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The PRS Private Stock 40th Anniversary McCarty Dragon embodies the spirit of PRS, showcasing stunning visual design and uncompromised playability and tone.
“When I was a teenager, I had a dream about a guitar with a dragon inlaid down the neck. That dream became reality for the first time in 1992 and has since become an important part of our history. For our 40th Anniversary, we have chosen a McCarty model as the foundation of the Dragon, which is only fitting considering the original 1992 Dragon was the beginning of what would become the McCarty model. I'm proud to bring these two, now-historic, PRS designs together.”

– Paul Reed Smith, Founder & Managing General Partner, PRS Guitars

  Check out this awesome 1964 Gretsch 6119, serial number #72004! This is a fantastic find for any vintage guitar lover and a true piece of Beatle-era history.
  This guitar is in fair condition. It has been cared for, but played, and shows play and finish wear that is appropriate for its age...it all adds to its vintage charm though. Neck, and neck angle are straight and true. The binding is in great condition. Frets are worn, with many pits and divets. Despite this, the guitar still plays surprisingly well, and sounds fantastic! You will encounter the odd rattle throughout the fingerboard though, from fret divets.
  This is a chance to grab a very cool piece of vintage guitar history! Comes with the original grey hardshell case.

Sapele, often compared to mahogany because of its look and sound, first joined the Taylor lineup in 1998. Since then, our sapele/spruce 300 Series guitars have welcomed countless players to the all-solid-wood acoustic experience. The limited-edition 50th Anniversary 312ce LTD celebrates and continues that tradition. The cutaway Grand Concert features solid sapele back and sides paired with a torrefied Sitka spruce top. This combination produces a balanced, resonant tone with clarity, warmth and responsiveness. Our special roasting process slightly darkens the soundboard and adds touches of aged-in sweetness and depth from the first time the guitar is played. V-Class voicing architecture inside improves pitch accuracy up and down the neck while boosting volume and sustain. Its slim neck and low action ensure familiar Taylor playability. A shorter, finger-friendly scale length makes fretting easier and reduces string tension, making for an even more inviting playing experience. Gemstone inlays, a bold firestripe pickguard, a shaded edgeburst and gloss-finished body add distinctive visual appeal. Other 50th Anniversary touches include a commemorative label inside, gold Taylor tuners and ebony bridge pins with gold acrylic dots. The guitar comes equipped with an onboard ES2 pickup and ships in a Deluxe Hardshell Case.

A new and unique Eastman solid body guitar, Juliet is an evolution of ergonomic carves and graceful curves. Featuring a lightweight Okume body and neck, sculpted for maximum comfort and playability. Striking features include an offset body with raised center bar and laid-in pickguard, making Juliet stand out in any player's rig, on any player's stage.

  The DGT (David Grissom Trem) is the result of more than 20 years of collaboration between Paul Reed Smith and David Grissom. The DGT is based on the McCarty platform with a unique DGT neck shape, taller frets, special pickups, and a revised control layout. Grissom and Paul spent a year A/B-ing more than forty sets of pickups before nailing the vintage-voice of DGT humbuckers. When paired with individual volume controls for each pickup and a push/pull master tone control that operates the coil taps, DGT pickups provide versatility and articulation.
  “The DGT is a product a lot of miles down the road: a lot of gigs, a lot of records. It’s like picking up a vintage guitar. It sounds like a vintage guitar, and out of the box it’s ready to go. There’s a whole lot of thought gone into this. The DGT is pretty perfect to me.” – David Grissom

The all-new 724ce launches a new era for the Taylor 700 Series, introducing Select-grade Hawaiian koa to this popular family of acoustic guitars. This Grand Auditorium boasts back, sides and top of solid Hawaiian koa selected for its visual beauty as well as its punchy, lively musical response. You'll hear a bold attack with an energetic tone profile that yields crisp trebles, a rich midrange and a low end that grows in over time. The super-thin matte finish makes for a raw feel and aesthetic that's complemented by mother-of-pearl Fountain inlays, rosewood binding, a paua shell rosette and a dark-stained maple pickguard. It includes the ES2 acoustic pickup and a deluxe hardshell guitar case for storage and protection.

IN THE HILLS ABOVE HOLLYWOOD, CALIFORNIA… sit several well known canyons. Beachwood Canyon, to the East of Hollywood, is home to the famous HOLLYWOOD sign. To the West sits Nichols Canyon, where Foxx pedals founder and current Danelectro owner Steve lived with his parents in the mid 1960’s. It was in the garage of that home on Nichols Canyon Place that Steve created his first effects pedal, which he named “The Liverpool Fuzz Tone”. Steve had no money to buy a fuzz and no access to any schematics. So he created a completely unique circuit architecture that has never been seen again. Although he called his box a “fuzz”, it was in fact half way between a distortion and a fuzz. This incredible box dishes out delicious tones unlike those of any pedal ever made. While Steve labored to create this new box in 1966, less than 2 miles away in Laurel Canyon musicians were collaborating on what would become the most famous songs of the 1960’s.

  Mark Tremonti is one of rock's leading guitarists. As the guitarist of Alter Bridge and Creed, he has met extraordinary success and continues to grow as both a guitar player and songwriter. While Creed was on tour in support of their first record, My Own Prison, Mark was contacted by PRS and asked if he would like to try one of their guitars.
  Mark Tremonti began to collaborate with PRS on his dream guitar that would soon become the Mark Tremonti Signature. He needed pickups that were a little more aggressive and could complement his rhythm playing which contains a lot of palm muting. The neck of the guitar needed to accommodate his style, influenced by thrash metal, shred, and traditional blues. PRS met these needs with the Pattern Thin neck carve.

A high-performance update on a classic design, the ESP E-II T-B7 offers serious extended-range performance for players who need all the contemporary features for powerful guitar playing in the studio and on stage. Made in ESP’s Tokyo factory by our expert luthiers and designed for pro players, the E-II T-B7 is a seven-string baritone guitar at 27" scale that includes premier-quality features like neck-thru-body construction, a 24-fret ebony fingerboard, a fast thin U-shaped maple neck, ESP strap locks, Gotoh locking tuners and an EMG 707/EMG 81-7 pickup set. Includes form-fitting hardshell case.

  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith's favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer

Here's a Fender American Standard Stratocaster in a stunning Candy Apple Red finish. Made in 1996, it's in very good condition. This classic Strat features a maple neck with an Indian Rosewood fingerboard, combining iconic looks with exceptional playability. Aftermarket white pearloid pickguard. It has a commemorative sticker bearing the words "Fender 1946-1996 50 Years of Excellence" applied on the back of the headstock. With the only noticeable blemishes being a small screw hole in the top (drilled for a MIDI pickup), and a couple of scratches on the edge of the top. Despite these minor imperfections, the guitar feels, plays, and sounds great. The frets show no wear. It has been well cared for and is ready to be played. Comes with a non original Fender Squire molded hardshell case.