. If you know Anderson guitars, you know this is the good stuff.

Takamine's top-line Pro Series P3DC cutaway dreadnought presents the finest in full-size Takamine acoustic sound, style and performance, with resonant tonewoods, elegant appointments and state-of-the-art electronics that deliver an exquisite acoustic experience onstage and off. The solid cedar top features X bracing and ivory binding, with dark purfling and a gorgeous concentric-ring rosette with wood marquetry. An elegant Venetian cutaway offers optimum access to the upper registers. The unique Takamine split-saddle bone bridge provides faultless intonation and excellent acoustic coupling to the top.

Everybody could use a Martin D-28 in their collection! The Martin D-28 has been the quintessential workhorse of music legends like Hank Williams, The Beatles, Johnny Cash, Neil Young, Bob Dylan, and so many more. This Martin D-28 was built in 2001. This is a loud and resonant guitar. It's opened up nicely over the past 25 year and sounds great. Sitka Spruce top and Indian Rosewood back and sides.

Upgraded with Adirondack Spruce braces.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.

Upgraded with a Torrefied Sitka Spruce top.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.

This E10 SS/v features a solid Adirondack Spruce top and solid Mahogany Back & Sides, with a beautiful hand-rubbed Varnish finish. The iconic shape of the Dreadnought is synonymous with acoustic guitars in general. Big and bold, these cannons are perfect for ensemble settings where the guitar competes for sonic space with other instruments or accompanying strong singers. The Dreadnought is the classic flat-picking bluegrass instrument.

This Gibson ES-165 Herb Ellis model was built right here in our hometown of Memphis, TN, in 2004. Beautiful Light Burst finish. Gold hardware. Its single-cutaway laminated maple body enhances resonance and stability, delivering a warm, rich jazz tone while minimizing feedback. The guitar has a mahogany neck with a comfortable, rounded profile. The rosewood fingerboard has classic split-parallelogram inlays, 20 frets and a 24.75-inch scale length, and 1-11/16" nut width. The Gibson BJB Floating humbucker is mounted to the pickguard and has a warm, articulate sound with exceptional clarity and depth. The single volume control is conveniently located on the pickguard. A floating rosewood bridge paired with a trapeze tailpiece.

  This 2001 Gibson ES-135 model was built right here in our hometown of Memphis, TN. It is a rare example with great provenance, and a cool Blue Burst finish. Originally owned by a former Gibson manager, this guitar was part of a small and unusual production run. Gibson temporarily ran out of Chromite (their name for balsa wood normally used for ES-135 center blocks), and to keep production moving, they built only 27 guitars with a solid maple center block. This is one of those rare pieces, offering a slightly different tonal response - tighter, more focused, and with a bit more punch compared to the traditional Chromite block. Think BIG ES-335 tone.

Here is a chance to pick up a truly special and hard-to-find Gibson ES-275. Built in 2017, right here in in our hometown of Memphis, TN as a custom order for one of Gibson's production managers. Employee guitars are already uncommon, but this one includes unique, factory-executed features that set it apart from standard production models.

Featuring a Thermo Cured Spruce top, and solid Rosewood back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a Thermo Cured Spruce top, solid Sapele back and sides, and Fishman electronics. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.