Search results for 'bass head'

Here's a very cool Fender Jaguar, made at the Fullerton Plant (Fender - Pre CBS Era), USA in 196. Serial #92752. Three tone sunburst finish on alder body. Maple neck, with a curved Brazilian Rosewood veneer fingerboard adorned with clay dots. The tone potentiometer code 304-6245 designates it was made by Stackpole Electronics, Inc. in the 45th week of 1962.

  The brainchild of Sarah Tyler, the 35th Anniversary Studio Elite commemorates the birth year of the Studio Elite with Jim's iconic headstock design: 1987. This year marks a pivotal moment when Jim transitioned to full-time guitar building, leaving behind mods and repairs for good. With the guitar turning 35 years old in 2022, it was only fitting to celebrate its rich history.
  To honor this milestone, every aspect of the guitar reflects California craftsmanship and tones, paying homage to the early Tylers made with Mamywo. The guitar features lead/rhythm circuits with mid-boost preamps, reminiscent of those classic models. Additionally, to infuse a touch of modernity, Tyler incorporated the Stingray 500 pickups with the new cancelling coil circuit.

Formerly called “ESP Standard”, all ESP E-II instruments are created at our ESP factory in Tokyo, Japan, and are designed for professional players who accept no compromises in tone, feel, or reliability for their guitars and basses. The E-II Eclipse Full Thickness is exactly as the name implies: a body with traditionally thick design. This guitar offers set-thru construction, using a mahogany body with flamed maple top that looks amazing in Tobacco Sunburst finish, complemented by single ply creme binding. The E-II Eclipse Full Thickness also features a mahogany neck with bound ebony fingerboard that includes ESP flag inlays, and a satin finish on the back for super smooth playability. Premier components include Gotoh locking tuners, a Gotoh TOM bridge and tailpiece, a bone nut, ESP strap locks, and a set of Fishman Fluence Open Core Classic Humbucker pickups with push-pull controls to activate three different voicings. Includes an ESP hardshell form-fitting case.

  Ernie Ball Music Man is pleased to announce the addition of the DarkRay 4 string bass. Designed in collaboration with world-renowned bass accessory manufacturer Darkglass Electronics, the DarkRay unlocks a whole new range of sonic capabilities.
  At the heart of every instrument is its tone: in this case, a new modern 2 Band EQ preamp was designed by Darkglass specifically for the DarkRay. This preamp offers three modes with very distinct and useful sounds: Clean, Alpha (distortion), and Omega (fuzz). Both distortion circuits are fully mixable via an onboard gain knob and blend control manipulated to the user's preference. Astonishing clean, slight gain, or a brutal fuzz tone is obtainable, all with no low-end loss. A bright LED ring and the 3-way lever switch indicates which mode the bass is in.
  The all-new DarkRay is every bit a Stingray Special with neodymium humbucking pickup, roasted maple neck, comfort contoured body, 22 stainless steel frets, and the familiar 3+1 headstock configuration.

  If this one isn't already on your radar, it should be. For a smaller body guitar, Larrivee's 0-40r creates an outstanding range of sound. It is not only seriously fun to play, and easy to sit with; but is surprisingly full-sounding, and balanced. This would make an outstanding instrument for recording.
  Built in America using all solid woods, bone nut and saddle, diamond fingerboard dots, and 18:1 open-back tuners.
 This one is upgraded with a Moon Spruce top for added punch, and JCL headstock logo.
  Between the sharp aesthetic, the high-caliber build quality, and most importantly the gorgeous sound, this model might seriously become your go-to piece.

  The E3D Deluxe features a solid Sitka Spruce top, solid Ovangkol back and sides, Eastman's Truetone Gloss finish, and Fishman electronics.
  Iconic, big, and bold. You'll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

  The E3OM Deluxe features a solid Sitka Spruce top, solid Ovangkol back and sides, Eastman's Truetone Gloss finish, and Fishman electronics.
  The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a solid Thermo-Cured Sitka Spruce top, and solid Rosewood back and sides. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

Featuring a Thermo-cured Sitka Spruce top, and Rosewood back and sides. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

Featuring an Adirondack Spruce top, and solid Mahogany back and sides. Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

  This CE24 features a Black Amber Finish, and Pattern Thin neck carve.
  Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. These attributes have, in turn, become essential to many players trying to tell their story through music. The CE 24 pairs PRS’s traditional body combination of the mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck sports a Pattern Thin carve and satin nitro finish for a natural, addictive feel. To further maximize the guitar’s inherent tone and clarity, the CE 24 features PRS 85/15 pickups, which Paul designed to have remarkable clarity as well as extended high and low end. The electronics consist of a volume and push/pull tone control with 3-way toggle switch for a total of six classic sounds.