Search results for 'Taylor 12 string'

  The Goodall Grand Concert might be one of the world's most perfect guitars. With its refined and beautifully proportioned shape, it is everything you could desire from an acoustic guitar and more. It's tone is a wonderful blend of balanced clarity, and punchy projection, with a smooth rich bass response. This instrument is larger than the Parlor but smaller than the Concert Jumbo. It has a singing lyrical treble, with excellent sustain, and is comfortable to hold. Though it is a small guitar, the Grand Concert does not exhibit the tight nasal tonal quality in the midrange and bass that is generally associated with smaller guitars.
  While the Grand Concert series is considered ideal for the fingerstylist due to its sensitive, dynamic responsiveness, it is equally appropriate for the flatpicker or plectrum player with the appropriate tonewood combination. It is prized by Bluegrass flatpickers and has even been said to surpass large bodied dreadnought guitars with respect to it's clarity, sustain and powerful projection.

Organic tones ooze from a pair of Gold Foil Radiator covered Seymour Duncan Phat Cat P-90's bringing a new tonal palette to the Romeo family. Paired with the Les Trem Tremolo system, Romeo LA leans into its hometown’s glam and airy west coast tones. It’s a brand new look and sound that you have never seen or heard in an Eastman.

The SE Custom 24 is the quintessential SE instrument, designed to faithfully reflect the PRS model that started it all. The SE Custom 24 Lefty brings classic PRS playability, reliability, and vibrant tone to the left-handed players of the world. Gig and studio ready, this model keeps all of the same foundational specifications as the SE Custom 24: maple top, mahogany back, wide thin maple neck, 24 frets, 25” scale length, the PRS patented molded tremolo, and dual 85/15 “S” pickups with a 3-way blade pickup switch and push/pull tone control for coil splitting.

The PRS SE Custom 24 Quilt brings the original PRS to the more-accessible SE Series with the addition of a quilted maple top veneer and matching quilted maple headstock veneer. This model’s polished aesthetic gives the guitar stage-worthy style to go with its road-worthy reliability.

With a 24-fret, 25” scale length, Wide Thin maple neck, the SE Custom 24 Quilt is comfortable and addictive to play. The 85/15 “S” dual humbuckers and 3-way blade switch with push/pull coil split tone control offer versatility and full-spectrum tone. A fitting workhorse for touring musicians, professional players, and at home guitarists alike.

The SE CE 24 pairs the traditional PRS Custom 24 combination of a maple top, mahogany back, and rosewood fretboard with a bolt-on maple neck. The added snap and response of bolt-on construction has been an essential part of guitar history from the beginning, and the CE’s voice and appointments carry that tradition forward with PRS’s unique spin on a classic. The 85/15 “S” pickups provide extended high and low end with clarity and balance, while the push/pull tone control adds the versatility of coil splits. The PRS SE CE 24 delivers tone, playability, and classic PRS looks that players of all styles can rock.

Here's another great special edition Larrivee guitar. This time they have taken their 40 Legacy Series Dreadnought model and made it with 12 fret neck to body construction. In addition they added a Vine headstock logo and rosewood binding on the body and fretboard. The change in dimensions and construction with a 12 fret to body gives you a more dynamic sounding guitar.

The SE Silver Sky is a familiar iteration of the original Silver Sky model that was first introduced with John Mayer in 2018. This workhorse guitar provides ample tone and playability in four distinct colors, delivering looks, feel, and sound.

The PRS SE Silver Sky starts with a poplar body, bolt-on maple neck, and rosewood fretboard with PRS trademark bird inlays. The 22-fret, 25.5” scale length neck features the original 635JM carve and an 8.5” fretboard radius, so the PRS SE Silver Sky will feel right at home. Plug it in, and the three single-coil 635JM “S” pickups will bark and sing. This guitar is anchored by a two-point steel tremolo, synthetic bone nut, and vintage-style tuners. Other design features include the PRS Silver Sky inverted headstock shape and the PRS double-acting truss rod (accessible from the front of the headstock for ease of use). Ships with PRS Classic 10-46 strings and gig bag.

The PRS SE A50E pairs maple back and sides with a solid spruce top for stunning warmth and depth. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate and project, the SE A50E has an uncommon 3-dimensional character for a maple back and side guitar. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing.
Plugged in, the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls.
Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

The Valentine Collection is known for effortlessly combining the best of iconic guitar features into the perfect package, and the newest installation in the legacy is no different. The 2023 Valentine stays true to the original specs that made it stand out — White Ash slab body, 12dB push-push boost, roasted maple neck, and locking tuners — while elevating and innovating. This addition to the line delivers with its all new chambered body and Tune-o-matic bridge with a Bigsby B50 to explore experimental sounds. Available in Butterscotch.

The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
  “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin