Search results for 'Super eagle'

  Here's a very cool 2008 Flaxwood Voima electric guitar. Crafted in Finland, these instruments are known for their innovative use of materials, exceptional build quality, rich tones, and superb playability. This Voima guitar is in excellent condition, with minimal signs of use: only light pickwear, no dents, nicks, bumps, or buckle rash. The neck is straight and true, and the frets show only the slightest hint of play wear. It has been well cared for and recently set up professionally with new strings. It comes with all of the original paperwork, hangtag, adjustment tools, tremolo bar, and hardshell case.
Special Note:
  This particular Flaxwood Voima guitar was showcased at the NAMM show in 2008, when Flaxwood was first introduced to the USA market. Its history as a NAMM showpiece adds to its uniqueness and value.

Formerly called “ESP Standard”, all ESP E-II instruments are created at our ESP factory in Tokyo, Japan, and are designed for professional players who accept no compromises in tone, feel, or reliability for their guitars and basses. The E-II Eclipse Full Thickness is exactly as the name implies: a body with traditionally thick design. This guitar offers set-thru construction, using a mahogany body with flamed maple top that looks amazing in Tobacco Sunburst finish, complemented by single ply creme binding. The E-II Eclipse Full Thickness also features a mahogany neck with bound ebony fingerboard that includes ESP flag inlays, and a satin finish on the back for super smooth playability. Premier components include Gotoh locking tuners, a Gotoh TOM bridge and tailpiece, a bone nut, ESP strap locks, and a set of Fishman Fluence Open Core Classic Humbucker pickups with push-pull controls to activate three different voicings. Includes an ESP hardshell form-fitting case.

  The Modern Eagle V is an innovative instrument that offers highly musical tones for both recording and playing live. Utilizing a hum/single/hum (five-coil) pickup layout and unique electronics configuration, the Modern Eagle V gives players a vast array of tones in one guitar. The 5-way blade switch selects the pickups in intuitive groupings: treble, treble and middle, middle, middle and bass, and bass. There is a single volume and a push/pull tone control that activates both humbuckers when engaged; this allows players to access all three pickups simultaneously. Finally, the mini toggles allow players to individually tap the humbucker coils, for additional single-coil sounds. This electronics design puts a whole set of classic and new tones at your fingertips.
  Additional appointments include a maple top and mahogany back, a 22 fret, 25” scale length, Pattern mahogany neck with rosewood fretboard, bone nut, and PRS patented Gen III tremolo.

A Tyler Studio Elite HD in White Shmear finish! The James Taylor Studio Elite HD is one of the most popular models that Tyler Guitars offers. Tyler guitars are well known for their unparalleled feel and tone. James’ keen insight into how things work, and what players want is the main reason Tyler Guitars are coveted by top session players and artists worldwide. 

The 00 model is comfortable and fun to play. Just a bit larger than a parlor. Larrivee's 03 Series is built in America using all solid wood, and features their hand-fit dovetail neck joint for superior fit and sustain. This series truly stands out as an industry leader for price and quality. Solid East Indian Rosewood, Maple bound trim, herringbone purfling, rosette, and satin finish are standard features on 03 Series.

The UAFX Lion '68 Super Lead Amp pedal gives you the classic British amp sounds made famous by decades of legendary artists including Jimi Hendrix, Van Halen, Led Zeppelin, AC/DC, and more.

Lion '68 is the only pedal that delivers the dead-on tones of three distinct 100-watt plexi amplifiers. Built on powerful dual-engine processing and world-class UAD modeling, you get all the gorgeous cleans, aggressive breakup, and hot-rodded roar of the originals. Learn More

The StingRay RAY34 Poplar Burl bass features the iconic sound of the Music Man StingRay with an updated exotic wood look. Complemented by a roasted maple neck, a 3-band active preamp, and a bridge modeled after the classic Ernie Ball Music Man StingRay, this Ray34PB is sure to be a stand out in any collection. Featuring a beautiful Dark Scarlet Burst.

It’s back! While you won’t find many purpleish/blue reindeer in the wild, this E-II Eclipse brings back an exclusive ESP favorite finish in Reindeer Blue over a quilted maple top with multi-ply binding. Like all E-II models, this guitar is created at our ESP factory in Tokyo, Japan, and is designed for professional players who accept no compromise in tone, feel, or reliability for their guitars and basses. The E-II Eclipse RDB also includes an ebony fingerboard, 22 extra-jumbo frets, ESP flag inlays, a satin finish on the back for super smooth playability, a bone nut, Gotoh locking tuners, a Gotoh TOM bridge and tailpiece, and ESP strap locks. We’re also updated this outstanding guitar with a set of EMG 60 and EMG 81 pickups in Brushed Black Chrome. Includes an ESP hardshell form-fitting case.

The StingRay RAY34 bass is an essential for any bassist. The roasted neck, 3-band active preamp, and single humbucking pickup combine to form one of the most iconic bass sounds.

The PRS Private Stock John McLaughlin Limited Edition in Charcoal Phoenix finish with Smoked Black back is here. This classic instrument has been meticulously spec’d by Paul Reed Smith to honor John McLaughlin. All of the woods were specially chosen by Smith for their tone, figure, and weight. The specs are fairly straightforward: maple top, mahogany back, hormigo neck (a tone wood used on marimbas for sound-producing tines) with an African blackwood fretboard, 22 frets, 25” scale length, Pattern neck, PRS’s patented Gen III tremolo, and PRS Phase III tuners.
  “Playing music is a way of being. Playing an instrument requires you to move out of the normal level of consciousness. If you’re thinking, you’re not playing. If you’re playing, you’re not thinking. If you have problems with your instrument, you’re not going to move out of the thinking zone and into your own world. This is why I love my guitar. For me, it’s perfect.” – John McLaughlin