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Please note, we no longer ship vintage or used amps. They are local pickup only. Give the store a call for more information 901-729-2466.

We know those sounds from countless guitar-driven hits of the ’50s and ’60s, laced with everything from toothy, biting twang to snappy, glassy chime enabled by those classic Fullteron amps’ transition from tweed to blackface. The Carr Sportsman captures it all in one versatile and eminently playable package, exuding tones so sweet you can stop turning back to tweak and just let your calloused fingertips dig in and enjoy.

While fusing the purity and clarity of an American reverb amp of the mid ’60s with the more aggressive dual-6V6 output stage of the late ’50s, Carr extends the Sportsman’s vocabulary with a fully usable Volume control, a wide-ranging Mid knob, and a Headroom control—the secret weapon that helps you bridge the decades. With the bonus of Carr’s delectable tube-driven, long-spring reverb, the full package makes for a lot of sonic splendor at your beck and call.

Rarely does one 19-watt, single-channel, 1x12" combo do so many things so well, but the Sportsman’s sonic purity and the chameleon-like capabilities of its control complement merge for a ton of versatility. From scooped rust-belt funk and R&B cleans, to stinging edge-of-breakup Chicago blues, to snarling Tex-Mex grind, and even a nod toward trans-Atlantic crunch and wail, it’s all there with just the twist of a few simple controls.

Of course, Carr’s next-level design and high-quality construction help to squeeze maximum sonic juice from the Sportsman, too. The circuit is fully hand-wired, point-to-point in the Carr tradition, using high-end and military grade components to ensure unprecedented signal clarity. Coupled with a hand-crafted, Birch multi-ply combo cabinet and ’70s style fixed speaker baffle for optimal resonance and character, the total package results in an expressive amp with utterly playable dynamics.

The Sportsman — pulling no punches on a bold sonic frontier. Learn More

The Super Bee captures that legendary Fullerton-made blackface 4x10" Super Reverb sound in an inspiring new model sized and powered to suit the true needs of today’s venues. No channel switching, no loop, just pure old-school blackface-inspired tone, delivered with new-school usability.

From scooped chime, to edge-of-breakup twang, to stinging roar, it’s all there at volume levels that will keep the soundman smiling while you push the Super Bee into succulent output-tube-driven overdrive and harmonically saturated bloom.

The key to the Super Bee circuit lies in its current-production 6BM8 output tubes. The pair achieves rich, bold, articulate tone remarkably reminiscent of the classic 6L6GC but at only 10 watts — plenty to cut through your drummer at the next club gig, but easily driven into dynamic sonic splendor without violating any noise restrictions.

Add a built-in attenuator to take it from 2 watts to a whisper for late-night jams; Carr’s spacious, three-dimensional tube-driven reverb; an EZ81 tube rectifier for a lively, bouncy playing response; and Carr’s legendary point-to-point construction and high-end component selection, and this is the finest compact Fullerton-killer on the scene today.

But wait! There’s also the versatile Sting switch to reconfigure the Super Bee for three classic voices:

64 – extra-scooped shimmer for crystalline cleans
68 – pushed blackface with bite for meaty twang and crunch
72 – more gain and a shift in the EQ circuit placement delivering fuller mids for luscious leads

The Super Bee — a Super reverb combo you can actually carry . . . And tear down the house without shredding any eardrums. Learn More

This is a rare and highly sought-after 1965 Fender Deluxe (non-reverb) model. Unlike the more common Deluxe Reverb, the non-reverb version is special due to its purer signal path, resulting in increased clarity, tighter low end, and a slightly quicker response. For players who appreciate the simplicity and tonal purity of vintage tube amps, the non-reverb Deluxe offers a sound that's less colored by additional circuitry, making it an excellent platform for pedals or clean tones that cut through the mix.

This amp is in great condition and has been fully serviced and is ready to go. It features the legendary AB763 circuit, known for its pristine cleans and smooth overdrive. Production #3, as indicated on the tube chart. The Warehouse ET65 speaker is a high-quality replacement that enhances the amp’s versatility, offering both warmth and articulation without sacrificing the vintage tone.
Cosmetically, the amp is in great shape with minor wear consistent with its age.

Non-reverb Deluxe amps are harder to find and deliver a unique tonal character that sets them apart from their reverb-equipped siblings. If you're looking for a classic vintage amp with more tonal purity and a responsive, direct sound, this 1965 Fender Deluxe is an absolute gem. Learn More

We know those sounds from countless guitar-driven hits of the ’50s and ’60s, laced with everything from toothy, biting twang to snappy, glassy chime enabled by those classic Fullteron amps’ transition from tweed to blackface. The Carr Sportsman captures it all in one versatile and eminently playable package, exuding tones so sweet you can stop turning back to tweak and just let your calloused fingertips dig in and enjoy.

Learn More

Tommy Emmanuel is one of the most influential guitar players of our time. For over a decade, he has relied on AER amplifiers to deliver his music to millions. To acknowledge that commitment, AER introduces the Compact-TE Tommy Emmanuel signature amplifier.

Based on the original Compact 60, the Compact-TE features Australian aboriginal artwork and his signature with the coveted “CGP” (Certified Guitar Player) certification, bestowed upon Tommy by Chet Atkins himself, carved into the sides of the cabinet. The Compact-TE further diverges from the original Compact 60 by replacing the onboard Delay effect with a replica of Tommy’s original Alesis Midiverb 2 Delay/Reverb effect that has defined his sound all these years.

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Features Power Output: 700 watts @ 2.67 or 4 ohms, 350 watts @ 8 ohms Preamp Section: Solid State Power Section: Class D Transformer: Switching mode power supply (SMPS) EQ Section: Bass: +/- 17 dB @ 40 Hz Mid Level: +/- 16 dB Mid Frequency: 180 Hz – 1 kHz Treble: +/- 14 dB @ 4 kHz Drive Control: Fully adjustable, featuring Aguilar’s proprietary AGS (adaptive gain shaping) circuit Effects Loop: Series operation. Adds 6 dB of additional gain, making it useful for a broad range of effects units. Inputs: One 1/4″ input jack, compatible with all active and passive basses Speaker Outputs: Two Neutrik Speakon speaker outputs Balanced Output: XLR balanced output with pre/post EQ and ground lift switch Tuner output Cooling: Two high-quality whisper fans with thermal speed control Dimensions: 12″ W x 9″ D x 3″ H Weight: 4.9 lbs (2.22 kg) Warranty: Three year limited Learn More

Features Power Output: 700 watts @ 2.67 or 4 ohms, 350 watts @ 8 ohms Preamp Section: Solid State Power Section: Class D Transformer: Switching mode power supply (SMPS) EQ Section: Bass: +/- 17 dB @ 40 Hz Deep: +6 dB <250 Hz Low Mid: +/- 15 dB @ 300 Hz High Mid: +/- 14dB @ 800 Hz Treble: +/- 14 dB @ 4 kHz Bright: +6 dB >3 kHz, shelving -10dB input pad Tuner output Inputs: One 1/4″ input jack, compatible with all active and passive basses Speaker Outputs: Two Neutrik Speakon speaker outputs Effects Loop: Series operation. Adds 6 dB of additional gain, making it useful for a broad range of effects units Balanced Output: XLR balanced output with pre/post EQ and ground lift switch Cooling: Two high-quality whisper fans with thermal speed control Dimensions: 12″ W x 9″ D x 3″ H Weight: 4.9 lbs Warranty: Three year limited Learn More

This cabinet is LEGENDARY! The original Rectifier® 2x12 Horizontal Cabinet was designed by matching the dimensions of the bottom two speakers in a Standard Oversized Rectifier 4x12. While simple in its design concept, the resulting sealed enclosure delivers HUGE punch, projection and authority from its relatively small size. In addition to world-class low end response, its midrange punch and bite, coupled with the classic warmth and cut of Celestion Vintage 30s, makes this cabinet an excellent choice for all styles despite its reputation in high gain rock, alternative, and metal styles. Anytime you want to bring a 4x12 but can’t, the 2x12 Recto® sounds big enough to make you wonder if you DO have a 4x12 behind you! Learn More

The Mesa Engineering Triple Crown TC-50 50-watt 1 x 12" all-tube guitar combo is Mesa's supreme rock 'n' roll-voiced amplifier. Its 3-channel design offers two modes on each channel for American-sounding clean tones on the first channel, aggressive crunch on the second channel, and thick high gain from channel three. The Triple Crown TC-50 combo is also loaded with features such as MIDI-capable switching, a true spring reverb that's footswitchable, and even Mesa's impressive CabClone direct output. The Triple Crown TC-50 combo is a versatile amp with a rock 'n' roll soul. Learn More

The TT-800 features an all-new tube driven preamp allowing bassists to experience the rich, blooming tube character of the legendary tone stack architecture from the Bass 400+ in the Boogie® channel or the modern tone of the award-wining Subway Channel with enhanced tightness in the low end, accurate punchy mids and crystal clean highs. These Channels can be used to switch between (Foot Switch optional) for different responses and sounds with one Instrument, or dedicated to separate Instruments with different characters and needs. Modern feature packed, the TT-800’s DEEP and BRIGHT switches add tone shaping opportunities and allow for taming “boomy” rooms by switching DEEP off or kicking it in for styles such as Reggae. BRIGHT adds sparkle and sheen and Subway fans have been known to use the feature for advanced techniques such as slapping and adding dimension and clarity to chordal work. Global GAIN switching allows for custom configuration of attack and headroom characteristics. LOW provides a clean, clear sound in comparison to the HIGH setting that ramps up driving the tubes and is especially notable in the Boogie Channel. A New OD (Overdrive) SYMMETRY control features tightly-glued harmonics toward the (counterclockwise) (SYM) extreme or a looser, more tube-like harmonic spread in the ASYM (clockwise) half of the control. Learn More

The California Tweed 2:20 features a single channel with Normal (clean to overdrive) and Low (clean) Inputs, Gain, Treble, Mid, Bass, Presence, Reverb, and Master Controls, giving you everything you need to dial up your ideal TONE quickly and easily. The Vintage All-Tube Spring Reverb is equipped with an external reverb switching jack (footswitch and cable sold separately) for remote activation. Whether you choose to run your pedals straight into the input or through the included fully buffered, tube-driven series FX loop, the California Tweed 2:20 delivers an ideal platform for pedal users in a compact 23-pound head that expands vintage tone and defines portability. The California Tweed series is what we like to call “Vintage Expanded.” When it comes to vintage, low-wattage tone and feel, no amp offers more than the new California Tweed 2:20! Harken back, bounce on forward, while never sacrificing one drop of golden California Tone. Learn More