Search results for 'Left handed acoustic'

Here is a 1993 Fender Telecaster TL52 in rare 2-color sunburst, "Made in Japan" at the neck heel. Almost all the original hardware has been replaced with gold hardware, with the exception of the neck plate and output jack. The tuners are locking but look like vintage Klusons. The pickups have also been replaced. The make and model of the pickups is unknown, but they sound great.

Here is a very cool 2003 Fender Blue Flower Stratocaster, crafted in Japan, model# 027-9302-550. The Blue Flower finish is one of those Fender designs that looks even better in person, and these Japanese made Fenders have developed a loyal following for good reason.

- 12-fret Grand Concert offers a slinky, comfortable feel
- Cedar top blends warmth with 12-string shimmer
- Mahogany back and sides provide midrange focus and balance
- V-Class bracing inside adds more volume and sustain
- Includes Claria electronics and a deluxe hardshell case

This is a really nice 1954 Gibson ES-125 in sunburst finish. With its simple design, warm acoustic character, and great amplified tone, the ES-125 has always been one of Gibson's most approachable vintage archtops, and this one is a lot of fun to play. FON: X8484

There is something really appealing about an old ES-175 that has been played and enjoyed, and this 1959 Gibson ES-175 (serial number A30767) is a great example. It has the look, feel, and voice of a 67-year-old guitar, with some thoughtful updates that make it a great player.

The Bourgeois Sawmill series are specialized one-off, custom acoustic guitars crafted from logs that are hand-selected and milled at Bourgeois Guitars' proprietary sawmill in Lewiston, Maine. This series is a bit different than Bourgeois' standard models. By eliminating third-party suppliers, these limited, one-off instruments offer premium, custom-grade build quality and unique aesthetics at very attractive prices.

A vintage-inspired Dark Tobacco Teardrop Burst top is the perfect complement to the seasoned, played-in voice in the 117e Special Edition. This acoustic-electric guitar features Taylor's Grand Pacific round-shoulder dreadnought body shape topped with a soundboard of solid torrefied spruce.

With its alluring Dark Tobacco Shaded Edgeburst top, aged-in voice and comfortable frame, the 114ce Special Edition offers an ideal balance of tone and playability at an accessible price for everyday players. 

  We are pleased to offer this 2010 John Monteleone Speciale, Serial #252, handcrafted in Islip, New York. Finished in natural lacquer, this remarkable archtop features a finely grained spruce top, paired with beautifully figured maple back and sides. The neck is maple, with an ebony fingerboard. It includes the original Cedar Creek hardshell case.
  The Speciale is Monteleone's 17" archtop design, distinguished by its canted oval soundhole and asymmetrical X-bracing. This innovative construction blends the warmth and projection of a traditional archtop with the openness and complexity more commonly associated with a flat-top guitar, resulting in an exceptionally responsive and versatile instrument.

Upgraded with a Torrefied Sitka Spruce top, Adirondack braces, and 1 3/4" nut.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.

Upgraded with a Torrefied Sitka Spruce top, and Adirondack braces.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.