Search results for 'music man steve morse'

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  1. USED 1993 Paul Reed Smith Custom 24 10-Top Rare Purple Finish
    $2,995.00

      Here's one to make all your friends jealous. A PRS Custom 24 with one of the most exceptional flamed maple tops you'll ever see. Made in 1993 at the old factory when PRS was still located at Virginia Ave in Annapolis, MD. Some collectors would call this a "Pre-factory", "Pre-CNC", or "Pre-Stevensville" model. You won't find many PRS Guitars with purple finish from this era. This color was very inconsistent with the stain on some tops being so dark the figure of the top was difficult to see. A few were like this, with great color and a maple top that has figure with extraordinary depth and definition.
      All original. Plays perfectly and set-up perfectly! No major issues at all. This guitar has been lightly played early on in its life, and has been stored in its case for the past 20 years. It's obvious it's been well taken care of and is remarkably clean for a 26 year old guitar.
      "Old factory" features: small heel, one piece tremolo, Mother Of Pearl "Old School birds", Wide Thin neck profile, Vintage Bass neck and HFS bridge pickups, phase 1 tuners, tone knob. Comes with original tremolo bar, truss rod tool, and hardshell case.

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  2. USED 2006 R.Taylor Style 1 #008 GS Rare Cedar/Mahogany
    $2,995.00

      R.Taylor Style 1 serial #008. This is the first R.Taylor we received as a dealer in 2006. It's the earliest serial number we've seen come up for sale too. This is a really good one. Taylor's 514ce model was one of their most popular for many years. And rightfully so, the combination of Mahogany and cedar is fantastic. Imagine the best sounding and playing 514 but on steroids and that's this guitar. It sounds bigger that a 514, is louder, has more sustain, with a higher volume ceiling, and with no loss of tonal balance.
      R. Taylor Guitars was a division of Taylor, the guitars were a step above the custom built Taylor models. Built in a different building from the rest of the Taylor production by a handful of Taylor's very best and most experienced luthier's. While still taking advantage of Taylor's vast resources and precision guitar components, these more experienced luthiers at R. Taylor worked in a small shop environment where they were able to spend more time on each individual guitar, tweaking the bracings if needed, instead of always leaving them exactly the way the CNC machines cut them like a production Taylor guitar.
      Some of the major structural differences between an R. Taylor and regular Taylor is rather than using kerfing, R. Taylor used steamed and bent solid linings which involve more labor. This makes the sides far more rigid than traditional construction methods and translates into a lot more power than a similar shaped Taylor. The bridge plate is inset into the top giving it a lower interior profile and more sound transference to the top. The neck is a made out of one piece of mahogany while the standard Taylor uses a two piece neck heel and a headstock with a scarf joint.
      In excellent condition. The only blemishes worth mentioning are a center seam separation that extends 1-1/4" below the bridge, and some very light belt buckle scrapes on the back. No other issues or signs of dryness. The frets are near perfect showing only the slightest hints of play. This R. Taylor Style 2 features Cedar Top, Mahogany Back and Sides, Tropical Mahogany Neck, Indian rosewood Body and Neck Binding, 1-3/4" Nut Width, 25" Scale, '65 Top Radius, and an Ameritage Hardshell Case.

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  3. Paul Reed Smith 2002 NAMM Show EB-4 Bass Transparent Orange 10-Top RARE
    $2,695.00

      Here's a 2002 Paul Reed Smith EB-4 bass that was shown at the 2002 summer NAMM Show in Nashville, TN. It was this show that PRS introduced their new Transparent Orange color, and every instrument that was displayed was orange. It was one of two PRS basses shown there. The other bass did not have a maple top. This one was fully blown with all the options sporting a gorgeous highly figured flamed maple 10 top, bird inlays, gold hardware, Indian Rosewood fingerboard, bolt-on maple neck, 2 single coil rail pickups, active preamp, 2 way switch for active or passive operation, 2 volume controls, 1 tone control. Transparent orange finish, 34" scale, and 21 frets.
      One of the lightest PRS basses we've seen, weighing only 8 pounds 6 ounces. Very loud and resonant when played acoustically, with fantastic sustain. Sounds amazing when plugged in. In passive mode it has a tone similar to a Fender Jazz bass but with a bigger, fuller output. In active mode the tone is reminiscent of a Music Man Stingray. Of course the build quality is exceptional.
      This bass was collector owned and is in mint condition. No scratches, no dings, no nicks, no fret wear. It as not been played outside of initial set-up and tuning.
      The original hard shell case, hang tags, and all paperwork included.

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  4. Mesa Subway WD-800 Hybrid Bass Head
    $999.00

      You spoke, we listened. In direct response to player feedback and the longstanding demand for a more powerful version of our WalkAbout Bass Head, we’re proud to unveil the latest in the Subway® Bass Amp Line, the WD-800 Head. This Head combines the warm, soulful sounding magic of the WalkAbout tube preamp section with the musical Class D Output Power used in our Subway Line (D-800 and D-800+), to create the ultimate lightweight hybrid.
      As in the original, the inspiring round, fat WalkAbout Tone is joined by comprehensive rotary shelving Tone controls and a semi-parametric EQ, giving you total shaping authority in the preamp. The new WD800 also features the Subway D800 Plus’s highly effective HIGH PASS FILTER and a new POWER AMP DAMPING control, which allow tuning of the sub-low frequencies and power response options respectively. The POWER DAMPING choices enable you to tailor the tracking and feel of the power amp. The LOW setting produces a looser, more relaxed and blooming character reminiscent of Tube power. HIGH tightens the low end, adding punch and accuracy in tracking, while MEDIUM provides a blend of these opposite ends of the power response spectrum.

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  5. Bergantio Audio forté HP - 1200 Watt Bass Amplifier
    $1,399.00

    -Hyper-Powered Lightweight Bass Amplifier-
      The Bergantino forté HP takes bass amplification to a whole new level of performance. Just like an 8-cylinder vs. a 6-cylinder engine, the new 1200 watts of ultra-reliable, Class D power offers unprecedented “slam” in a lightweight, portable package.
      Jim Bergantino, never content with the status quo, designed the forté HP for the player who requires massive headroom and control over his or her tone. It delivers a formidable sound with ease, combined with an unprecedented level of comfort and confidence. This amp harkens back to the classic lead sleds that players have been longing for, an incredible thump without the weight…it has to be experienced!

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  6. Taylor 914ce Limited Edition V-Class Grand Auditorium Sinker Redwood/Rosewood
    $5,999.00

    Can a guitar look over-the-top and understated at the same time? Yes, it can. This limited edition Taylor 914ce is definitely "Over-the-top understated." It's been turning heads ever since it arrived, for both its looks and its big, lush sound. It is not only loud, but also an amazingly accurate guitar. Perfect intonation with clear, articulate tones up and down the neck. The overtones on this instrument are amazing, and it is rich with harmonics.

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  7. XOTIC CALIFORNIA CLASSIC XSC-2 - MASTER GRADE FLAMED MAPLE NECK - AZTEC GOLD OVER 3 TONE BURST - HEAVY AGED #1121
    $3,090.00

      This Xotic XSC guitar is hand built in the USA and features nitrocellulose finish, 5A grade flame roasted maple neck treated with oil for the ultimate in playability and Raw Vintage hand wound pickups based on Xotic's own proprietary design. Body and guitar necks are premium grade tone woods for full lush lows and shimmering highs resulting organic, woody tones that works well with all styles of music.
      Not only does Xotic's heavy aging process give each guitar its own distinctive qualities and naturally aged look, it allows the body wood to breathe and resonate for a highly sought-after tone. The slightly worn look of the beautiful white finish on this guitar gives it a noble, powerful aesthetic. Combined with a roasted flame maple neck and Indian rosewood fingerboard, this guitar has an organic tone and vintage mojo that is distinctly Xotic.
      Hand-wound and assembled in California, Raw Vintage USA single coil pickups are built with period-correct specs to produce classic tones. Features include Alnico 5 magnets, single Formvar copper wire, vintage style push back cloth, as well as leads dipped in layers of lacquer and wax. For even more tonal variations, this HSS pickup configuration features a Raw Vintage RV-PAF-F humbucker in the bridge position that harkens back to early PAF-style pickups.

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  8. XOTIC CALIFORNIA CLASSIC XSC-2 - MASTER GRADE FLAMED MAPLE NECK - OLYMPIC WHITE OVER SEAFOAM GREEN - HEAVY AGED #1120
    $3,090.00

      This Xotic XSC guitar is hand built in the USA and features nitrocellulose finish, 5A grade flame roasted maple neck treated with oil for the ultimate in playability and Raw Vintage hand wound pickups based on Xotic's own proprietary design. Body and guitar necks are premium grade tone woods for full lush lows and shimmering highs resulting organic, woody tones that works well with all styles of music.
      Not only does Xotic's heavy aging process give each guitar its own distinctive qualities and naturally aged look, it allows the body wood to breathe and resonate for a highly sought-after tone. The slightly worn look of the beautiful white finish on this guitar gives it a noble, powerful aesthetic. Combined with a roasted flame maple neck and Indian rosewood fingerboard, this guitar has an organic tone and vintage mojo that is distinctly Xotic.
      Hand-wound and assembled in California, Raw Vintage USA single coil pickups are built with period-correct specs to produce classic tones. Features include Alnico 5 magnets, single Formvar copper wire, vintage style push back cloth, as well as leads dipped in layers of lacquer and wax. For even more tonal variations, this HSS pickup configuration features a Raw Vintage RV-PAF-F humbucker in the bridge position that harkens back to early PAF-style pickups.

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  9. USED Deering Rustic Wreath Acoustic/Electric 5 String Banjo with Kavanjo Banjo Head Pickup System
    $2,000.00

    Here's a great sounding Deering Rustic Wreath 5 string banjo with Kavanjo banjo head pickup system. In fantastic, near mint condition.

    The Rustic Wreath is a stunning and affordable walnut stained maple banjo that honors the heritage of the instrument, while taking on a sleek, minimalist feel. In keeping with the tradition of some of the world’s most popular banjos, the Rustic Wreath retains aesthetic features of its older siblings, notably the inlay pattern from the Golden Wreath, the traditional prewar peghead shape, and iconic flange hole pattern. The tapered profile of the maple neck is also identical to that found on the other models from the Golden Series, giving a very comfortable playing experience. The Rustic Wreath also shares the same deep resonator as the other Golden Series banjos, allowing for greater bass frequencies to be produced.
    These traditional features are paired with a beautifully understated satin finish over a dark walnut stain, and single white binding on the resonator. This makes for a sleek take on an iconic looking instrument.
    Tonally, the Rustic Wreath has a beautiful, bright crack, thanks to its Deering 06 tone ring mounted to a 3-ply violin grade maple rim – a time tested combination that features on many best-selling Deering models, and loved by audiences around the world.

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  10. 2006 R.Taylor Style 1 GS Rare Old Growth Redwood/Figured Walnut #245
    $4,495.00

      R. Taylor Guitars was a division of Taylor, the guitars were a step above the custom built Taylor models. Built in a different building from the rest of the Taylor production by a handful of Taylor's very best and most experienced luthier's. While still taking advantage of Taylor's vast resources and precision guitar components, these more experienced luthiers at R. Taylor worked in a small shop environment where they were able to spend more time on each individual guitar tweaking the bracings, if needed, instead of always leaving them exactly the way the CNC machines cut them like a production Taylor guitar.
      Some of the major structural differences between an R. Taylor and regular Taylor is rather than using kerfing, R. Taylor used steamed and bent solid linings which involve more labor. This makes the sides far more rigid than traditional construction methods and translates into a lot more power than a similar shaped Taylor. The bridge plate is inset into the top giving it a lower interior profile and more sound transference to the top. The neck is a made out of one piece of mahogany while the standard Taylor uses a two piece neck heel and a headstock with a scarf joint.
      In excellent, near mint condition. No dings, no nicks, only a tiny cloud of pick marks that are so slight you have to hold the guitar at just the right angle in just the right light to see. The frets are perfect. A Fishman Ellipse Blend pickup has been professionally installed. There are no issues with this guitar.
      This guitar has opened up beautifully over the past 13 years. Warm, thick, and rich trebles from the gorgeous Old Growth Redwood top combined with tight, full, and focused bottom end response of the walnut back and sides make this R. Taylor a phenomenal fingerstyle guitar. Old growth Redwood like this is stronger than cedar giving you the best qualities of cedar but with much more dynamic range. It also gives it more power and projection with a higher volume ceiling, meaning this guitar responds beautifully to a flat pick. You can strum this very hard without the compression and top distortion you would get with a cedar top. Truly the best of both worlds and an incredible combination of woods that would suit any style of playing...This R. Taylor Style 1 features Old Growth Redwood Top, highly figured walnut Back and Sides, Tropical Mahogany Neck, Ebony Body and Neck Binding, 1-3/4" Nut Width, 25" Scale, '65 Top Radius, and an Ameritage Hardshell Case.

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  11. USED Mesa Boogie Subway Series D800+ Plus 800w Bass Amp Head
    $750.00

    Mesa Boogie D800+ Plus in excellent condition. Works perfectly and sounds amazing. Includes gig carry bag.

    The SUBWAY D-800+ provides all of the features of our now popular SUBWAY D-800 (ultra-lightweight, yet professionally power-rated at 800 Watts Class D power, and with a full feature, easy to navigate preamp) and addresses the player who wants enhanced frequency control and an interface for outboard signal processing. The upscale 800+ preamp features expand upon the acclaimed D-800 by including a comprehensive EQ section with Semi-Parametric sweep-able LOW and HIGH MID Bands, the addition of a BRIGHT switch, an adjustable HIGH-PASS Filter with control from 30Hz to 150 Hz, and on the Rear Panel, a Series Effects Loop, Tuner Output and 1/4" MUTE footswitch jack. It is big enough to gig large venues, yet small enough to tote in a gig bag.

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  12. USED Gibson 2016 Memphis Historic Series ES-330 1961 Reissue Sixties Cherry VOS
    $2,800.00

    This guitar is a joy to play: a 2016 Gibson ES-330 Memphis Historic Series 1961 Reissue. It has a Sixties Cherry red finish, two P-90 pickups with black covers, aged nickel plated parts, "Mickey Mouse" ears and dot fret markers. This guitar has one of the best necks ever: full "C" profile, somewhat chunky, that fits perfectly in the palm of your hand. Condition is excellent, super clean and nice.  What's so cool is that this totally has the vintage vibe, but unlike a 50 year old guitar, everything works perfectly, with no issues. The ES-330, with its woody and bell-like timbre, has had some impressive devotees, Slim Harpo being my favorite. Also jazz players like Grant Green, bluesmen such as B.B. King, and rockers, including Keith Richards have used a 330 at one time or another. If you are fan of British Invasion stuff, this guitar is perfect as well. So many bands used this, or the Epiphone version of it. It comes with the original Gibson hard case.

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