Search results for 'prs 245 semi hollow body'

Does anybody remember "Roll And Roll Hoochie Koo" by Rick Derringer? The album cover was so cool. Rick was playing a red Fender Stratocaster with a matching headstock. I thought that was the coolest Strat ever. We have a Limited Edition 1995 USA Fender Stratocaster in Candy Apple Red with a matching headstock. These matching headstock models were produced for only a short time and are pretty rare. It's a great guitar, and has had some great upgrades: Fender locking tuners, a white pearloid pickguard, and three Fender Custom Shop Stratocaster pickups. We're not sure which CS pickups it has but they sound amazing - a perfect balance of tight lows, focused midrange and smooth top-end sparkle. Everything you want a Strat to be! They also hum cancel in the 2 and 4 position. It has a rosewood fingerboard, and the frets are in great shape, showing only a very slight amount of wear. The body shows wear, nicks, dings and scratches: a typical paint chip out of the neck pocket; an extra hole on the back where someone put a strap button. Overall condition is good and everything is structurally solid. It's great sounding, the neck is straight, and everything works fine. It's a good one, and it has a vintage vibe that I like. Comes with a non-original trem bar and Fender gig bag.

This is one of the best sounding ES-330's we've come across. A vintage 1960 ES-330TD. There's a vibe in the old wood of this guitar you don't hear in the new models. Played acoustically it's loud and resonant...it vibrates on your arm, the back of your hand, against your ribs, or any other part of your body that touching it. It feels alive. Plugged in this guitar really shines. It comes close to doing everything you could want. The bride pickup has a twang that can rival a Tele but with a fattness a Tele doesn't have. The neck pickup is big and punchy with a woody tone that you've always wanted but have seldom heard. The ES-330TD was debuted in 1959 as a thinline with creme plastic body binding on top, back and three sides of the rosewood fingerboard. It had the postwar script "Gibson" logo at the top of its ebony overlaid glossy finished headplate, and below that there is no further decoration, just a white bordered black bell-shaped truss rod cover held in plate by two roundhead Phillips screws. Factory order number R2795. This model has the twin rounded cutaway and also a shorter length neck than the ES-335 had. The scale length is approximately 24 1/2" nut to saddle. The width of the fingerboard at the nut is 1 11/16" with an E-to-E string width at the saddle of 2". It has an elevated black plastic pickguard with edges that are laminated with white-black-white border. It has twin black plastic P-90 pickups which have a "dog ear" on the bass side, but a squared side on the treble. It has a tune-o-matic bridge, meaning that it is fully adjustable both vertically and individually adjustable both forward and backward. The pearloid fret marker at the 15th fret has been replaced and the treble side binding from the first to 9th fret has been replace. Other than those two repairs this guitar is all original. Comes with modern hardshell case.

Model: ASAT Classic Thinline
Body: Swamp Ash
Body Finish: Belair Green
Bridge: Boxed Steel w/ 6 Saddles
Neck Profile: Modern Classic (.820"-.870")
Radius: 9.5"
Nut: Bone
Nut Width: 1 11/16"
Neck Wood: Hard-rock Maple
Fingerboard: Maple
Neck Finish: Satin Light Tint
Frets: Medium Jumbo
Inlay: Black Face Dots
Controls: 3-Way, Volume, Tone
Neck Pickup: G&L MFD ASAT Classic Single Coil
Bridge Pickup: G&L MFD ASAT Classic Single Coil
Tuners: G&L Standard
Setup: PLEK
Case: Deluxe Black Tolex

A full-size 16” thinline. Deluxe Laminate Top, Deluxe Laminate back and sides. Versatile, responsive, with plenty of tone and attitude! Dual Seymour Duncan Pickups.

Neck Material: Maple
Fingerboard: Ebony
Fingerboard Radius: 12"
Nut Material: Bone
Nut Width: 1-3/4"
Fretwire: 22-Jescar FW47104-P
Scale Length: 24-3/4"
Body Dimensions: 16" X 1-3/4"
Body Top: Maple Laminate
Body Back/Sides: Maple Laminate
F-Hole Binding Material: Ivoroid
Head Cap Veneer Material: Ebony
Logo Material: Pearl
Inlay: Split Block Parallelogram
Inlay Material: Pearl
Hardware Color: Chrome
Tailpiece: Gotoh stop tailpiece
Bridge: Tunomatic Style
Tuners: Ping Vintage Style
Neck Pickup: Seymour Duncan Jazz
Bridge Pickup: Seymour Duncan 59
Controls: 2 Volume, 2 Tone, 3-way Switch
Truss Rod Cover: Ebony
Strings: Cleartone .011-.049 Roundwound
Case: Hardshell Case

A full-size 16” thinline. Laminate Maple Top, Laminate Maple back and sides with versatile, responsive, with plenty of tone and attitude! Dual Kent Armstrong Humbucker Pickups.

Neck Material: Maple
Fingerboard: Rosewood
Fingerboard Radius: 12"
Nut Material: Bone
Nut Width: 1-3/4"
Fretwire: 22-Jescar FW47104-P
Scale Length: 24-3/4"
Body Dimensions: 16" X 1-3/4"
Body Top: Maple Laminate
Body Back/Sides: Maple Laminate
Head Cap Veneer Material: Ebony
Binding: Body, Neck
Binding Material: Ivoroid
Logo Material: Wood/Pearl
Inlay: Pearl Dots
Hardware Color: Chrome
Tailpiece: Stop Tailpiece
Tailpiece Material: Steel
Bridge: Tunomatic Style
Tuners: Ping Vintage Style
Neck Pickup: Kent Armstrong HPAN-1N
Bridge Pickup: Kent Armstrong HPAN-1B
Controls: 2 Volume, 2 Tone, 3-way Switch
Truss Rod Cover: Ebony
Strings: Cleartone .010-.046 Roundwound
Case: Hardshell Case

I love a Gibson Bass. It's the tone, man. That deep bass tone that sounds...you know, bassy. We have a really cool Gibson bass just in: a 1969 Gibson EB-2 with original sunburst finish. The keystone instrument in Gibson's production in the 1960's was the ES-335TD. Its counterpart bass was the EB-2, which sported the same body and finishes. Like the original Electric Bass, the EB-2's headstock has rear-projecting/banjo-type tuners, and a set-neck made of Honduras mahogany. Fingerboard has 20 frets on a rosewood board and pearl dot inlays. It's joined to the body at the 18th fret, and its combination bridge/tailpiece was angled, which increased the accuracy of its intonation. It has one pickup, and it sounds great. The frets are fine, the neck is straight and true, and the electronics work perfectly. There is wear, nicks, dings and scratches. Nothing major. It is almost 50 years old after all. There is a hole on the treble bout where someone put a strap button. Fans of The Strypes are aware of how great these basses sound. They work so well in a hard blues/rock format, they just smoke. Check out some old Yardbirds stuff: the bass sound is such a huge part of their sound. Comes with original hard case.

This curvaceous axe sounds as hot as it looks. The smooth, early ‘60s C-shaped Maple neck and Alder body are built for both speed and comfort, with an aged look that makes it feel not only familiar, but loved. Hot P-90 pickups give the Standard JM6 plenty of growl and attitude when the occasion demands it.

Body: Alder
Neck: Maple (Bolt-on)
Fingerboard: Rosewood
Inlays: Dots
Neck Shape: Early 60’s C (.830-.920)
Scale Length: 25.5″
Nut: 1.65” Tusq XL
Radius: 7.25″-9.5″
Frets: 22 – Jescar 6105
Hardware: Nickel
Tuners: Fano Branded Vintage
Bridge: Fano Branded TOM/Stoptail
Pickups: P-90’s
Controls: Volume, Tone, 3-Way Switch
Finish: Nitrocellulose Lacquer
Distress Levels: Light
Strings: Elixir Strings .010-.046
Case: Levy’s Gig Bag

This Custom 24 10-Top features a figured maple neck and fingerboard. This is a feature usually only available on Artist Package models, but are being made a available for a very limited time.

Top Wood: Carved Figured Maple (10-Top)
Back Wood: Mahogany
Number of Frets: 24
Scale Length: 25"
Neck Wood: Mahogany
Neck Shape: Pattern Thin
Fretboard Wood: Rosewood
Fretboard Inlay: Birds
Bridge: PRS Patented Tremolo, Gen III
Tuners: PRS Phase III Locking
Hardware Type: Hybrid
Treble Pickup: 85/15 Treble
Bass Pickup: 85/15 Bass
Controls: Volume, Tone, 5-Way Blade Switch
Strings 10's
Case: Hardshell

Model: JB-5
Body Wood: Swamp Ash
Body Finish: Old School Tobacco Sunburst
Bridge: Saddle-Lock
Neck Wood: Hard Rock Maple
Fingerboard Wood: Maple
Neck Profile: G&L Modern C5 (.810"-.910")
Neck Finish: Gloss Light Tint
Fingerboard Radius: 9.5"
Frets: Medium Jumbo
Nut: Bone
Nut Width: 1.775"
Fretboard Inlay: Black Block Inlay
Tuners: G&L Standard
Pickups: G&L JB Alnico 5 Single-Coil
Setup: PLEK
Case: Deluxe Black Tolex

Model: ASAT Classic Thinline
Body: Swamp Ash
Body Finish: 3-Tone Sunburst
Bridge: Boxed Steel w/ 6 Saddles
Neck Profile: Modern Classic (.820"-.870")
Radius: 9.5"
Nut: Bone
Nut Width: 1 11/16"
Neck Wood: Hard-rock Maple
Fingerboard: Rosewood
Neck Finish: Satin Light Tint
Frets: Medium Jumbo
Inlay: White Pearl Face Dots
Controls: 3-Way, Volume, Tone
Neck Pickup: G&L MFD ASAT Classic Single Coil
Bridge Pickup: G&L MFD ASAT Classic Single Coil
Tuners: G&L Standard
Setup: PLEK
Case: Deluxe Black Tolex

Let Me Sing Your Blues Away with this new D'Angelico Special Edition Grateful Dead DC Hollowbody Guitar. This Guitar is sure to have any Deadhead Dancing in the Streets. The top features a custom paint job showing off the red, white and blue lightning bolt from the iconic Steal Your Face logo that is as beautiful as any Sunshine Daydream we've ever seen. When Push Comes To Shove, don't let yourself feel like you've been left out in the Cold Rain and Snow, this could be the Last Time so get your Crazy Fingers on this guitar and ride the Dark Star as it crashes into the Promised Land because the Music Never Stopped.

So grab this Guitar while you can and show your love for the Dead. This guitar plays great, and sounds fantastic. Comes with a deluxe gig bag.