Search results for 'Prs sc'

  If this one isn't already on your radar, it should be. For a smaller body guitar, Larrivee's 0-40r creates an outstanding range of sound. It is not only seriously fun to play, and easy to sit with; but is surprisingly full-sounding, and balanced. This would make an outstanding instrument for recording.
  Built in America using all solid woods, bone nut and saddle, diamond fingerboard dots, and 18:1 open-back tuners.
 This one is upgraded with a Moon Spruce top for added punch, and JCL headstock logo.
  Between the sharp aesthetic, the high-caliber build quality, and most importantly the gorgeous sound, this model might seriously become your go-to piece.

A spectacular US-made, all-solid wood 12-string; the Larrivee J-03-MH Jumbo 12-String features a Moon Spruce top, and mahogany back and sides. HUGE sound from the Jumbo body, with a gorgeous, wide frequency response. This is what you want a 12-string to sound like. Additional features such as Rosewood binding, bone nut & saddle, abalone rosette, and 1-piece mahogany neck, are the sort of high-end touches you expect from Larrivee. Comes with hardshell case.

  Here's a very nice Taylor 314-CE acoustic electric. USA made in 2013. Professional grade instrument with all solid wood construction. It's a 6 string grand auditorium size with Sitka Spruce top, sapele back and sides, soft (Venetian) cutaway, 1 3/4" nut width, black binding, wood fiber rosette, pearl dot inlay on fretboard, mahogany neck with ebony fingerboard, ebony bridge, Taylor Expression pickup system, 25 1/2" scale, and satin finished body with gloss top.
  This one has grown sweetly mellow over the years and has great balance with great dynamic range. Overall the guitar is appears very clean with some light surface scratches and dings on the top back and sides. The neck is straight and true. Frets show some slight impressions here and there under the B and high-E strings. Nothing that affects playability. The frets should have years of play left in them. Comes with Taylor hardshell case.

  The E3D Deluxe features a solid Sitka Spruce top, solid Ovangkol back and sides, Eastman's Truetone Gloss finish, and Fishman electronics.
  Iconic, big, and bold. You'll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

  The E3OM Deluxe features a solid Sitka Spruce top, solid Ovangkol back and sides, Eastman's Truetone Gloss finish, and Fishman electronics.
  The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a solid Thermo-Cured Sitka Spruce top, and solid Rosewood back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a Thermo-cured Sitka Spruce top, and Rosewood back and sides. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

Featuring an Adirondack Spruce top, and solid Mahogany back and sides. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

  This Custom Build Banjo Killer is a standard square shouldered dreadnought with a premium bearclaw Sitka spruce top and figured mahogany back and sides. Square headstock shape. The bracing for this guitar is modeled after Bryan Sutton’s famous Bourgeois dubbed the “Banjo Killer". The fingerboard and belly bridge are figured ziricote wood. The Tor-tis pickguard is handmade, and the bridge pins are ebony with abalone dots. The tuners are Nickel Waverly with ivoroid buttons.
  Bryan Sutton has this to say: "From the first time I played the Slope-D Bourgeois that would come to be known as the "Banjo Killer", I was amazed at the range of tone and volume the guitar could produce. The guitar always seems to be to able to handle any dynamic level of play. I can hear the guitar clearly in a loud jam session without feeling like I have to overplay and also enjoy a full and sustained tone when I want to play softly.”

New Deluxe model featuring Truetone Gloss finish, and Fishman electronics. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

New Deluxe model featuring Truetone Gloss finish, and Fishman electronics. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.