Search results for 'prs library wood'

When Larrivee was moving, they discovered some things they didn't know they had...like a pallet of Moon wood tops in the corner from over 10 years ago. Just sitting there aging. Here's a OM-40-RW with one of these special tops. To make it even more special, it has a vine logo set in a rosewood headstock overlay with a signed, interior label.
Limited to 100 pieces.

Learn More

The Xotic XTC guitars are hand built in the USA and feature nitrocellulose finish, flame roasted maple neck treated with oil for the ultimate in playability and Raw Vintage hand wound pickups based on Xotic’s own proprietary design.

Learn More

The PRS Silver Sky is an idealized version of a vintage single-coil guitar where every detail adds up and sets this guitar apart from the pack and the past. The result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith, the Silver Sky is based off of years of development. Incorporating Mayer and Smith’s favorite elements of 1963 and 1964 instruments with an eye toward modern references, the PRS Silver Sky delivers the warmth and familiarity of an old guitar with the finesse of a brand-new instrument. Learn More

Now available as a left-handed model, the PRS SE Standard 24-08 is a mahogany-body workhorse guitar with powerful humbucking and true single-coil tones in one instrument. Its PRS TCI “S” pickups are paired with a 3-way toggle switch and two mini-toggle coil split switches that individually split the humbuckers into true single coils for a total of eight pickup configurations. Players can enjoy two full octaves thanks to the 24-fret, 25” scale length rosewood fretboard and wide thin maple neck, and the PRS patented, molded tremolo gives players added flexibility and control over their playing. With sonic range and rock-solid reliability, the PRS SE Standard 24-08 will keep you playing without compromise.

Learn More

Now available as a left-handed model, the PRS SE Standard 24-08 is a mahogany-body workhorse guitar with powerful humbucking and true single-coil tones in one instrument. Its PRS TCI “S” pickups are paired with a 3-way toggle switch and two mini-toggle coil split switches that individually split the humbuckers into true single coils for a total of eight pickup configurations. Players can enjoy two full octaves thanks to the 24-fret, 25” scale length rosewood fretboard and wide thin maple neck, and the PRS patented, molded tremolo gives players added flexibility and control over their playing. With sonic range and rock-solid reliability, the PRS SE Standard 24-08 will keep you playing without compromise.

Learn More

  Now avilable as a left-handed model! Built with a longer 27.7” scale length, the SE 277 is perfect for heavier, more aggressive guitar playing. But this is no one-trick pony. The 277’s 85/15 “S” pickups were designed to deliver remarkable clarity and extended high and low end, allowing the 277 to handle blues and funk with flair as well. Additional appointments include a string-through bridge design for strong, resonant tone.
  Whether you’re interested in rocking a clean tone, picking bass lines beneath higher melodies on one guitar, or chugging out the heaviest drop-tuned riffs, the SE 277 offers versatility in a reliable package for players looking to push the envelope. Ships tuned B to B.

Learn More

When Larrivee was moving, they discovered some things they didn't know they had...like a pallet of Moon wood tops in the corner from over 10 years ago. Just sitting there aging. Here's a D-40-RW with one of these special tops. To make it even more special, it has a vine logo set in a rosewood headstock overlay with a signed, interior label.
Limited to 100 pieces.

Learn More

The StingRay RAY34 Poplar Burl bass features the iconic sound of the Music Man StingRay with an updated exotic wood look. Complemented by a roasted maple neck, a 3-band active preamp, and a bridge modeled after the classic Ernie Ball Music Man StingRay, this Ray34PB is sure to be a stand out in any collection. Featuring a beautiful Dark Scarlet Burst.

Learn More

The SE Hollowbody II combines the power and stability of a solid-body electric guitar with the captivating resonance of a hollowbody instrument. The 58/15 LT “S” pickups deliver clarity and balance that sound big and musical in the hollowbody platform. Designed to look as good as it sounds, the SE Hollowbody II also features a figured maple top and back and mahogany sides as well as a mahogany neck (set-neck construction) with PRS trademark bird inlays. Both hollowbody and solid-body players will feel at home with the SE Hollowbody II. Learn More

  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith's favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer

Learn More

  The Goodall Grand Concert might be one of the world's most perfect guitars. With its refined and beautifully proportioned shape, it is everything you could desire from an acoustic guitar and more. It's tone is a wonderful blend of balanced clarity, and punchy projection, with a smooth rich bass response. This instrument is larger than the Parlor but smaller than the Concert Jumbo. It has a singing lyrical treble, with excellent sustain, and is comfortable to hold. Though it is a small guitar, the Grand Concert does not exhibit the tight nasal tonal quality in the midrange and bass that is generally associated with smaller guitars.
  While the Grand Concert series is considered ideal for the fingerstylist due to its sensitive, dynamic responsiveness, it is equally appropriate for the flatpicker or plectrum player with the appropriate tonewood combination. It is prized by Bluegrass flatpickers and has even been said to surpass large bodied dreadnought guitars with respect to it's clarity, sustain and powerful projection.

Learn More