Search results for 'lefty guitars'

Here's a 46 year old S.L. Mossman Flint Hills model Rosewood Dreadnought. Made in 1977. Handmade in Winfield, Kansas the Flint Hills is perhaps the most well known model of the Mossman models, featuring a Sitka Spruce top, East Indian Rosewood Back and Sides, Ebony Fingerboard and Bridge, Grover Rotomatic tuners, 25 3/4" inch scale length, and Mossman’s own proprietary bracing.

  Here's a true treasure for guitar lovers, a vintage Gibson J-200. Made in 1968. The Gibson catalog describes their J-200 model as “King of the Flat Top Guitars”. This is timeless instrument that exudes charm and character. This J-200 showcases its age with grace and is in overall very good condition. The saddle, nut, frets, and neck binding have been professionally replaced. The bridge plate was rebuilt, and the adjustable saddle replaced; breathing new life into this vintage beauty. These upgrades have improved the instrument's performance and tone while retaining its authentic essence. With its iconic sunburst finish, this Gibson J-200 captivates both the eyes and ears. The action is low and easy to play. Strummed, it has a rich, resonant tone that is both loud and balanced, making it ideal for a variety of musical styles.
  Whether you are a collector seeking a prized addition to your collection or a musician yearning for a vintage gem, this vintage 1968 Gibson J-200 is ready to inspire and delight. Don't miss your chance to own this piece of musical history. Comes with the original hardshell case (one side of the handle is broken).

Urban Ash has carved out a niche for itself in the Taylor line as a premium back and side wood with a dry, focused midrange and balance akin to high-grade mahogany. Now, it’s debuting as a top wood in the 424ce LTD, a Grand Auditorium crafted with back, sides and top of solid Urban Ash. As a hardwood, Urban Ash delivers a natural compression effect that will sound familiar to players of mahogany or koa guitars, smoothing out the initial attack to yield a remarkably balanced profile across the frequency spectrum. This model serves up the same fundamental focus you would expect from mahogany—the note you play is the note you’ll hear, and the restrained overtone response makes the 424ce LTD a superstar in recording applications. Inside, the V-Class bracing generates its trademark blend of enhanced volume and sustain, coaxing greater musicality and tunefulness from this versatile guitar. Appointments for this limited-edition model match its 400 Series counterparts and include black binding, a three-ring black rosette, Renaissance fretboard and peghead inlays in Italian acrylic, a black pickguard, Taylor satin black tuners, and a natural gloss finish that showcases the natural blonde hue and grain of Urban Ash. It ships with ES2 electronics and a deluxe hardshell case.

Colling's D1-T Traditional Series or "T-Series” guitars represent an exciting vintage-inspired tonal variation on the distinctive Collings sound, designed and crafted to showcase the most desirable characteristics present in coveted pre-war instruments. Bracing and tone woods are adjusted for weight and thickness to create a voicing characterized by warm, rounded highs and a present low midrange, while retaining a quick attack and strong projection.

This beautifully aged classical guitar is from master luthier Jeronimo Peña Fernadez. Hand-dated in the soundhole at 1973. Featuring a solid Red Cedar top and quatersawn Brazilian Rosewood back and sides, the renowned warmth and balance of this instrument's tone is hard to overstate. This instrument was made at a time when Jerinimo Peña Fernandez was producing between 20 and 25 guitars a year in his workshop. The highly stylized guitars of Fernandez are perhaps most immediately identifiable for their intricate design details and overall original style. He learned this in the course of an apprenticeship in carpentry that began when he was only nine.

Taylor Builder’s Edition 517e Natural. In near mint condition. We've seen new guitars hanging in other stores that show more wear than this guitar. The neck is straight and true. The frets look perfect. It plays and sounds great. Taylor’s new modern Dreadnought body with all the Builder’s Edition upgrades. Torrified Spruce with vintage-hued looks, serves up projection and clarity with a touch of warmth. Silent satin finish helps give this guitar a little bit of vintage mojo. This slope shouldered dread with Taylor’s patented V Class Bracing resonates with finely honed balance of low-end power and clarity across the mid and upper registers. Premium features include chamfered body edges and a new compound carve neck profile help create a most comfortable playing experience. Contoured fretboard edges, ridgeless neck heel, and curved wing bridge provides even more playing comfort. Looks great, sounds great, comfortable playability, all in one. Raising the bar on your playing experience.

Up for sale is a Zager ZAD9800CE 12-string acoustic guitar in near mint condition. Collector owned, it has been lovingly cared for. No scratches, no dings, the protective plastic is still on the pickguard! The frets are in perfect condition, offering optimal playability and intonation. It has obviously been well-maintained and ready to bring its beautiful tones to its next owner. Designed with meticulous attention to detail and renowned for their exceptional playability and tone, Zager guitars are favored by both professional musicians and enthusiasts alike.

During the early 20th century, acoustic guitars were used in antiquated dance orchestras and brass bands. However, the wind instruments would drown out the sound of the acoustic guitars. In 1927, Slovak luthier, John Dopyera was approached by a guitarist known as George Beauchamp with a request for a guitar loud enough to play alongside brass and wind instruments. Using 3 spun aluminum speaker cones (resonators), joined by a T-shaped aluminum bar that supports the bridge, a mechanical amplification system was created that allowed the guitar to be heard in the back row of the auditorium. From the jazz bands of the '20s, through the Hawaiian craze of the '30s, from Chicago down to the Delta, the sound of the Tricone defined an era.

During the early 20th century, acoustic guitars were used in antiquated dance orchestras and brass bands. However, the wind instruments would drown out the sound of the acoustic guitars. In 1927, Slovak luthier, John Dopyera was approached by a guitarist known as George Beauchamp with a request for a guitar loud enough to play alongside brass and wind instruments. Using 3 spun aluminum speaker cones (resonators), joined by a T-shaped aluminum bar that supports the bridge, a mechanical amplification system was created that allowed the guitar to be heard in the back row of the auditorium. From the jazz bands of the '20s, through the Hawaiian craze of the '30s, from Chicago down to the Delta, the sound of the Tricone defined an era.

This new special edition 114ce-SB continues our tradition of comfortable, musically versatile Grand Auditorium guitars with a stylish satin sunburst top to complement its punchy, clear sound. A solid Sitka spruce top paired with layered walnut back and sides delivers bold projection with a balanced tone profile that makes this model a great choice for virtually any musical application, from honing your skills to playing in front of an audience. With the built-in ES2 electronics, you're all set to plug in and play when the occasion calls for amplified sound, and the included gig bag makes it easy to take your guitar wherever you need to go.

Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.