Search results for 'Gibson hummingbird acoustic'

  Here is a 2005 Gibson Historic Collection Southern Jumbo in Vintage Sunburst. It is in good condition overall, showing the normal cosmetic wear you would expect from a 21-year-old guitar. There are a few finish dings here and there, along with some light surface wear - just honest play wear. It has been played and enjoyed without being abused.
  A K&K Pure Mini pickup has been installed.

  We are pleased to offer this 1979 Benedetto Limelite Archtop, Serial #7181, built by Bob Benedetto for guitarist, composer, and recording artist Ted Shumate.
  This 16" x 3" acoustic archtop features a stunning carved birdseye maple body, a 24-1/2" scale length, and a floating DeArmond Rhythm Chief #1100 pickup. Handcrafted by Bob Benedetto, the guitar reflects the exceptional attention to detail and workmanship that characterized his early instruments.

A vintage-inspired Dark Tobacco Teardrop Burst top is the perfect complement to the seasoned, played-in voice in the 117e Special Edition. This acoustic-electric guitar features Taylor's Grand Pacific round-shoulder dreadnought body shape topped with a soundboard of solid torrefied spruce.

With its alluring Dark Tobacco Shaded Edgeburst top, aged-in voice and comfortable frame, the 114ce Special Edition offers an ideal balance of tone and playability at an accessible price for everyday players. 

With its alluring Dark Tobacco Shaded Edgeburst top, aged-in voice and comfortable frame, the 114ce Special Edition offers an ideal balance of tone and playability at an accessible price for everyday players. 

  We are pleased to offer this 2010 John Monteleone Speciale, Serial #252, handcrafted in Islip, New York. Finished in natural lacquer, this remarkable archtop features a finely grained spruce top, paired with beautifully figured maple back and sides. The neck is maple, with an ebony fingerboard. It includes the original Cedar Creek hardshell case.
  The Speciale is Monteleone's 17" archtop design, distinguished by its canted oval soundhole and asymmetrical X-bracing. This innovative construction blends the warmth and projection of a traditional archtop with the openness and complexity more commonly associated with a flat-top guitar, resulting in an exceptionally responsive and versatile instrument.

If you have always wanted a double neck but didn't want to spend Gibson money, here is your chance. This is a 2004 Epiphone G-1275 Double Neck SG in the classic Cherry finish. It is in near-mint condition. It has been very well cared for and shows only the slightest signs of handling.

Here is a 2017 Gibson EB Bass 4 T in Natural Satin finish, made in the USA. It is nice and light-weight at only 7 pounds, 5 ounces. Swamp ash body with a satin finish, Babicz Full Contact bridge, EB Bass humbucking pickups with push pull coil taps, this bass has a modern feel, excellent balance, and delivers the punch that made the redesigned EB series so well received.

Upgraded with a Torrefied Sitka Spruce top, Adirondack braces, and 1 3/4" nut.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.

Upgraded with a Torrefied Sitka Spruce top, and Adirondack braces.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.

When Bill Collings first met the brilliant young jazz musician in 2014, the two began a series of in-depth conversations about their respective crafts. Lage's profound insights as a guitarist played a key role in the creation of Collings’ T (Traditional) Series guitars. Through this rare collaboration, which continued right up until Bill Collings' recent passing in July, 2017, the signature OM1 JL has emerged as a highly specialized version of the T-Series, designed with the characteristics in mind that Lage seeks in an instrument.