Search results for 'Gibson hummingbird acoustic'

This exceptional McPherson 4.0 Camrielle features gorgeous Madagascar Rosewood back and sides, an Englemann Spruce top, and flamed maple binding.

  The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid "X"/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
  Plugged in, the Fishman GT1 pick up system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
  Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. All PRS SE acoustics ship with a high-quality hardshell case.

  The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid "X"/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
  Plugged in, the Fishman GT1 pick up system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
  Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. All PRS SE acoustics ship with a high-quality hardshell case.

“Xotique” guitars are made in Xotic's California shop (just like their California Classic models) but feature custom woods, specially wound pickups, flame tops, sparkle finishes and other cool and unique options.

  Here's a great sounding, and great playing Gibson ES-335 1958 VOS Reissue. Made in 2017 right here in Memphis, TN. In perfect condition. This Gibson Memphis captures that original "dot neck" version to a "T". Historically correct details include the correct "Mickey Mouse ears", body shape, and the lack of fingerboard binding as on the very first ES-335s produced.
  There are certain guitars that stand the test of time, and with its timeless design, effortless playability and rich history, it's easy to see why the Gibson ES-335 remains such an iconic guitar. Featuring a 3-ply Maple/Poplar/Maple body, with a Maple centre block, and Adirondack Spruce bracing. A rich and authentic tone; super resonant, and beautifully balanced.
  The neck is something special: crafted from Mahogany, it features a gorgeous unbound Rosewood fingerboard, embellished with the original '58 style dot inlays. With 22 frets, a 12" radius and a 24.75" scale length, it feels smooth and comfortable; equally at home playing slick lead work or heavy chord strumming.
  The PAF style pickups are slightly underwound and feature unbalanced coils for a truly historic sound.
  Comes with the original Gibson hardcase.

Here's a 2015 Paul Reed Smith P245 Semi-Hollow electric guitar with piezo pickup. It features a gorgeous flamed maple 10-top in Black Gold Burst. It's in near-perfect condition. I'd be surprised if it's been played more than 30 minutes. The neck is straight and true. Frets show zero wear. The action is low and fast. It plays and sounds awesome. Comes with the original hang tags and hardshell case.

Here's a Taylor 314-CE-L7 Fall Limited Edition acoustic electric that has been upgraded with Gotoh 510 tuners. The Gotoh 510's offer a smoother feel, and more precise tuning than the standard tuners - a nice improvement. It's a six-string grand auditorium with solid Sitka Spruce top, solid Tasmanian Blackwood back and sides, soft (Venetian) cutaway, 1 3/4" nut width, black binding, wood fiber rosette, pearl dot inlay on fretboard, mahogany neck with ebony fingerboard, ebony bridge, Taylor Expression pickup system, 25 1/2" scale, and satin finished body with gloss top.

Here's a 2017 Taylor 514ce Japan Limited Prototype acoustic electric guitar. Taylor made this guitar in the USA as a prototype for a limited edition run that was sold to the Japanese market exclusively. It is a Taylor 514CE, but with a few different aesthetics from the ones made for the USA market - most notably a satin finish and dot inlays. The back and sides are tropical mahogany, and the top is Western Red Cedar. It has the Expression 2 pickup system. It's in near-mint condition. The frets are perfect and look unplayed. The only blemishes we can find are two little spots in the finish right at the edge of the pickguard...you really have to look closely to even find them. Other then that the guitar looks perfect. It sounds great, looks great, and has that little extra bump of coolness because it's a prototype. It's doubtful you'll find another one like this in the USA. Let your buddy stew on that!

  Here's a beautiful 2005 Taylor T5-C1 Custom Guitar with flamed maple top in near mint condition. This guitar has been upgraded with Gotoh 510 tuners. The Gotoh 510's offer a smoother feeling and more precise tuning than the standard tuners - a welcome improvement. There are no dings, nicks, or scratches anywhere to be found. The neck is perfectly straight. The frets are in perfect condition. Everything works just like it's supposed to. The guitar plays like a dream, and most importantly, sounds incredible. The original hardshell case is included.
  A resonant, fully hollow thinline body is the backbone of the T5. Its comfort and playability is unquestionable, with the performance freedom of a solidbody and the feel and sound of a beloved Taylor acoustic. Whether played through an electric or acoustic amp, it delivers a fantastic range of pure tones from smooth, strumming acoustic to crunchy electric chords.
  Electronics include a unique 5-way pickup system composed of a magnetic acoustic humbucker, magnetic electric humbucker, and a single Dynamic Body Sensor soundboard pickup, as well as a preamp system for mixing up the exact tone you need. Full binding, bone nut and saddle, stylized f-holes, a mahogany neck, sapele body, and an ebony fretboard and headstock overlay are standard.

Here's a 2001 Taylor 512 model with spruce top and active Fishman under saddle pickup. Grand Concert size. Professional, all solid wood construction. Mahogany back and sides, spruce top, mahogany neck, with ebony fingerboard and bridge. It is in very good condition. The neck is straight and true. Frets are in fantastic condition, showing only the slightest hint of being played. There are a few dings here and there, but nothing that takes away from the sound or playability. It's a lovely guitar all around. The sound is balanced while also being surprisingly loud for a small bodied instrument - the spruce top is bigger and louder sounding than the Cedar top that you'll typically find on a 512 model. Plays like butter, with low and fast action. The smaller size body is so incredibly comfortable. Comes with original case that also looks brand new. This is a fantastic price for a fantastic guitar. Grab it while you can. You wont regret it.

The Grand Pacific 317, featuring Taylor's new round-shoulder dreadnought body voiced with their award-winning V-Class bracing, helps usher in a whole new Taylor sound. Notes blend smoothly together to produce a warm and seasoned acoustic voice with clear low-end power. Built with solid sapele back and sides and a solid Sitka spruce top, the guitar’s tonal response sits comfortably between the dry, focused character of mahogany and the harmonically complex sound of rosewood. The body’s wider waist helps produce a strong bass response, but without the woofiness that can sometimes plague bigger-body guitars. That low-end clarity blends evenly with the guitar’s mids and highs, yielding a rich, dynamic tone with notes that overlap into a seamless whole. V-Class bracing, tailored for the Grand Pacific body, dials up the power and sustain, along with improved intonation, making this a versatile tool for jamming with other musicians, playing alongside a vocalist, or embarking on solo adventures. Whatever your musical calling, the Grand Pacific 317 will make an inspiring companion.