Search results for 'prs 245 semi hollow body'

One of a five-piece limited run!
The combination of Redwood and Walnut always brings a smile to players looking for a guitar featuring balance, clarity, and a warm, "woody" tonal signature. What does a leaner body depth add to the mix? Turn an imaginary "presence" knob up a couple notches, and you'll get the idea.
The Redhead LE introduces several new features, including a Celtic-inspired "Braided" rosette and silver fretboard inlays. Bourgeois' classic Snakehead headstock and Cocobolo bindings complete a simple but elegant package, at an attractive price point.

Individually hand-built using traditional materials & "Old World" craftsmanship. Solid Spruce Top, Solid Maple back & sides with Ebony fingerboard & adjustable ebony bridge. A-style body with F-holes for liquid tones and excellent projection.

Individually hand-built using traditional materials & "Old World" craftsmanship. Solid Spruce Top, Solid Maple back & sides with Ebony fingerboard & adjustable ebony bridge. A-style body with F-holes for liquid tones and excellent projection.

The new Classic S features a new 60’s C vintage standard neck profile with indian rosewood or maple fingerboard and V60LP single coils. The Classic S retains many of the original specifications of the Classic Pro including the SSCII hum cancelling system and stainless steel frets. Proprietary Suhr locking tuners and the Gotoh 510 tremolo provides superior tuning stability.

  Featuring a very cool custom color, Amber Smokeburst.
The S2 Custom 22 is a classic workhorse guitar. Known for its exceptional clarity and warm midrange, the S2 Custom 22 Semi-Hollow has been updated here with a semi-hollow single f-hole mahogany/maple body, giving this vintage-inspired guitar a classic look and outstanding resonance. Appointments include the PRS patented molded tremolo, 85/15 "S" treble and bass pickups, and a push/pull coil tap on the tone control for versatile, alive vintage tone.

Twenty years ago Jean Larrivee found a log of Koa that he said yielded the finest, most highly figured Koa he had ever seen and would likely ever find again. Jean may be right, in the all the years we've been in business we've never seen any other Koa that comes close to the depth of figure and color that log produced. Larrivee made a batch of Koa guitars from that log for the 2000 NAMM show. Built at the end of 1999, this D10KK was one of the guitars shown at the 2000 NAMM Show. It is drop dead gorgeous. It's so figured that you'd think it was a 5A grade flamed maple stained to look like Koa because Koa just never looks like this. We bought this guitar and a handful of other Koa Larrivee guitars from that show. It was purchased from a local collector, and from the looks of it, it was hardly played. It's in near mint (9.5) condition. Aside from its amazing looks it also has amazing tone and sustain! The longer you let it sustain, the more overtones you hear, producing an incredible pallet of colors. This is a loud guitar with a BIG voice! Strum an open chord and you'll feel the neck resonate in the palm of your hand and the body of the guitar will rattle your upper torso. The sound just wants to jump across the room. Deep warm lows, sparkly highs. Punchy mid range. It's one of, if not the best sounding Koa guitar we've heard.

This is a rare instrument, and a great one. The Presentation idea goes back to the late 1800's when banjo and guitar manufacturers would make the best instruments they could to be displayed at World's Fairs, and other venues, to show the public the quality of their work. This is Larrivee is their finest.

The main features of the Taylor K24ce 12 Fret Ltd:
- Mint Condition
- Collector Owned
- Grand Auditorium
- Hawaiian Koa Body
- Mahogany Neck
- 24-7/8" scale length
- West African Ebony Fingerboard
- Nickel Hardware
- Expression System 2 Electronics
- Shaded Edgeburst Finish

This fantastic sounding Thomas Bazzolo nylon-string model was built in the spring of 2001. Thomas Bazzolo was a well respected guitar builder in the Boston area and apprenticed under famed luthier, Frank Haselbacher. Professional, all solid wood construction. 650mm scale. Top of the line Gilbert tuning machines. Western Cedar top, with Indian Rosewood back and sides. Honduras mahogany neck with Ebony fingerboard. Indian Rosewood bridge, body binding, headstock backstrip, and headstock overlay. Hand finished with an oil varnish. In excellent condition, showing only the slightest hints of cosmetic wear. It has had no modifications or repairs. This responsive instrument produces the rich, full sound that one would expect from a professional grade classical guitar.

Featuring a premium carved Torrified Sitka Spruce top, and seasoned figured maple back and sides, the handcrafted MT offers professional level tone and playability in a simple and understated appointment package. An ultra thin all-nitrocellulose lacquer finish and individually graduated tonewoods provide ringing sustain, a wide dynamic range, and impressive responsiveness that can rival instruments at considerably higher price points.

We have a Fender Stratocaster with an Oct 1966 neck, showing some wear, with original frets, original lacquer finish, transition logo, and large headstock. The body is sunburst with a polyurethane finish, and three original grey bobbin pickups stamped 9439. The pickguard is white with white pearloid on the underneath. The pots are 1966, with original plastic wiring. Condition is very good plus. There is wear, nicks and dings, nothing major. It plays great and sounds fantastic. The neck plate is a four bolt F neck plate with serial number 270104 that corresponds to 1969. It has a clean, original black tolex case. It's hard to say if the neck is original to the body. You can make a case either way. I much prefer the lacquer neck, it feels great. It is all original vintage Fender parts, bridge saddles, three way switch and back cover plate.

Neck Material: Maple
Fingerboard: Ebony
Fingerboard Radius: 12"
Nut: Bone 1 3/32"
Fretwire: 23 Jescar FW37053
Scale Length: 13 7/8"
Body Style: F-Style w/ F-Holes
Body Dimensions: 26 11/16" x 10" x 1 7/8"
Body Top: Solid Spruce
Body Back/Sides: Solid Maple
Truss Rod: Single Acting
Binding: Top
Binding Material: Ivoroid
Logo: Pearl Headstock
Inlay: Pearl Dots
Side Dot Color: Black
Body Finish: Varnish
Harware Color: Chrome
Tailpiece: Eastman Cast Aluminum Tailpiece
Bridge: Adjustable Compensated Ebony Bridge
String Spacing: 1 5/8"
Nut Height: .018"
Tuners: Pingwell RM-1583N-26A
Strap Peg: Ebony
Strings: D'Addario J74
Action Height: 0.060"/0.050"
Case: Hardshell Case