Search results for 'Tuners'

  If this one isn't already on your radar, it should be. For a smaller body guitar, Larrivee's 0-40r creates an outstanding range of sound. It is not only seriously fun to play, and easy to sit with; but is surprisingly full-sounding, and balanced. This would make an outstanding instrument for recording.
  Built in America using all solid woods, bone nut and saddle, diamond fingerboard dots, and 18:1 open-back tuners.
 This one is upgraded with a Moon Spruce top for added punch, and JCL headstock logo.
  Between the sharp aesthetic, the high-caliber build quality, and most importantly the gorgeous sound, this model might seriously become your go-to piece.

  The E3D Deluxe features a solid Sitka Spruce top, solid Ovangkol back and sides, Eastman's Truetone Gloss finish, and Fishman electronics.
  Iconic, big, and bold. You'll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

  The E3OM Deluxe features a solid Sitka Spruce top, solid Ovangkol back and sides, Eastman's Truetone Gloss finish, and Fishman electronics.
  The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a solid Thermo-Cured Sitka Spruce top, and solid Rosewood back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a Thermo-cured Sitka Spruce top, and Rosewood back and sides. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

Featuring an Adirondack Spruce top, and solid Mahogany back and sides. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

Crafted with hand-friendly design features, an inspiring tonewood pairing and a suite of celebratory appointments, the 50th Anniversary Builder’s Edition 314ce LTD offers exceptional comfort, playability, tone and aesthetics. This ultra-refined version of one of the best-selling U.S.-made acoustics boasts a bevy of comfort-enhancing features: a beveled armrest and cutaway, chamfered body edges and a contoured Curve Wing bridge. Urban Ash back and sides, responsibly sourced from Southern California, produce midrange power and balance akin to high-quality Honduran mahogany. Its solid Sitka spruce top offers a warm, punchy midrange, crisp trebles and impressive low-end presence. The body, which sports a firestripe pickguard, is finished with a vintage-vibed Kona burst and our smooth Silent Satin sheen. Like other 50th Anniversary Collection guitars, this versatile cutaway Grand Auditorium features a commemorative label inside, ebony bridge pins with gold acrylic dots and premium Gotoh 510 antique gold tuners. It comes with ES2 electronics and ships in a Taylor deluxe hardshell case.

  This Custom Build Banjo Killer is a standard square shouldered dreadnought with a premium bearclaw Sitka spruce top and figured mahogany back and sides. Square headstock shape. The bracing for this guitar is modeled after Bryan Sutton’s famous Bourgeois dubbed the “Banjo Killer". The fingerboard and belly bridge are figured ziricote wood. The Tor-tis pickguard is handmade, and the bridge pins are ebony with abalone dots. The tuners are Nickel Waverly with ivoroid buttons.
  Bryan Sutton has this to say: "From the first time I played the Slope-D Bourgeois that would come to be known as the "Banjo Killer", I was amazed at the range of tone and volume the guitar could produce. The guitar always seems to be to able to handle any dynamic level of play. I can hear the guitar clearly in a loud jam session without feeling like I have to overplay and also enjoy a full and sustained tone when I want to play softly.”

The 50th Anniversary 314ce LTD elevates one of the world's best-selling US-made acoustic guitars to new heights. Featuring a torrefied Sitka spruce top and solid sapele back and sides, this versatile Grand Auditorium produces a punchy midrange with a warm, woody low end to balance its sparkling trebles. Our V-Class bracing generates greater volume, sustain and harmony down the neck, while our special roasting process for the top adds a touch of aged-in depth and sweetness. We've enhanced the vintage character of the slightly darkened top with a subtle shaded edgeburst around the body and neck, while a firestripe faux-tortoiseshell pickguard adds a bold visual touch. Other aesthetic details include gold tuners and ebony bridge pins with gold acrylic dots. Like all 50th Anniversary Collection models, it features a celebratory limited-edition label, and production will be limited to 1,974 guitars worldwide. This model includes ES2 electronics and a hardshell case.

New Deluxe model featuring Truetone Gloss finish, and Fishman electronics. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

New Deluxe model featuring Truetone Gloss finish, and Fishman electronics. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.