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This James Tyler Studio Elite features an insane Alien Guano finish with matching neck and headstock. The Studio Elite models are the pinnacle of form, function, and sound. Years of feedback from revered studio and gigging guitarists culminated into the ultimate in electric guitars.

  This OM2H features a Torrefied Sitka Spruce top, Indian Rosewood back and sides, Adirondack Spruce braces, and a 1 3/4" nut width.
  'OM' stands for "Orchestra Model," but 80 years after this body shape was first designed it has become the most popular 14-fret model with fingerstyle guitar soloists who choose to play on steel strings; yet flatpickers also find it appealing. The compact shape makes the Collings OM equally easy to handle onstage or when sitting on the couch, and the relatively shallow body (barely over 4 inches deep) results in balanced tone and an immediate response.

  This is a Teye, L-Series Cleopatra: a true work of art that combines breathtaking craftsmanship with exceptional tone and playability. Known for their intricate inlays, ornate engraved aluminum plates, and rich, versatile sounds, Teye guitars are highly sought after by players and collectors alike.
  This Cleopatra is in excellent condition, showing only slight hints of playwear. The finish, hardware, and intricate details are all in great shape, and it has been well cared for. The frets are perfect and show no wear. It has been set up and plays great.
  This Cleopatra also features a Shipwreck finish on its mahogany back and neck, a bound ebony fretboard, Lollar pickups, and Grover Imperial tuners, ensuring premium tone and playability. It comes with a waterproof SKB iSeries hardshell case for ultimate protection.

  This is a 1982 Gibson Firebird II Artist CMT in a beautiful cherry sunburst finish. This is a rare vintage piece with some tasteful modifications to make it more player-friendly. With its Curly Maple Top (CMT) and unique design, this is one of the more distinctive Firebirds Gibson ever made.

The Super Bee captures that legendary Fullerton-made blackface 4x10" Super Reverb sound in an inspiring new model sized and powered to suit the true needs of today’s venues. No channel switching, no loop, just pure old-school blackface-inspired tone, delivered with new-school usability.

From scooped chime, to edge-of-breakup twang, to stinging roar, it’s all there at volume levels that will keep the soundman smiling while you push the Super Bee into succulent output-tube-driven overdrive and harmonically saturated bloom.

The key to the Super Bee circuit lies in its current-production 6BM8 output tubes. The pair achieves rich, bold, articulate tone remarkably reminiscent of the classic 6L6GC but at only 10 watts — plenty to cut through your drummer at the next club gig, but easily driven into dynamic sonic splendor without violating any noise restrictions.

Add a built-in attenuator to take it from 2 watts to a whisper for late-night jams; Carr’s spacious, three-dimensional tube-driven reverb; an EZ81 tube rectifier for a lively, bouncy playing response; and Carr’s legendary point-to-point construction and high-end component selection, and this is the finest compact Fullerton-killer on the scene today.

But wait! There’s also the versatile Sting switch to reconfigure the Super Bee for three classic voices:

64 – extra-scooped shimmer for crystalline cleans
68 – pushed blackface with bite for meaty twang and crunch
72 – more gain and a shift in the EQ circuit placement delivering fuller mids for luscious leads

The Super Bee — a Super reverb combo you can actually carry . . . And tear down the house without shredding any eardrums. Learn More

Crafted with all-solid tonewoods, tone-enhancing interior bracing and a striking sunburst finish, the Taylor 314ce Studio makes pro-quality sound more accessible than ever. This versatile, comfortable Grand Auditorium acoustic-electric boasts back and sides of solid sapele, a mahogany-like tonewood with a warm, punchy midrange voice. A solid top of torrefied Sitka spruce yields bold projection and a warm, aged-in quality thanks to our special roasting recipe, while our V-Class bracing adds more volume, longer sustain and clearer harmony between notes all the way up the neck. A narrower nut width of 1-11/16 inches and our slender neck profile makes for buttery-smooth fretting at any skill level, and the onboard ES2 electronics make it easy to plug in and play with clear amplified tone. This model is finished with an attractive shaded edgeburst top treatment and an all-gloss body, and includes a structured gig bag for convenient storage and portability.

Larrivee's Traditional Series was created with two things in mind: Create an instrument with traditional 'vintage' features like a flat-top headstock, hand-carved volute, and diamond inlays; but at the same time maintain the unique tonal balance of the standard Larrivée symmetrical parabolic bracing system. An enlarged soundhole allows significantly greater mid-range punch, emphasizing the low end, and increasing overall volume. This 50 Series features Larrivee's highest grade mahogany, herringbone trim, and traditional angled bone nut. The casted bronze open-back tuners feature engraved design work by Wendy Larrivee. One of the many fine details that put this series in a category of their own.

  The PRS S2 Series is now updated with USA-made pickup and electronics. PRS is proud to bring this added value to what has become a fully integrated part of their manufacturing line and product offering.
  The S2 Custom 24 takes the original PRS guitar, the Custom 24, and re-imagines it with stripped-down features and a new aesthetic. Retaining the classic maple top/mahogany back combination with our classic body shape and an asymmetrical beveled top, this guitar has a resonant, powerful voice. Its versatility comes from its Maryland, USA-wound 85/15 pickups and 5-way blade switch, offering all the same sounds as the flagship Custom 24. Familiar for PRS players of old, and a fresh take for players of all types.

Salvaged from the ancient Koa forests of the Big Island of Hawaii, the Hawaiian Country Boy’s Koa backs and sides sound as good as they look, offering a rich midrange and a touch of island warmth that will deepen over time. Dana Bourgeois has personally selected each old-growth Bearclaw Sitka Spruce top in this series. Chosen for their bright and responsive tap tones, each one was hand-voiced at Dana’s small workshop in Maine. By combining the warmth of Island Koa with the sparkle of winter spruce, the Touchstone Hawaiian Country Boy has been designed to respond equally well to delicate fingerpicking and lively strumming.

The PRS Private Stock 40th Anniversary McCarty Dragon embodies the spirit of PRS, showcasing stunning visual design and uncompromised playability and tone.
“When I was a teenager, I had a dream about a guitar with a dragon inlaid down the neck. That dream became reality for the first time in 1992 and has since become an important part of our history. For our 40th Anniversary, we have chosen a McCarty model as the foundation of the Dragon, which is only fitting considering the original 1992 Dragon was the beginning of what would become the McCarty model. I'm proud to bring these two, now-historic, PRS designs together.”

– Paul Reed Smith, Founder & Managing General Partner, PRS Guitars

Larrivee Guitars' Baker-T Classic is their latest precision-built California-made electric guitar. Using only the highest quality parts, materials, and craftsmanship: everything you would expect from Larrivee. From ultra-light Louisiana Swamp Ash bodies and East Indian Rosewood fingerboards, to American Rock Maple necks, every piece is hand selected for quality, weight, and appearance. Electronics include a much sought-after pickup design by Matthew Larrivee, genuine vintage paper-in-oil capacitors for linear tone pots, and Bournes ultra-smooth potentiometers. All headstocks are fit with high-end Gotoh SDS-510 tuners for ultra-smooth precision. A presicion neck angle and fit is ensured by stainless steel threaded neck inserts & neck screws. You can see, hear, and feel every bit of quality that goes into Larrivee's electric line.