Search results for 'prs 245 semi hollow body'

  Here's a very nice Taylor 314-CE acoustic electric. USA made in 2013. Professional grade instrument with all solid wood construction. It's a 6 string grand auditorium size with Sitka Spruce top, sapele back and sides, soft (Venetian) cutaway, 1 3/4" nut width, black binding, wood fiber rosette, pearl dot inlay on fretboard, mahogany neck with ebony fingerboard, ebony bridge, Taylor Expression pickup system, 25 1/2" scale, and satin finished body with gloss top.
  This one has grown sweetly mellow over the years and has great balance with great dynamic range. Overall the guitar is appears very clean with some light surface scratches and dings on the top back and sides. The neck is straight and true. Frets show some slight impressions here and there under the B and high-E strings. Nothing that affects playability. The frets should have years of play left in them. Comes with Taylor hardshell case.

This beautifully aged classical guitar is from master luthier Jeronimo Peña Fernadez. Hand-dated in the soundhole at 1973. Featuring a solid Red Cedar top and quatersawn Brazilian Rosewood back and sides, the renowned warmth and balance of this instrument's tone is hard to overstate. This instrument was made at a time when Jerinimo Peña Fernandez was producing between 20 and 25 guitars a year in his workshop. The highly stylized guitars of Fernandez are perhaps most immediately identifiable for their intricate design details and overall original style. He learned this in the course of an apprenticeship in carpentry that began when he was only nine.

Taylor Builder’s Edition 517e Natural. In near mint condition. We've seen new guitars hanging in other stores that show more wear than this guitar. The neck is straight and true. The frets look perfect. It plays and sounds great. Taylor’s new modern Dreadnought body with all the Builder’s Edition upgrades. Torrified Spruce with vintage-hued looks, serves up projection and clarity with a touch of warmth. Silent satin finish helps give this guitar a little bit of vintage mojo. This slope shouldered dread with Taylor’s patented V Class Bracing resonates with finely honed balance of low-end power and clarity across the mid and upper registers. Premium features include chamfered body edges and a new compound carve neck profile help create a most comfortable playing experience. Contoured fretboard edges, ridgeless neck heel, and curved wing bridge provides even more playing comfort. Looks great, sounds great, comfortable playability, all in one. Raising the bar on your playing experience.

Another spectacular instrument from Dana Bourgeois. This custom ordered Bourgeois was built in 2018. This guitar sounds like a cannon, and has opened up beautifully. The tone of this Honduran Rosewood is extremely similar to Brazilian Rosewood. Nice, strong bass fundamental, great projection, extremely loud and punchy. It's an "all-day-every-day" dreadnought acoustic. You'll never want to put it down. Thanks to the magic of the Adirondack spruce top you get huge low end, crisp and bright high end with lots of punch, and tone and volume that does not break down. No matter how hard you strike this instrument, it just gets louder and never gives out. This guitar has overtones for days with plenty of cut and articulation for serious flatpicking. An LR Baggs Anthem has been installed (a $329 value) and works perfectly. It is without a doubt a guitar of a lifetime!

  Here is a superb sounding and versatile guitar hand built by Linda Manzer in 2003. It's one of those rare guitars which looks as good as it sounds. After hearing the incredible volume and definition of this instrument you'll understand why Manzer guitars are preferred by studio musicians and touring musicians alike. Its voice is well balanced with a full, pure, and rich tone. Like all Manzer instruments, this model is precisely adjusted for even playability all the way up the neck.
  As pleasing as this guitar is to the ear it's just as pleasing to the eye. With Canadian animals inlaid across the fretboard and Manzer's trademark wood-and-Abalone rosette, it makes the business of making music even more enjoyable. For the back and sides, Linda used some of the finest Indian Rosewood we've ever seen, bent into her tradmarked Manzer Wedge shape for playing comfort, and paired it with a German Spruce top that has striking contrasts of color across its medullary rays. As you'd expect, the resulting voice is equally at home with a delicate attack or played with gusto, offering a well-balanced tone in all applications that is chock full of delightful overtones and articulate warmth.